Ceramic tiles have been produced since ancient times to decorate the floors, walls, and even ceilings of important structures, from temples to pyramids. Sometimes made of earthenware and painted, other times made of stoneware or porcelain that’s been glazed and fired, tiles can be used individually as accents or in grids to create larger images, scenes, and patterns.

Relief tiles in the shapes of rectangular bricks were a staple of the ancient Persian architecture practiced in what is now Iran, while geometric and vividly colored tiles were a signature style of the Ottoman Empire in 16th-century Turkey. Around the same time, from Italy to Portugal, artisans were lining the interiors and exteriors of palaces and churches in shiny tin-glazed earthenware tiles, which mimicked tapestries or depicted flora and fauna.

Anything ceramists did with art pottery they did with tiles. The Dutch made Delft plates, vases, and figurines, so they also produced square Delft tiles, which gave any wall or surface a clean and fresh look thanks to their simple, blue-on-white patterns. The Italians, on the other hand, used the lush richness of majolica to create busy tiles that enticed the eye. Other tiles were created almost as plaques—Wedgwood Jasperware tiles and those made by the Grueby Faience Company were often framed as works of art.

The 19th century was a particularly good period for ceramic tiles thanks to the 1840s revival of the medieval technique of encaustic tilemaking. Unlike tiles whose surfaces had been painted and fired, encaustic tiles used clay bodies of different colors to create designs and patterns. Because their designs extended an eighth of an inch or more into the clay body itself rather than just laying on the surface where it could be easily worn away, encaustic tiles were embraced by architects looking for decorative treatments on flooring.

The mechanical breakthrough in the Victorian Era that made the previously laborious encaustic technique affordable was called dust-pressing or dust process. One of the first manufacturers to recognize the potential of this new method of manufacturing was Herbert Minton, whose father had founded the Staffordshire pottery of the same name. Minton quickly made his firm the foremost producer of encaustic tile flooring. In fact, by 1856, Minton, Hollins and Company, as it was then known (Minton is now a part of Royal Doulton), supplied encaustic floor tiles for additions to the United States Capitol. Despite the high traffic they were subjected to, the original tiles lasted more than 100 years before being replaced in the 1970s.

After the Civil War, American entrepreneurs launched encaustic tilemaking firms of their own. Founded in 1875, the American Encaustic Tiling Company of Zanesville, Ohio, was one of the first. Under the direction of Gilbert Elliott of England, American Encaustic produced flooring for Zanesville’s Muskinghum County Courthouse in 1877. By 1880, the company’s reputation had spread east—that year, American Encaustic made floors for the New York State Capitol Building in Albany.

In 1889, the owners of American Encaustic actually tried to relocate it to New Jersey, but the people of the clay-rich town of Zanesville, which was also the home of Roseville and Weller, raised $40,000 to keep the plant from moving. Still, American Encaustic’s connection to the East Coast was strong. In the 1920s, for example, half of the white rectangular "subway" tiles used to line the insides of the Holland Tunnel between New York and New Jersey were produced by American Encaustic. In fact, the 1920s were a productive time for the firm, with notables like Frederick Rhead of Fiestaware fame on the payroll. But American Encaustic could not weather the Great Depression, and in 1937 it was reorganized as Shawnee Pottery...

Mosaic Tile Company also got its start in Zanesville, founded in 1894 by two American Encaustic employees, Karl Langenbeck and Herman Mueller. Mosaic Tile began with floor tiles made from Ohio clay, but its offerings quickly expanded. At one point designer Ruth Axline of Weller was on the payroll, as was Frederick Rhead’s brother, Harry, who left Roseville to oversee Mosaic’s faience line.

Mueller eventually left Mosaic to found Mueller Mosaic Tile Company in Trenton, New Jersey, in 1909. Langenbeck’s place in ceramic tile history is closely associated with Rookwood. It was Langenbeck, after all, who in 1873 introduced Rookwood founder Maria Longworth Nichols to decorative ceramics, although Nichols was also inspired by Haviland china. Founded in Cincinnati in 1880, Rookwood worked with artists such as Ferdinand Mersman, who became the principal designer for Cambridge Art Tile Works in Covington, Kentucky. In the mid-1880s, Nichols’ old friend Langenbeck was brought in to make the production of Rookwood’s tiger eye and goldstone glazes more predictable.

