Formed in 1965 in Palo Alto, California, the Grateful Dead attracted a large concert following until the untimely death in 1995 of lead guitarist and singer Jerry Garcia. In its wake, the band left behind scores of albums, most of them live recordings from the Dick’s Picks and Road Trips series, as well as a monumental amount of collectible memorabilia.
Vintage Grateful Dead posters, handbills, postcards, and ticket stubs from the 1960s are particularly in demand. The rarest of these are the flyers and handbills advertising the fabled Acid Tests organized by author Ken Kesey and held between 1965 and 1967 at various venues from San Francisco to Los Angeles. The Grateful Dead was the house band for these seminal events.
By 1966, the Grateful Dead was a fixture in San Francisco’s Avalon Ballroom and Fillmore Auditorium, both of which produced posters and postcards to advertise their shows. That year, Alton Kelley and Stanley Mouse created one of the most famous Grateful Dead Avalon posters, known among collectors as FD026. Based on an illustration the artists found in an early 20th-century copy of the Rubaiyat of Omar Khayyam, the poster became known as Skeleton & Roses, thanks to the prominence of a rose-covered skeleton in its center. A version of this poster would go on to become an album cover for the band in 1971 and remains one of its most enduring and collectible images.
Over at the Fillmore, artist Wes Wilson was creating posters that helped define the psychedelic lettering style of the day. In 1966, several of his posters for Grateful Dead concerts featured photographs by Herb Greene. One of the best of these, BG032, had a portrait of a leather-jacketed, Cheshire-cat-grinning Jerry Garcia staring straight into the camera. Another, BG023, paired a group photo of the band with one of the Jefferson Airplane, which at the time got top billing.
Fillmore promoter Bill Graham hired an artist named James H. Gardner to create a new version of this poster for a summer-of-1967 show of the Airplane and the Dead (they were billed on the poster as representatives of the "the San Francisco scene") in Toronto. Known as BG074, the poster used the same Herb Greene photo of the Grateful Dead below a new one of the Jefferson Airplane, and was organized almost exactly like Wilson’s original. But due to the remote location and low print run, it is today one of the most collectible Grateful Dead posters from the late 1960s.
Other San Francisco artists to create Grateful Dead posters include Rick Griffin, whose January 1969 poster for a series of shows at the Avalon (ABR690124) was repurposed that summer for the band’s third album, Aoxomoxoa.
Which brings us to vinyl. When the Grateful Dead recorded their first few albums, the process in the studio was, by most accounts, a good deal less than perfect. Thus, in the early 1970s, Anthem of the Sun and Aoxomoxoa, the band’s second and third albums, were remixed to improve their sound quality. This pleased the band but annoyed some of its fans, who preferred the original muddy mixes, which are now quite collectible...
Deadheads also cherish ticket stubs from the 1960s and beyond. Those for shows at the Fillmore and Avalon were usually mini, two-color versions of the poster, so some collectors strive to collect a concert’s poster, postcard, and tickets to create complete sets.
Ticketron issued one of the band’s most famous tickets for a show on October 20, 1974. Prior to this concert, the Dead had announced its intention to take a hiatus. No one really knew if this was just a break or a break-up, so the ticket for that show was printed with the words “THE LAST ONE” in big, blocky letters on its front. And for some reason, the band’s name was misspelled—Greateful instead of Grateful.
Of course, the Grateful Dead did not break up. In fact, during the 1980s and early 1990s, they were routinely one of the highest-grossing touring bands on the planet. Stage passes from these decades, particularly uncut sheets of unused passes like the "Truck Puzzle" (12/3/92-12/17/92) by Tony Reonegro are highly collectible. After the death of Garcia, the band created a line of collectibles for kids in the form of stuffed bean-bag bears, similar to Beanie Babies but with Grateful Dead themes.
In recent years, the band has released limited-edition soundboard recordings of entire runs at the Fillmore West (four nights in a row from 1969) and Winterland (three nights in a row from 1973). These sets routinely turn up for resale on eBay.
Even more successful are the recent auctions at Bonham’s of items that had been collected by former Grateful Dead road managers and band associates. In these tony, auctioneer surroundings—a far cry from the band’s communal, 1960s digs in Haight-Ashbury—everything from gold records to tie-dyed speaker covers to Harley Davidson motorcycles have been auctioned off, sometimes for breathtaking prices.
Among the most prized items at these affairs (besides the original album art and the handmade guitars, which have brought tens and even hundreds of thousands of dollars) have been the beat-up equipment and attaché cases. Despite their road-weary condition, or perhaps because of it, these modest cases have fetched upwards of $15,000 each.
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Grateful Dead logo creator looks back on a long, strange tripChicago Tribune, May 26th
And found this thing and thought, 'This says Grateful Dead all over it.' I hate to say this, but Kelley cut it out with a pen knife. I always say that we Xeroxed it, but there weren't Xerox machines then. I finally found it about two years ago. The...Read more
A 50-Year Trip: The 50th Anniversary of the Grateful DeadNewsweek, May 25th
The Grateful Dead will mark their 50th anniversary with a final performance as part of a celebration called 'Fare Thee Well.' One of the organizers, Peter Shapiro, spoke with Newsweek about the significance of these final shows and how fans have responded...Read more
Requiem for the Dead: Tribute to Jerry GarciaNewsweek, May 24th
Immediately after Jerry Garcia's death, "Newsweek" wondered whether the band could survive without its intrepid leader. By the time Jerry Garcia passed away in 1995, the Grateful Dead had performed before more people than any other rock band...Read more
Meet the artist who invented the Grateful Dead's skull and roses logoWashington Post, May 22nd
The artist Stanley “Mouse” Miller hung out with Janis Joplin, came of age around R. Crumb and somehow found himself in a snapshot of John and Yoko during the famous bed-in. But we're here because this is the 50th anniversary of the Grateful Dead, when ...Read more
Phil Lesh & Friends To Honor 1977 Grateful Dead At TerrapinJamBase, May 22nd
This year to celebrate the Grateful Dead's 50th anniversary, Phil Lesh is performing a series of Phil Lesh & Friends shows at his Terrapin Crossroads venue in San Rafael for each of the years the band was in action. Today Terrapin Crossroads announced...Read more
Bill Kreutzmann on Grateful Dead's LSD-Tinted 'Playboy' ShowRollingStone.com, May 22nd
Grateful Dead drummer Bill Kreutzmann joined the band over 50 years ago, and he amassed some incredible stories throughout his tenure with the psychedelic jam-rock legends. One of the funniest tales – which he shared this week on Conan – involved a ...Read more
A Listener's Guide to the Grateful DeadNewsweek, May 22nd
Jerry Garcia performs with the Grateful Dead on May 7, 1969, at San Francisco's Polo Field. After Jerry's death on August 9, 1995, the middle flag pole at San Francisco City Hall flew a tie-dye flag at half mast in honor of Jerry's life. “He was truly...Read more
11 Greatest Guest Jams at Grateful Dead ConcertsRollingStone.com, May 20th
The Grateful Dead's run of final "Fare Thee Well" shows in June and July will feature the surviving longtime members of the band alongside no shortage of musical assistants — including Phish's Trey Anastasio, journeyman keyboardist Jeff Chimenti and ...Read more