Extraordinary Collection of Counterculture Literature Up for Auction

October 1st, 2013

The first time I met Rick Synchef, I was anxious to see his legendary stash of political ephemera and protest posters from the 1960s, which eventually formed the basis of an article for CollectorsWeekly. Synchef had been collecting political paper and ephemera since he was a student in Madison, Wisconsin, which was a hotbed of political activism in the late ’60s. So when I arrived at his home, I was unprepared for the depth and breadth of his other collection of books and periodicals showcasing the work of Beat poets and authors of the 1950s and ’60s, from Charles Bukowski to Gary Snyder.

It wasn’t just the size of Synchef’s cache that was impressive—almost every book on his shelves was signed by its author, and in many cases by the people associated with the title, too. Thus, a copy of Allen Ginsberg’s “Howl” was autographed by the poet as well as his longtime publisher, Lawrence Ferlinghetti of City Lights Bookstore.

The two most impressive books in Synchef’s collection were Jack Kerouac’s “On the Road” (a first-edition paperback from 1958) and Tom Wolfe’s “The Electric Kool-Aid Acid Test” (a first-edition hardcover from 1968). On October 10, 2013, these books, along with several hundred other publications and objects, are up for auction at PBA Galleries in San Francisco. Preview dates are October 8, 9, and 10.

“Tell it John” is an inscription from Neal Cassady to Jack Kerouac, who Cassady used to call John.

Not surprisingly, the Kerouac and Wolfe books are the stars of the sale. Synchef’s “On the Road” may not be the first-edition hardcover, but his copy bears the pencil signature of the elusive Neal Cassady, who was the model for the Dean Moriarty character in Kerouac’s landmark novel. Even more significant to serious collectors are the words below Cassady’s name, “Tell it John,” which means that the signature is actually an inscription to the author, who Cassady and others called John, a diminutive of Kerouac’s given first name, Jean-Louis. Ginsberg’s signature is also there (he was the inspiration for the fictional Carlo Marx), as are the autographs of Cassady’s daughters, Jami and Cathy, who authenticated their dad’s hard-to-find signature for Synchef.

“Wolfe’s book documents a seismic change in the American political and cultural landscape.”

While the Cassady signature gets the award for scarcity, Synchef’s copy of Tom Wolfe’s “The Electric Kool-Aid Acid Test” is like a print version of the famous bus piloted in 1964 by Neal Cassady, Ken Kesey, and his Merry Pranksters, whose exploits Wolfe chronicled in his 1968 tome. Naturally Synchef’s copy features the author’s dandified scrawl, but it also includes 45 other autographs. There’s Kesey, of course, his right-hand Prankster Ken Babbs, and Kesey’s then-girlfriend, Mountain Girl, but Synchef also tracked down writer Wendell Berry, who studied with Kesey in the late 1950s at Stanford University.

Synchef also gathered the signatures of rock-poster artists who were an important part of the early San Francisco scene (Stanley Mouse and Alton Kelley among them), musicians such as Phil Lesh of the Grateful Dead, Sam Andrew of Big Brother and the Holding Company, Barry Melton of Country Joe and the Fish, and Jefferson Airplane drummer Spencer Dryden, as well as a few ’60s impresarios, including “Oracle” publisher Allen Cohen, future “Whole Earth Catalog” mastermind Stewart Brand, and concert promoter Chet Helms of the Family Dog. All these names fill the title and contents pages of Wolfe’s book.

Stand-out signatures on the title page of Wolfe’s book include Ken Kesey and Wendell Berry, who were classmates at Stanford University.

“These are my idols,” says Synchef, when asked what motivated him to fill this particular book with so many signatures. “I looked up to these people because they brought something so new to the country.” Wolfe’s book is significant, Synchef says, because “it documents a seismic change in the American political and cultural landscape. It documents, along with the signatures of those who helped make it possible, a fundamental shift in the American psyche and the emergence of a youthful, politically active culture.”

Because Synchef’s collection is so vast, PBA Galleries is dividing it into three parts, and maybe more. After the auction on October 10, a second auction will be held in January, 2014, focusing on Synchef’s books and other materials about drugs, the Grateful Dead, Timothy Leary, Abbie Hoffman, Jerry Rubin, Paul Krassner, and Ram Dass. A third auction in May, 2014, will be devoted to music, political activism, and artists, from cartoonists to rock-poster artists.

More Beat-Era Gems From the Rick Synchef Collection


Synchef's 1958 "On the Road" paperback and 1968 "The Electric Kool-Aid Acid Test" hardcover are the showstoppers of an upcoming PBA Galleries auction.


Synchef's 1958 "On the Road" paperback and 1968 "The Electric Kool-Aid Acid Test" hardcover are the showstoppers of an upcoming PBA Galleries auction.


This empty bottle of methadone prescribed to William S. Burroughs is filled with rocks and dirt from the author's grave, as well as a .45 caliber bullet casing from Burroughs's gun.


The half-title page of "The Electric Kool-Aid Acid Test" features the signatures of rock-poster artists Stanley Mouse, Dennis Loren, Gary Grimshaw, Alton Kelley, and Lee Conklin, as well as photographer Gene Anthony.


The copyright page of "The Electric Kool-Aid Acid Test" bears the signature of musicians David Nelson and Spencer Dryden, while the contents pages features the signatures of three members of Big Brother and the Holding company—Dave Getz, Peter Albin, and Sam Andrew.


Allen Ginsberg was the model for the Carlo Marx character in "On the Road." Jami and Cathy Cassady are Neal Cassady's daughters. Neal was the model for the Dean Moriarty character in Jack Kerouac's 1958 novel.

Patti Smith Pair

Two books by Patti Smith from the early 1970s, each signed on the cover by the author.


A selection of "Avant Garde" magazines. The Synchef auction includes all 14 issues published between 1968 and 1971.


This first Grove Press paperback edition of Michael McClure's "The Beard" from 1967 includes an inscription and doodle by the playwright.


The first edition of Charles Bukowski's "Fire Station," 1970, numbers only 100 copies. The illustration is below the red label on the cover.


In 1988, a fan spotted Charles Bukowski at the Del Mar racing track in Southern California and got him to sign his racing form.


A first edition, first printing of Lawrence Ferlinghetti's most famous book, signed on the title page.


The first 47 issues of "Evergreen Review," from 1957 to 1967.


First edition, first printing of Allen Ginsburg's "Kaddish and Other Poems," 1961, signed by the author and his publisher, fellow poet Lawrence Ferlinghetti. One of 2,500 copies printed.


A check from Jack Kerouac to the IRS, 1963.


Synchef has three signed editions of "One Flew Over the Cuckoo's Nest." The inscription in the first edition, first printing of the Signet/New American Library paperback from 1963 reads, "It's the truth even if we dig deeper in the odor," which is a riff on the last line of the first chapter, "But it’s the truth even if it didn’t happen."

(For more information, visit PBA Galleries.)

One comment so far

  1. Matt Donald Says:

    It looks to me like Kesey’s inscription in OFOtCN might read, “…if we dig deeper in the ash” rather than odor. Does anyone know for certain?

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