For jazz fans, a poster of Chet Baker almost seems to come with its own soundtrack. Posters of blues artists conjure the smoky, booze-soaked dives where John Lee Hooker and other practitioners of that great American musical genre held court. Vintage country-western posters advertising Buck Owens suggest the sweetly intermingled scents of cold beer and fresh hay. And for fans of 1960s rock music, well, a concert poster from Cream’s first U.S. tour may be the only way for them to remember they were there.
Some vintage music and concert posters are easier to find than others. Trying to build a collection of original, mid-20th-century jazz posters of Billie Holiday, Benny Goodman, and Miles Davis would probably be a frustrating, and expensive, pursuit. An artist named Dennis Loren makes beautiful "restoration lithographs" of jazz posters from the 1930s, '40s, and '50s, but if a high-quality reprint is unacceptable to you, consider a vintage movie poster with the artist’s name in the credits—Count Basie gets prominent billing on the movie poster for Top Man; Louis Armstrong and Duke Ellington are both listed on the poster for Cabin in the Sky.
In the world of country music, Hatch Show Print of Nashville is the oldest print shop in the United States (it has been around since 1879). Hatch made, and continues to make, posters for all the Grand Ole Opry stars, from Bill Monroe to Roy Acuff to Patsy Cline.
Symphony buffs need not feel left out of the world of vintage music posters. Since 1972, the Santa Fe Chamber Music Festival has been publishing handsome, high-quality posters designed around paintings by Georgia O’Keefe, Dan Namingha, and other southwest artists.
But without a doubt, the most accessible and collected type of vintage concert poster is the 1960s rock poster. In London, Michael English and Nigel Waymouth, working as Hapshash and the Coloured Coat, produced psychedelic updates of Art Nouveau posters for Pink Floyd, Jimi Hendrix, Traffic, and The Who.
In Boston, the owners of a club called Boston Tea Party tended to take a clean, graphic approach to publicize concerts by everyone from local heroes J. Geils Band to New York’s Velvet Underground. Tea Party posters were frequently composed of little more than a block or two of solid color juxtaposed with formal-looking type.
Detroit had the Grande Ballroom, whose resident poster artist was Gary Grimshaw. His posters for locals like MC5 and visitors such as The Fugs tilted more toward the psychedelic ...
Meanwhile in Los Angeles, Dahlgren made posters for a club called the Kaleidoscope, whose posters were always circular. Across town, John Van Hamersveld produced beautiful, trippy images for Jimi Hendrix, Jefferson Airplane, and other bands playing L.A.’s Shrine Auditorium.
But the city that’s best known for vintage rock posters is San Francisco. A combination of multiple music venues and lots of talented artists was the catalyst for the vibrant scene. Over at the Avalon Ballroom, Chet Helms hired Wes Wilson, followed by Stanley Mouse and Alton Kelley, to make posters for shows featuring The Blues Project, Captain Beefheart, Big Brother and the Holding Company, and the Grateful Dead.
That first year, 1966, Kelley and Mouse created an image for the Grateful Dead that would visually define the band. Known among collectors as FD026, it was based on an illustration the artists found in a 19th-century copy of the Rubaiyat of Omar Khayyam. Sometimes called Skeleton & Roses, a version of this poster would be used as an album cover for the band in 1971. Today it is one of the most enduring and collectible images in psychedelic rock.
Over at Bill Graham’s Fillmore Auditorium, artist Wes Wilson created posters that helped define the psychedelic lettering style of the day. In 1966, several of Wilson’s posters also featured photographs by Herb Greene. One of the best of these, BG025, revolved around a terrific portrait of a pre-Jefferson Airplane Grace Slick, a smile teasing the corners of her lips as she looks tantalizingly to her right and out of the camera’s range.
With a resume that bridged the Avalon and the Fillmore, Wilson was a respected figure on the local rock-poster scene. Indeed, when the Beatles came to town in August of 1966 to play what would be their last live performance, Wilson was hired to make the poster for that show.
Another influential San Francisco artist was Rick Griffin, whose February 1968 "Flying Eyeball" poster (BG105) for Jimi Hendrix, John Mayall, and Albert King is an icon of the art form.
Victor Moscoso rounds out the so-called Big Five (Wilson, Kelley, Mouse, and Griffin being the other four). Moscoso produced numerous posters for the Avalon and a smaller club called the Matrix. For Moscoso fans, the Holy Grail is to collect all 27 posters in the artist’s hyper-vivid Neon Rose series.
Other San Francisco poster artists of note include Lee Conklin, whose black-and-white drawing of a lion for a show at the Fillmore West became a celebrated album cover for Carlos Santana. Another important Fillmore alum is David Singer, who created 67 Fillmore posters, including the venue’s final one to mark its historic closing week.
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Recent News: Music and Concert Posters
Source: Google News
Louisville's Forecastle Grows Into Major FestivalCleveland Scene Weekly, July 21st
Local restaurants, food trucks and breweries provided much of the food and beer throughout the grounds, while an area devoted to regional concert poster artists and screen printers was an excellent distraction to the music. But what brought most people...Read more
Woman steals rare music poster from partyStuff.co.nz, July 21st
Woman steals rare music poster from party. VICKI ANDERSON. Last updated 13:21 22/07/2014. John Grenell. Kirk Hargreaves. CELEBRATING: John Grenell's 70th was marked at Churchill's bar in Sydenham on Sunday. Stolen John Grenell poster. Supplied...Read more
Swiped Swipe File: Love & Rockets vs. Soul Asylum and Other Aged 90s RockersThe Outhouse, July 21st
In which we swipe a column from Bleeding Cool which they swiped from The Comics Journal in order to highlight the swiping of a comic for a concert poster which we swiped from Facebook. Looks like 90s rockers Everclear, Soul Asylum, Eve 6, and Space ...Read more
Northwest String Summit bluegrass festival turns Horning's Hideout into a ...The Oregonian, July 19th
B.J. Cochran set up a tent for his organization, Conscious Alliance, based in Colorado, which travels from music festival to music festival to collect food for the hungry. Twenty non-perishable food items won festivalgoers a custom-made concert poster...Read more
Yer So Good -- A Track by Track Break Down of the Greatest Road Trip AlbumHuffington Post Canada, July 18th
The cover alone got me, it looked like a concert poster from Laurel Canyon circa 1967. One day I took the tape to give it a full listen, since up to this point I heard most tracks through the always-closed door of my teenage sis. Popping the tape in...Read more
Young illustrators spot gap in printing marketStroud News and Journal, July 17th
YOUNG entrepreneurs Josh Hurley and Olly Moinet started their own business in screen printing after spotting a gap in the market. After both graduating from Falmouth University in 2012 with degrees in illustration, the pair decided to take their own...Read more
Night of classic rock planned in AltonThe Edwardsville Intelligencer, July 15th
Gold circle seats, which are $60, include a ticket in the first two rows, a VIP parking pass and a limited edition concert poster. Tickets are available at metrotix.com or libertybankamphitheater.com, and at the Alton Visitor Center, 200 Piasa St...Read more
Austin museum puts spotlight on 1968WFAA, July 13th
"It's a look at the music poster artistry from the late 1960s into the 70s," Koch said, describing the posters that helped put Austin on the map as a music mecca. "Willie Nelson and Janis Joplin are going to grab visitors' attention almost immediately...Read more