Similarly, Bronze Age comics began dealing with more real-world issues, beginning with “The Amazing Spider-Man” #96 and #97, which featured a very strong-anti-drug message at a time when the Comics Code did not allow any references to drugs at all. Other comics followed suit: Green Lantern and Green Arrow teamed up to fight drug abuse and corruption. Captain America—now the product of a disillusioned, post-Watergate, post-Vietnam world—entered the realm of politics when he fought the Secret Empire, a conspiracy to take over America run by a villain who bore an uncanny resemblance to Richard Nixon.
Violence was portrayed more realistically—when villains killed, their innocent victims died. Illustrators also began leveraging the sex appeal of their characters as the Comics Code loosened. And the Bronze Age saw the introduction of the graphic novel, one more form of experimentation and innovation. Even titles that stuck to the traditional comics format took on longer story arcs that spanned multiple issues.
The end of the Bronze Age is widely debated. Some point to 1986, when “Watchmen” and “The Dark Knight Returns” were published. Also of debate is the name of the age that followed it—Dark Age, Modern Age, and Iron Age are often used interchangeably.


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