For tile collectors, some of the most sought Rookwood pieces are the oak-framed wall plaques from the early 1900s. Some were small-scale copies of painting by Dutch masters like Rembrandt and Hals, others were landscapes finished with a vellum glaze. The size of Rookwood plaques ranged from four by eight inches to 14 by 16, although Rookwood artists also produced oval and round pieces.

Another early American encaustic pioneer worth noting was the United States Encaustic Tile Company of Indianapolis, which was founded in 1877 and renamed United States Encaustic Tile Works in 1886. The company was well regarded for its floor, wall, and fireplace tiles (figurative relief mantel tiles were sold in groups of three or six panels).

Pennsylvania was also fertile ground for tilemakers. Doylestown was home to Moravian Pottery and Tile, which was known for its tile murals and fireplace surrounds, the most famous being the Bible Fireplace from the early 1920s. Beaver Falls Art Tile Company made its name with embossed tiles, often used as decorations on stoves. Robertson Art Tile Company did its work in Morrisville while Star Encaustic Tile Company was based in Pittsburgh.

Not all tile innovations occurred in landlocked states. Low Art Tile Works of Chelsea, Massachusetts, began firing tile in 1879. Owner John Gardner Low used everything from real leaves to pieces of lace to impress patterns on his tile. In addition to this so-called “natural” process, Low artists also made high-relief tiles by hand, as well as low relief portraits, landscapes, and character studies that Low called “plastic sketches” (just about all of these were executed by Arthur Osborne, whose signed his work with an “A” surrounded by an “O”).

On the west coast, particularly in Southern California, a tile renaissance took place between 1890 and World War II. Gladding McBean of Los Angeles produced decorative tiles of thick red clay. During the Arts and Crafts era, Ernest Batchelder produced tiles of varying shapes for interiors and exteriors—some of his tile fountains are considered historical landmarks. In the 1920s, the Malibu Potteries, Catalina Pottery, Santa Monica Brick Company, and Brayton Laguna Pottery specialized in bright tiles featuring Mediterranean colors and designs.

The palette of northern California tilemakers was no less restrained, as seen in the turquoise tiles of Berkeley’s California Faience and the rich blues and greens of Richmond’s California Art Tile Company. By the 1950s and ’60s, Edith Heath of Sausalito’s Heath Ceramics was championing a Mid-century Modern approach to elegant rectangular tiles, which were used in everything from swimming pools to kitchens.

About our sources | Got something to add?

▼ Expand to read the full article ▼

Best of the Web (“Hall of Fame”)

Gouda Design

Gouda Design

Stuart Lonsdale and Kim Lindley's excellent tribute to and reference on Gouda Dutch Art Pottery and Delftware. The … [read review or visit site]

Cowan Pottery Museum Associates

Cowan Pottery Museum Associates

Dedicated to raising awareness of the ceramic art work of R. Guy Cowan and his Cowan Pottery Studio in northeastern… [read review or visit site]

The Pottery Studio

The Pottery Studio

This 7,000-plus page site lives up to its self-billing as a 'knowledge base' with examples of work from all major a… [read review or visit site]

