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Kralik Deco flower vase

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    Posted 7 years ago

    IanBrighton
    (573 items)

    It is unmarked, despite being bought from the US. Otherwise it is right.
    Got one in orange and now this.
    Stands 21cm high.

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    Bohemian Art Glass
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    logo
    SUPERB ANTIQUE LOETZ KRALIK AUSTRIAN BOHEMIAN IRIDESCENT TADPOLE ART GLASS VASE
    SUPERB ANTIQUE LOETZ KRALIK AUSTRIA...
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    Comments

    1. IronLace IronLace, 7 years ago
      It's great! I have them in red & orange - have not seen one in blue before.
    2. sklo42 sklo42, 7 years ago
      Just lovely, Ian, lucky you :)
    3. scottvez scottvez, 7 years ago
      The clear portion of the flower is great against the blue vase-- really dramatic colors. Love it!

      scot
    4. IanBrighton IanBrighton, 7 years ago
      Thanks for the comments: certainly of a type. I keep an open mind over the attribution as we have learnt that all floriforms are Kralik, which I am happy to accept, but we don't know!
    5. welzebub welzebub, 7 years ago
      Known factory literature from Aarhus, a company in Denmark, showing work like this that they produced (applied flowers) using Bohemian gaffers, would certainly throw more than a substantial shadow of doubt on Kralik being the only maker.

      Although we do not know how many companies made this type of product, we certainly know of at least 2, and one was not even Bohemian. Granted, they used Bohemian workers that relocated in Denmark....

      I think that the style was popular, and the vast number of surving examples we see in a range of designs, more than supports at least the notion of multiple houses making these pieces.

      That being said, how do we tell them apart? That is a completely different question, and one I certainly do not have an answer to.
    6. jericho jericho, 7 years ago
      great find, make me want to collect a few flower forms
    7. IanBrighton IanBrighton, 7 years ago
      Thanks for the comments. Craig, probably more of our posts and attributions should come with this sort of caveat.

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