For jazz fans, a poster of Chet Baker almost seems to come with its own soundtrack. Posters of blues artists conjure the smoky, booze-soaked dives where John Lee Hooker and other practitioners of that great American musical genre held court. Vintage country-western posters advertising Buck Owens suggest the sweetly intermingled scents of cold beer and fresh hay. And for fans of 1960s rock music, well, a concert poster from Cream’s first U.S. tour may be the only way for them to remember they were there.
Some vintage music and concert posters are easier to find than others. Trying to build a collection of original, mid-20th-century jazz posters of Billie Holiday, Benny Goodman, and Miles Davis would probably be a frustrating, and expensive, pursuit. An artist named Dennis Loren makes beautiful "restoration lithographs" of jazz posters from the 1930s, '40s, and '50s, but if a high-quality reprint is unacceptable to you, consider a vintage movie poster with the artist’s name in the credits—Count Basie gets prominent billing on the movie poster for "Top Man"; Louis Armstrong and Duke Ellington are both listed on the poster for "Cabin in the Sky."
In the world of country music, Hatch Show Print of Nashville is the oldest print shop in the United States (it has been around since 1879). Hatch made, and continues to make, posters for all the Grand Ole Opry stars, from Bill Monroe to Roy Acuff to Patsy Cline.
Symphony buffs need not feel left out of the world of vintage music posters. Since 1972, the Santa Fe Chamber Music Festival has been publishing handsome, high-quality posters designed around paintings by Georgia O’Keeffe, Dan Namingha, and other southwest artists.
But without a doubt, the most accessible and collected type of vintage concert poster is the 1960s rock poster. In London, Michael English and Nigel Waymouth, working as Hapshash and the Coloured Coat, produced psychedelic updates of Art Nouveau posters for Pink Floyd, Jimi Hendrix, Traffic, and The Who.
In Boston, the owners of a club called Boston Tea Party tended to take a clean, graphic approach to publicize concerts by everyone from local heroes J. Geils Band to New York’s Velvet Underground. Tea Party posters were frequently composed of little more than a block or two of solid color juxtaposed with formal-looking type.
Detroit had the Grande Ballroom, whose resident poster artist was Gary Grimshaw. His posters for locals like MC5 and visitors such as The Fugs tilted more toward the psychedelic style, often incorporating altered photographs into his design...
Meanwhile in Los Angeles, Dahlgren made posters for a club called the Kaleidoscope, whose posters were always circular. Across town, John Van Hamersveld produced beautiful, trippy images for Jimi Hendrix, Jefferson Airplane, and other bands playing L.A.’s Shrine Auditorium.
But the city that’s best known for vintage rock posters is San Francisco. A combination of multiple music venues and lots of talented artists was the catalyst for the vibrant scene. Over at the Avalon Ballroom, Chet Helms hired Wes Wilson, followed by Stanley Mouse and Alton Kelley, to make posters for shows featuring The Blues Project, Captain Beefheart, Big Brother and the Holding Company, and the Grateful Dead.
That first year, 1966, Kelley and Mouse created an image for the Grateful Dead that would visually define the band. Known among collectors as FD026, it was based on an illustration the artists found in a 19th-century copy of the Rubaiyat of Omar Khayyam. Sometimes called Skeleton & Roses, a version of this poster would be used as an album cover for the band in 1971. Today it is one of the most enduring and collectible images in psychedelic rock.
Over at Bill Graham’s Fillmore Auditorium, artist Wes Wilson created posters that helped define the psychedelic lettering style of the day. In 1966, several of Wilson’s posters also featured photographs by Herb Greene. One of the best of these, BG025, revolved around a terrific portrait of a pre-Jefferson Airplane Grace Slick, a smile teasing the corners of her lips as she looks tantalizingly to her right and out of the camera’s range.
With a resume that bridged the Avalon and the Fillmore, Wilson was a respected figure on the local rock-poster scene. Indeed, when the Beatles came to town in August of 1966 to play what would be their last live performance, Wilson was hired to make the poster for that show.
Another influential San Francisco artist was Rick Griffin, whose February 1968 "Flying Eyeball" poster (BG105) for Jimi Hendrix, John Mayall, and Albert King is an icon of the art form.
Victor Moscoso rounds out the so-called Big Five (Wilson, Kelley, Mouse, and Griffin being the other four). Moscoso produced numerous posters for the Avalon and a smaller club called the Matrix. For Moscoso fans, the Holy Grail is to collect all 27 posters in the artist’s hyper-vivid Neon Rose series.
Other San Francisco poster artists of note include Lee Conklin, whose black-and-white drawing of a lion for a show at the Fillmore West became a celebrated album cover for Carlos Santana. Another important Fillmore alum is David Singer, who created 67 Fillmore posters, including the venue’s final one to mark its historic closing week.
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Recent News: Music and Concert Posters
Source: Google News
Avid Collector from Vintage Rock Posters, Inc. Announces His Search For ...Virtual-Strategy Magazine (press release), March 27th
For examples of psychedelic concert posters, please go to http://www.vintageconcertposterbuyer.com/psychedelic/index.html. There are about five known copies of the Singer Bowl Who and Door concert poster known to exist. Hawley is willing to pay $3,000 ...Read more
FNC artists get together for 'FNC Kingdom' concert posterallkpop, March 27th
F.T. Island, CNBLUE, Juniel, AOA, and N.Flying do look royal for the black and gold themed poster revealed on the label's homepage on March 27. Hongki in particular stands out with his mint hair, while Seolhyun is rocking her black dress very well. Who...Read more
Poster of the WeekTheStranger.com, March 24th
The great part about a poster like this is how—weeks or months from now, after the elements have had their way with it and newer posters have come and gone—bits and pieces of these mesmerizing stripes will peek through the layers of paper, cling to ...Read more
From Zeds Dead to dancing parents — the five best sights of Phoenix LightsThe State Press, March 23rd
The Phoenix Lights music festival brought an alien-themed showcase of electronic dance music to Civic Space Park in downtown Phoenix on Sunday. As is the case with any music event of this scale, there were too many crazy moments to count. For those ...Read more
Dan Stiles: Making Rock Stars Even CoolerVortex Music Magazine, March 21st
Striving for smart, simple, iconic pieces, concert poster designer and artist Dan Stiles makes folk-pop and punk rock modern pieces in a nod to his influences. by Eric Skelton. March 21, 2015 9:05am. Dan Stiles: The man behind the bright, geometric and ...Read more
Rock fest at LaFayette high school forms a legacy of tradition and memorySyracuse.com, March 19th
Concert Poster 2015.JPG A promotional poster for this year's LaFayette High School Rock Festival, scheduled for March 27, 2015. Photo courtesy of Joseph Fox. By Joseph Fox and Maria Nastasi | teachers at LaFayette High School. Maria Nastasi and ...Read more
Check Out The Jack White Scratch-Off Concert PosterStereogum, February 5th
Jack White loves limited edition oddities, and he especially loves limited edition oddities that have something to do with him. Back in 2012, we wrote about a very limited edition “Triple Decker Poster” (which sold for $280) designed by Matthew...Read more
A New Family Dog Concert Poster Exhibit Tells the Story of a Legendary Denver ...Westword, February 5th
The Family Dog opened in September 1967 and closed just a year later. In that short span, the venue was home to plenty of epic experiences. Janis Joplin started off the Family Dog's time in Denver with the band Big Brother. The Doors, Jefferson...Read more