Share your favorites on Show & Tell

"Renaissance" double-sided pendant by Reinhold Vasters

In Fine Jewelry > Victorian and Edwardian Jewelry > Show & Tell.
austrohungaro's loves480 of 3470Early Loetz Olympia Prunts Enamelled Vase & Friends BMP "Blue Mountain Pottery" Blue Drip Glaze Over Cobalt 10" Vase / Canada/ Circa 20th Century
19
Love it
0
Like it

Lamplover78Lamplover78 loves this.
Ms.CrystalShipMs.CrystalShip loves this.
martikamartika loves this.
auraaura loves this.
ho2cultchaho2cultcha loves this.
davyd286davyd286 loves this.
vetraio50vetraio50 loves this.
antiqueroseantiquerose loves this.
ATTWOODATTWOOD loves this.
SEAN68SEAN68 loves this.
Toni1969Toni1969 loves this.
BelleEpoqueBelleEpoque loves this.
Agram.mAgram.m loves this.
melaniejmelaniej loves this.
austrohungaroaustrohungaro loves this.
inkyinky loves this.
kyratangokyratango loves this.
aghcollectaghcollect loves this.
DrFluffyDrFluffy loves this.
See 17 more
Add to collection

    Please create an account, or Log in here

    If you don't have an account, create one here.


    Create a Show & TellReport as inappropriate


    Posted 5 years ago

    Bluboi
    (103 items)

    With the advent of the Renaissance Revival period, starting in the 1850s, the demand for authentic Renaissance materials, including jewelry, was heightened especially among the wealthy. Collections were amassed by the Rothschilds, the Wideners, the Walters, the Gutmans and others. Serving these collectors were specialists and dealers, and pre-eminent among them was Frédéric Spitzer (1815-90) who owned an antique business in Aachen from about 1850 till at least 1868, and who became familiar with Reinhold Vasters, a well-known goldsmith and restorer of silver and gold owned by the Aachen Cathedral Treasury.

    Spitzer later moved to Paris. Preferring to be known as an amateur collector, Spitzer was clearly a brilliant dealer moving in the most elegant social circles in Paris. In particular, the Rothschilds were heavy buyers. Stephen Beissel writing in the year of Spitzer's death observed that Spitzer had 'as is well known, employed for almost fifty years a series of first rate artists in Paris, Cologne, Aachen etc., who made him old things'. So Spitzer had a stable of artists (including Vasters and the Parisian jeweler, Alfred André (1839-1919)) who made Renaissance-style jewelry which he then sold.

    Of course, all of this is fine, except somewhere along the way, the jewelry was marked in inventories and other recorded documents as coming from the 1500s. Thus, many Renaissance-style jewels and works of art have been accepted as genuine throughout much of the 20th Century. Indeed the work of these artists was so sophisticated that it is only through the chance survival of the Spitzer catalogues, Vasters' drawings (found in the archives of the V&A in the 1970s) and André's models that it has become possible to identify with any degree of certainty their productions today. At the point of the discovery of Vaster's drawings, many of the world's museums had to re-assess their collections, finding large numbers of mis-identified pieces.

    For an interesting article on Vasters, see https://thiswritelife.wordpress.com/2011/07/20/reinhold-vasters-artisan-or-forger/.

    Interestingly, pieces by Vasters and André are highly sought after in their own right.
    ---------------------------------------------
    The above is a preamble to the piece of jewelry shown above. I acquired it in 2010, did a ton of research and finally, in 2014, had it confirmed by an expert that the pendant is the work of Reinhold Vasters! YIPPEE!

    This is a double-sided pendant composed of two oval carnelian plaques (from Italy, carved in the 1700s). The obverse is carved in relief with a female figure, nude from the waist standing by an altar and looking up to a sunburst, a ribbon issuing from her mouth enclosing the inscription: MAGNI SPES ALTERA REGNI and, on the other side of the altar, a winged cherub holding a heart-shaped white sapphire engraved with bees and the inscription PLEBIS AMOR REGIS CUSTODIA ("the love of his people is the safeguard of the king."); the altar is set with a table-cut ruby.

