Since World War II, Japanese kokeshi dolls have become tremendously popular with American tourists—so much so, they’re now produced almost exclusively for Westerners. Kokeshi dolls are characterized by their lack of arms and legs, as well as their brightly painted garb in floral designs and geometric patterns. The process used for making these cylindrical wooden dolls is not unlike that employed to make legs for chairs or tables.

It’s likely that kokeshi originated in rural Tohoku, in northeast Japan, during the Bunka-Bunsei eras (1804-29) of the Edo Period. The farmers there, coping with long, snowbound winter nights, probably made the dolls from scraps of maple, dogwood, or magnolia using a pulley lathe. These dolls were possibly intended as good luck talisman, designed to bring fertility or bountiful harvests. Later, they were sold to tourists at Tohoku spas, and also given to console mothers who had lost a child through miscarriage or other misfortune.

Eventually, the kokeshi—made in 5-, 7-, and 10-inch sizes—became a toy for children’s play. It wasn’t until the 1920s that adults began to value these Japanese dolls as collector’s items. This renewed interest in kokeshi encouraged artisans to produce them in a much wider variety of sizes, from itty-bitty to huge.

After the war, when the U.S. occupied Japan, the wives and girlfriends of U.S. soldiers were particularly attracted to the cuteness of the kokeshi. Wood turners near Tokyo, having moved from kick lathes to mechanical ones, began churning them out for Westerners visiting tourist sites all over the island nation. These turners got creative with the form, making kokeshi in non-traditional shapes. They made “tochigi,” or kokeshi-headed toothpicks, and replicas of the Seven Lucky Gods clad in wild get-ups.

These later variations are of no interest to most Japanese, who prefer the handmade antique dolls with their distinct characteristics particular to their region of origin—Tsuchiyu, Yajiro, Togatta, Narugo, Hijiori, Sakunami, Zao, Kijiyama, Nambu, and Tsugaru. Some of the most esteemed kokeshi artisans include Sakurai Shoji and Ito Shoichi in Naruko; Ni'iyama Hisashi and the late Sato Yoshizo and his son Fumio in Yahiro; and Suzuki Shoji and Satomi Matsuhiro at Yamagata.

When looking for an antique kokeshi doll, keep in mind the balance of the body—a good doll is not too top-heavy. Collectors also favor dolls with expressive facial features applied with a calligraphy brush and an eye-pleasing balance of color that doesn’t appear too faded.


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Meg Mizutani, left, Mami Kainuma, and Akemi Zoshi perform with Sonoma County Taiko during the Obon Festival at Enmanji Buddhist Temple in Sebastopol, California, on July 19, 2014. (Alvin Jornada / For The Press Democrat). Maki Mizutani, 13, left, and ...Read more

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Jazelle Davis, 5, left, Tyler Ono, 6, and Jaida Davis, 11, play Japanese Kokeshi doll castanets as they dance in a Bon Odori during the Obon Festival at Enmanji Buddhist Temple in Sebastopol, California, on July 19, 2014. (Alvin Jornada / For The Press ...Read more

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Les équipes ont évolué sur 3 zones. La 1ère « Kokeshi Session » regroupait 2 tables, un rail et une poupée Japonaise géante qui a permis aux riders d'effectuer des figures très créatives. Le Hip venait ensuite. Marque de fabrique originale de ce Kumi...Read more

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Les équipes ont évolué sur 3 zones. La 1ère « Kokeshi Session » regroupait 2 tables, un rail et une poupée Japonaise géante qui a permis aux riders d'effectuer des figures très créatives. Le Hip venait ensuite. Marque de fabrique originale de ce Kumi...Read more

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Les équipes ont évolué sur 3 zones. La 1ère « Kokeshi Session » regroupait 2 tables, un rail et une poupée Japonaise géante qui a permis aux riders d'effectuer des figures très créatives. Le Hip venait ensuite. Marque de fabrique originale de ce Kumi...Read more

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