Clubs & Associations

Other Great Reference Sites

Most watched eBay auctions    

Moravian Art Tile ~ Mission Frieze ~henry Mercer ~ Like Grueby ~ Arts CraftsRare Pr Of Sadler & Green Tin Glazed Delft Tiles, Liverpool C1770. Aesop' Fable Rare Sadler & Green Tin Glazed Delft Tile, Liverpool C1770, Classical Figures#2 Signed Oriental Art Chinese Porcelain Plaque/tile 19th Century Asian CeramicRichard Ginori Gio Ponti Art Deco Tile Mid Century Modern Pottery Eames Era Rare Victorian Moyr Smith Minton Crossing The River Large 8" Pottery TileRare Victorian Moyr Smith Minton 'at The Cross' Large 8" Pottery Tile2000 A.d.~van Briggle Pottery Tiles~framed Centennial Van Briggle Tile Set~mint~Rare 17th Century Dutch Polychrome Delft Tin Glazed Tile, C 1640 Fox & Prey.Pair Of Victorian Moyr Smith Classical Large 8" Pottery TilesMotawi Tileworks Art Tile 4 X 8"Signed Oriental Art Chinese Porcelain Plaque/tile 19th Century Asian CeramicRoyal Delft Porceleyne Fles Wall Plaque Tile Farm Cows Paul Bartels Koninklijke Remarkable Victorian Era Jade Green Majolica Glazed Tile With Female FigureMotawi Tileworks Art Tile 4 X 8"Good Quality Antique , C1852 Encaustic Pottery Tile. William Godwin . Stunning Antique Couple Portrait Hunter And Wench Tiles ~ RareLarge Chinese Chi Lin Ceramic Roof Tile Sculpted, Signed By Artist K.y.lin Batchelder Vintage TilesLarge Chinese Chi Lin Ceramic Roof Tile Sculpted, Signed By Artist K.y. Lin19th Century Jade Green Majolica Glazed Fireplace Tile Depicting Court MusicianSet 4 Harris Strong Studio Art Pottery Tile Wall Art Mayan/aztec Design Nr18th C Delft Pottery Religious TileMotawi Tileworks Art Tile Small 5 1/2 X 2 3/4" Green And Black18th C Delft Pottery Religious Matthew 21:v:1 TileDe Porceleyne Fles Royal Delft - Sepia Tile - Jt&l - 1897 Antique Cont. Art Nouveau Majolica Tile Decorated Lotus Flower? Villeroy Boch?Original Antique Art Nouveau "jewel" Tile By Ollivant Cliffe Vale C1905 VgcPair 6" J & J.g. Low Ceramic Art Tile Arts & Crafts Art Nouveau 1890's Fireplace17th / 18th Century Delft Tile , Tin Glazed Pottery Tile , Dutch / English TileRozenburg Haag Sepia Tile Willem De Zwart Circa 1885 Arts & Crafts FrameA Good C18th Delft Manganese Painted Tile - C1760Mackenzie Childs Torquay Tile. (8) 1/2 TilesMotawi Tile 6x8 Under The Sweetgum - Retails $92.00 - Design By Charley Harper Th2683 Arts & Crafts Floral Tile W. B. Simpson C.1875Minton 6" Farm Animals Tile By William Wise - Donkeys Cr 1880Rare Victorian Era Oversized Majolica Fireplace Tile With Light CrazingOld. Antique Dutch Delft Tile .man With A WheelbarrowAntique Cont. Art Nouveau Majolica Tile Decorated Water Lily Villeroy Boch?Pair Of 18th C Delft Pottery Blue And White Lion And Figures TilesFine 19th Century Mintons , China Works Antique Tile, C1885. William Wise ?10 Art Nouveau Fireplace Tiles Tubelined Majolica Flower Arts & Crafts MissionAntique Cont. Art Nouveau Majolica Tile Decorated Daisies Villeroy Boch?Antique J & Jg Low Art Tile Chelsea MassachusettsAntique Mintons - England - Art Nouveau Majolica Tile C1900Handmade Earthenware Tile From Danish Potter Helle BendstrupAntique Tile Trivet Minton's China Works Pink Bouquet Stoke On Trent EnglandAntique Victorian Decorative Tiles X 2. Minton China Works. AttractiveHandmade Earthenware Tile From Danish Potter Phra Somdej Wat Rakhang,made From Wat Rakhang Old Church Roof Tiles,thai Amulet1960's - 1970's Retro Alan Wallwork Styled Drop Glaze Tile ( Read Message )Th2688 Poly Brace Dunsmore Stencilled Seagull Tile Minton C.1935Mackenzie Childs Vintage TilesAntique Spanish Tile 17th CenturyAntique Dutch Delft Tile Around 1675Antique Arts Crafts Aet American Encaustic Tile Co Mosaic Style Alhambra 6" TileLovely Antique Moorish Pattern Portuguese Ceramic Tile #629Sewer Tile Flower Pot Underplate Made Like A Log/ AafaDelft De Porceleyne Fles *cherries* TileHenriot Quimper - Ceramic, Handpainted Tile Trivet