Frank Benson’s 1935 stamp, which was good through June 30 of 1936, also cost a dollar. His trio of canvasbacks was given a maroon hue. Canadian geese, greater scaups, northern pintails, and green-winged teals filled out the rest of the 1930s, while the 1940s were sprinkled with black ducks, ruddy ducks, wood ducks, buffleheads, and two types of geese. Stamp sales crested the 1-million mark in 1938, and 2 million was reached in 1946.

All this time, the stamps still cost $1, and artists were selected by invitation. But in 1950, the price of a duck stamp was raised to $2. That number would hold until 1959, when the price was raised to $3 and the first multi-colored stamp was issued. Based on a tempera drawing by Maynard Reece, it featured a Labrador retriever with a mallard in its mouth next to the words "RETRIEVERS SAVE GAME."

But the biggest change of 1950 was the way in which duck-stamp artists were selected. That year, a competition was held and 65 artists entered. The winner was Walter Weber, whose black-and-white gouache drawing of a pair of trumpeter swans flying over a lake, with mountains in the background, was printed in purple.

In 1971, states got into the pictorial-stamp act, beginning with California. As with the federal program, the goal was to raise money for wetlands. Paul Johnson created the first California stamp of pintails in flight. Iowa, Maryland, and Massachusetts followed—in an interesting twist, Bay State stamps depict famous duck decoys and decoy carvers rather than actual ducks.

For serious collectors, mint-condition stamps that are unsigned and have their original gum backing bring the highest prices. That said, some people prefer to collect stamps that have been affixed to licenses or signed by the hunters who originally purchased them. In these cases, the collector is not only getting a collectible stamp, but a piece of cultural history, too.

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