Woodblocks are the oldest form of prints—historians believe woodcutting originated in China around the early 9th century. Until the 15th century, it was also used in Europe and the Middle East to decorate textiles. With the birth of the printing press in the 16th century, woodblock printing became a common way of illustrating books because the woodblocks could be cut to the same thickness as the fixed type, which allowed images and text to be printed in the same process.

To make a woodcut, an engraver starts with a block of wood and carves out a design. After using a roller to cover the block with ink, the block is run through a light press to transfer the ink from the block to the page. All areas that have been carved out of the block appear as white on the paper since the ink covers only the areas of the block left standing in relief. The resulting print is thus a mirror image of the design on the block.

One of the most accomplished woodcut artists was Albrecht Dürer, a German engraver who lived in the late 15th and early 16th centuries. Dürer’s prints such as “The Expulsion from Paradise” and “Adam and Eve” are incredibly intricate and quite valuable today. His works were published and republished several times during his lifetime, as well as for a hundred years or so after his death. Other notable woodcut makers from the same period include Martin Schongauer, Hans Brosamer, Hans Baldung, Urs Graf, Lucas Cranach the Elder, and Hans Sebald Beham.

Woodcuts fell out of style in the 17th century but experienced a rebirth of sorts in the late 19th and early 20th centuries, especially among the German Expressionists. Avant-garde artists saw the dramatic and forceful potential of woodcuts, and they created pieces that were stark and stylized. Prominent artists from this period included Paul Gauguin, Georges Braque, and Max Pechstein.

In the early 20th century, a group of young artists also used woodcut techniques to produce both traditional decorative items and depictions of modern industry. This group included Roger Fry, Paul Nash, and Leon Underwood.

Today, the most valuable woodblock prints are those executed by either old masters like Dürer or by late 19th century and early 20th century artists, especially the German Expressionists. Unsigned prints are generally less valuable.


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