For jazz fans, a poster of Chet Baker almost seems to come with its own soundtrack. Posters of blues artists conjure the smoky, booze-soaked dives where John Lee Hooker and other practitioners of that great American musical genre held court. Vintage country-western posters advertising Buck Owens suggest the sweetly intermingled scents of cold beer and fresh hay. And for fans of 1960s rock music, well, a concert poster from Cream’s first U.S. tour may be the only way for them to remember they were there.
Some vintage music and concert posters are easier to find than others. Trying to build a collection of original, mid-20th-century jazz posters of Billie Holiday, Benny Goodman, and Miles Davis would probably be a frustrating, and expensive, pursuit. An artist named Dennis Loren makes beautiful "restoration lithographs" of jazz posters from the 1930s, '40s, and '50s, but if a high-quality reprint is unacceptable to you, consider a vintage movie poster with the artist’s name in the credits—Count Basie gets prominent billing on the movie poster for Top Man; Louis Armstrong and Duke Ellington are both listed on the poster for Cabin in the Sky.
In the world of country music, Hatch Show Print of Nashville is the oldest print shop in the United States (it has been around since 1879). Hatch made, and continues to make, posters for all the Grand Ole Opry stars, from Bill Monroe to Roy Acuff to Patsy Cline.
Symphony buffs need not feel left out of the world of vintage music posters. Since 1972, the Santa Fe Chamber Music Festival has been publishing handsome, high-quality posters designed around paintings by Georgia O’Keefe, Dan Namingha, and other southwest artists.
But without a doubt, the most accessible and collected type of vintage concert poster is the 1960s rock poster. In London, Michael English and Nigel Waymouth, working as Hapshash and the Coloured Coat, produced psychedelic updates of Art Nouveau posters for Pink Floyd, Jimi Hendrix, Traffic, and The Who.
In Boston, the owners of a club called Boston Tea Party tended to take a clean, graphic approach to publicize concerts by everyone from local heroes J. Geils Band to New York’s Velvet Underground. Tea Party posters were frequently composed of little more than a block or two of solid color juxtaposed with formal-looking type.
Detroit had the Grande Ballroom, whose resident poster artist was Gary Grimshaw. His posters for locals like MC5 and visitors such as The Fugs tilted more toward the psychedelic ...
Meanwhile in Los Angeles, Dahlgren made posters for a club called the Kaleidoscope, whose posters were always circular. Across town, John Van Hamersveld produced beautiful, trippy images for Jimi Hendrix, Jefferson Airplane, and other bands playing L.A.’s Shrine Auditorium.
But the city that’s best known for vintage rock posters is San Francisco. A combination of multiple music venues and lots of talented artists was the catalyst for the vibrant scene. Over at the Avalon Ballroom, Chet Helms hired Wes Wilson, followed by Stanley Mouse and Alton Kelley, to make posters for shows featuring The Blues Project, Captain Beefheart, Big Brother and the Holding Company, and the Grateful Dead.
That first year, 1966, Kelley and Mouse created an image for the Grateful Dead that would visually define the band. Known among collectors as FD026, it was based on an illustration the artists found in a 19th-century copy of the Rubaiyat of Omar Khayyam. Sometimes called Skeleton & Roses, a version of this poster would be used as an album cover for the band in 1971. Today it is one of the most enduring and collectible images in psychedelic rock.
Over at Bill Graham’s Fillmore Auditorium, artist Wes Wilson created posters that helped define the psychedelic lettering style of the day. In 1966, several of Wilson’s posters also featured photographs by Herb Greene. One of the best of these, BG025, revolved around a terrific portrait of a pre-Jefferson Airplane Grace Slick, a smile teasing the corners of her lips as she looks tantalizingly to her right and out of the camera’s range.
With a resume that bridged the Avalon and the Fillmore, Wilson was a respected figure on the local rock-poster scene. Indeed, when the Beatles came to town in August of 1966 to play what would be their last live performance, Wilson was hired to make the poster for that show.
Another influential San Francisco artist was Rick Griffin, whose February 1968 "Flying Eyeball" poster (BG105) for Jimi Hendrix, John Mayall, and Albert King is an icon of the art form.
Victor Moscoso rounds out the so-called Big Five (Wilson, Kelley, Mouse, and Griffin being the other four). Moscoso produced numerous posters for the Avalon and a smaller club called the Matrix. For Moscoso fans, the Holy Grail is to collect all 27 posters in the artist’s hyper-vivid Neon Rose series.
Other San Francisco poster artists of note include Lee Conklin, whose black-and-white drawing of a lion for a show at the Fillmore West became a celebrated album cover for Carlos Santana. Another important Fillmore alum is David Singer, who created 67 Fillmore posters, including the venue’s final one to mark its historic closing week.
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Recent News: Music and Concert Posters
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Avid Collector Seeks Vintage Jimi Hendrix 1969 Sportpalast Berlin Germany ...DigitalJournal.com, October 21st
Avid 1960's poster collector Andrew Hawley, from Vintage Rock Posters, is seeking vintage Jimi Hendrix 1969 Sportpalast Berlin Germany Concert Posters. The poster was designed by the well known German concert poster artist Gunther Kieser. The concert ...Read more
Moonalice plays Applegate LodgeMail Tribune, October 20th
We have music, poster art and humor we find on the Web. That is the way to build an audience. The other thing is to spend a few dollars a month on sponsored stories." Since 2007, Moonalice's fans have grown from none to nearly 350,000. More importantly ...Read more
Best Place to Get Something FramedTucson Weekly, October 17th
You know that old concert poster in your closet that you keep meaning to get framed? It's time you took care of it. You'll never end up regretting having something nice to hang on the wall. So get it out and head over to Michael's, where the friendly...Read more
Murals at El Monte Station: Vincent RamosKCET, October 15th
His mural has the bold graphic qualities of a concert poster, as well the intimacy embodied in a hand rendered drawing. Alumnus from both Otis College of Art and Design and California Institute of the Arts, and exhibited at the Hammer Musueum, LAXART, ...Read more
When Art Rocked: San Francisco Music Posters, 1966-1971Boing Boing, October 14th
Bonnie MacLean for a concert featuring the Jim Kweskin Jug Band, the Peanut Butter Conspiracy, and The Sparrow (which became Steppenwolf in 1968), Tea Lautrec printed every Bill Graham concert poster between 1967 and 1971, more than 200 in all...Read more
'The Color of Noise' celebrates the legacy of Amphetamine Reptile RecordsMinnPost, October 13th
in glorious punk art-rock color, how Hazelmyer commissioned artists like Frank Kozik, Chris Mars, Coop, Sheperd Fairey, and others for vinyl, CD and poster artwork, and in doing so helped launch a resurgence of the concert poster as a serious art form...Read more
The art of music: 3 Sisters poster design harkens back to old-school styleChattanooga Times Free Press, September 28th
Murphy -- who owns That Murphy Boy Graphic Design in Chattanooga -- creates the 3 Sisters Festival of Bluegrass Music poster after spending months playing with fonts, color swatches and iconic images for the outdoor event at Ross's Landing. And that...Read more
From Bahia to the Bayou: Music from north east BrazilNolaVie, September 18th
brazil music poster Sponsored by Texas Southern University as part of a cultural exchange, Edward and four Brazilian musicians – two guitarists, a bass player and a drummer – are bringing this parallel universe - the traditional rhythmic music of their...Read more