    The reverse side is a carved intaglio with the Virgin and Child and St. John the Baptist and a cartella inscribed E(cce A(gnus) D(ei).

    Both plaques are set in a rock crystal frame surrounded by twisted wire and pearl-threaded borders interrupted by four enameled gold openwork clasps with pin-set pearls; with a pearl drop below and suspension ring above; the jewel attached by four chains with alternate links of enameled and undecorated gold hanging from a cross-shaped suspension member enameled red, white and blue with pendant pearl drop.

    Total Height: 7 1/4 inches
    Dimensions of the carnelians:
    - Height: 59 mm, 2.32 in.
    - Width: 45.2 mm, 1.78 in.
    Width of rock crystal frame: 17.1 mm, .675 in.

    logo
    Victorian and Edwardian Jewelry
    See all
    Antique 5.20.Ct Diamond White Round Cut Art Deco Vintage Wedding Ring 925 Silver
    Antique 5.20.Ct Diamond White Round...
    $110
    Edwardian Vintage 2.00 Ct Diamond Antique Engagement Wedding Ring 14k White Gold
    Edwardian Vintage 2.00 Ct Diamond A...
    $267
    Vintage Art Deco 2.2Ct Round Diamond Antique Victorian Edwardian Ring 925 Silver
    Vintage Art Deco 2.2Ct Round Diamon...
    $79
    A Fine Pair of Antique Victorian French 9ct Gold Coral & Pearl Dropper Earrings
    A Fine Pair of Antique Victorian Fr...
    $47
    logo
    Antique 5.20.Ct Diamond White Round Cut Art Deco Vintage Wedding Ring 925 Silver
    Antique 5.20.Ct Diamond White Round...
    $110
    See all

    Comments

    1. DrFluffy DrFluffy, 5 years ago
      Fantastic.
    2. kyratango kyratango, 5 years ago
      Once again, fantastic historical post with huge amount of research, plus a beautiful piece!
      Spitzer was a clever "antique dealer" who fooled even high connoisseurs
      Ô_Õ
    3. inky inky, 5 years ago
      I am speechless...this is just such wonderful stuff..thank you for sharing this with us...and the most beautiful thing.....:-)
    4. Agram.m Agram.m, 5 years ago
      Stunning piece! thank you for your research and instructive commentary!
      I've read your comment on my page for Berlin Iron jewelry, thank so much!
    5. BelleEpoque BelleEpoque, 5 years ago
      Such a wonderful piece, and story!!
    6. SEAN68 SEAN68, 5 years ago
      stunning!!!!!
    7. Bluboi Bluboi, 5 years ago
      Thank you all for your "loves" and comments.
    8. ATTWOOD ATTWOOD, 5 years ago
      A truly amazing piece.The photographs are exceptional showing the natural beauty and detail in the carnelian
      cheers Rose
    9. Bluboi Bluboi, 4 years ago
      I am visiting London and had a chance to view a new exhibit at the British Museum called the The Waddesdon Bequest, an amazing treasure trove left to the museum by Baron Rothschild. It is well worth viewing if you are in London.

      What is interesting are the many collected pieces which were believed to be from the Renaissance period and which are now known to have been made by Vasters and Andre. The quality is amazing! In addition, there were many others which were of contemporary vintage (mid-1800s) as well as several "put-togethers" -- items which were a mixture of ancient and contemporary. From the notes by the curators, there is still a lot of knowledge being accrued, most likely because they are now familiar with the styles of the "fakes."

      Here is a link to the museum web page:

      http://www.britishmuseum.org/explore/galleries/themes/room_2a_waddesdon_bequest.aspx

    Want to post a comment?

    Create an account or login in order to post a comment.