Before the iPod, Walkman, turntable, or phonograph there was the music box. Though it's hard to imagine it now, the music box was actually an important first step on the road to the miniaturization of sound. Prior to the music box, non-performed music was produced by large and bulky contraptions using bells or chimes. The music box brought melodies into the home and, eventually, rings, medallions, and even perfume bottles. Music boxes were also hidden within table-top snuff containers inlaid with gold, pearls, and ivory.
The key to the music boxes' portability was a tuned steel comb, invented in 1796 by Antoine Favre in Switzerland’s clock-making region, La Vallée de Joux. The first steel combs were made from varying lengths of metal arranged in a curving fan-shape. As the pins on a rotating cylinder struck the teeth of the comb, notes were produced. Much like early musical clocks, these machines were spring-wound.
In 1810, David LeCoultre, of the famous LeCoultre watch-making family, designed a brass cylinder to play notes on a straight length of tuned steel teeth. Longer cylinders could be pinned for multiple tunes and adjusted laterally to switch between songs. A few years later, Francois Nicole, of the famous Nicole Frères firm, created a steel hairspring damper to soften the ring of each note, and the modern music box was born...
However, it wasn’t until 1875 that the first music box factory was opened by the Paillard company in St. Croix, Switzerland. Previously, all music boxes were produced through smaller cottage-industry operations using the skills of different craftspeople to assemble a complete product. These early musical contraptions were an expensive luxury item favored by the aristocracy, primarily playing hymns and operatic songs. Later versions added mechanical automata to their complex musical tunes for increasingly magical effects.
By the late 1800s, music boxes were built with removable cylinders whose tunes could be changed by replacing specially designed drawers. Finally, in 1885, Paul Lochmann created a music box called the “Symphonion” using a flat metal disc that rotated on a turntable. These metal discs could be easily swapped out, much like a vinyl record. Pop music was suddenly affordable and immediately accessible; within weeks of a Broadway show’s debut, its most memorable musical themes were available on music-box discs.
Gustave Brachhausen, foreman of the Lochmann firm, split with the company and created his own business manufacturing the “Polyphon,” perhaps the most famous disc-operated music box. In 1892, Brachhausen moved to the United States where he opened the Regina Music Box Company in Jersey City, New Jersey. Though Regina produced its own mechanical works, Brachhausen still imported discs from the Polyphon factory in Leipzig.
Regina’s immediate success allowed the company to move into a larger factory space and begin producing its own musical discs by hiring additional staff from the best companies of Europe. Besides designing devices for home use, Regina created machines for public spaces which would play songs for a nickel. In 1897, Brachhaussen also developed a multi-disc musical device with an automated disc-changer, a predecessor to the jukebox.
After Thomas Edison’s invention of the phonograph in 1877, music boxes eventually became obsolete due to competition with recorded music. Regina’s music box sales plummeted just after the turn of the century, and though the company attempted to diversify its manufacturing into other fields, by 1919 it was bankrupt. Most other major musical box producers were out of business by the early 1910s.
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