The dominant gene in the DNA of rock ’n’ roll comes from the blues, which is just one reason why many believe it’s the most important musical genre of the last 100 years. Everyone from Chuck Berry to The Beatles to Led Zeppelin has used the basic 12-bar blues chord progression as the underlying structure for their music. Indeed, it’s difficult to imagine much of contemporary music without it.

Cognizant of this fact, the Rock and Roll Museum inducted blues legend Robert Johnson into its Hall of Fame in 1986, the institution’s very first year. The following year it added Johnson acolyte Muddy Waters to its ranks, along with bluesmen B.B. King and Big Joe Turner. In subsequent years, blues artists such as Lead Belly, Bessie Smith, Ma Rainey, Howlin’ Wolf, John Lee Hooker, Jimmy Reed, and Willie Dixon, among others, have been inducted into the hallowed hall.

For vinyl record collectors, blues records are particularly appealing because the style spans so many years and formats. For example, collectors of antique 10-inch 78 RPM discs on Okeh and other labels look for Bessie Smith tunes such as “Safety Mama” or “Blind” Lemon Jefferson songs like “How Long, How Long.” In the 1920s, Jefferson’s music was so popular that some of his records enjoyed as many as 750,000 pressings.

The Depression knocked some of the stuffing out of the blues market, and World War II forced many labels to cease operations altogether as raw materials were husbanded for the war effort. But a parallel upheaval was happening in the blues, as artists moved from the Mississippi Delta region in the south to urban areas up north.

In Chicago, Muddy Waters, Howlin’ Wolf, and John Lee Hooker all made their mark, trading their acoustic Martin guitars for electric ones made by Gibson and others (B.B. King’s black ES-335, which he named Lucille, remains one of the most identifiable instruments in music).

One of Chicago’s leading blues artists was Willie Dixon. He performed extensively in the postwar era, but he also wrote a lot of tunes recorded as 45s on Chess Records, by performers from locals Waters and Wolf to England’s Rolling Stones—their 45 single of Willie Dixon’s “Little Red Rooster” was recorded in Chicago for Chess in 1965.

In fact, in the 1960s, rock bands would regularly weave blues numbers by Dixon, Lightnin’ Hopkins, and Bo Diddley into their repertoires. First pressings of “East-West” by the Paul Butterfield Blues Band are prized, as are mint mono LPs of the 1966 “Blues Breakers with Eric Clapton” album—the leader of that band, John Mayall, was one of the greatest champions of the U.S. blues in England...

Then there were the Yardbirds, a blues-inspired pop outfit that launched the careers of not only Clapton (good luck finding a seven-inch single of their 1965 hit, “For Your Love”) but also Jeff Beck (the U.K. release of “Roger the Engineer” is much sought after) and Led Zeppelin’s Jimmy Page (look for “Little Games”).

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Recent News: Blues Records

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Zak Resnick, Teal Wicks and More Star in PIECE OF MY HEART, Opening ...
Broadway World, July 21st

He produced historic rhythm and blues records such as "Cry To Me" for Solomon Burke, "Under the Boardwalk" for The Drifters and "Twist and Shout" for the Isley Brothers. Berns' original compositions, songs such as "Twist and Shout," "Cry Baby," "Hang...Read more

We've Been Thinking About Talent The Wrong Way All Along
Fast Company, July 21st

How do you calibrate the motivation Keith Richards got while listening to blues records? How do you measure the power of the bond between Tiger Woods and his father, who coached him during his early years? The simple answer is, you don't. Which is why ...Read more

From Milwaukee to Chicago, Liz Mandeville traveled a long blues road
MLive.com, July 15th

Mandeville, who also writes for blues publications, and spins blues records on WNUR-FM, could be seen as a blues scholar as well as singer/guitarist. She managed to get some important names on her latest album, "Clarksdale" (Blue Kitty Music, 2012), ...Read more

Collectors hunt rare records in 'Do Not Sell at Any Price'
Hanford Sentinel, July 14th

“There's music all over the world that's equally rare,” says Ward, while acknowledging that blues records nonetheless represent “a very interesting piece of Americana.” However, he adds, “That same thing exists in many other places. It's just, does it...Read more

Book Review: 'Do Not Sell at Any Price' by Amanda Petrusich & 'Pioneers of the ...
Wall Street Journal, July 11th

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World of collectors of rare 78 rpm records
The Korea Herald, July 10th

“There's music all over the world that's equally rare,” says Ward, while acknowledging that blues records nonetheless represent “a very interesting piece of Americana.” However, he adds, “That same thing exists in many other places. It's just, does it...Read more

'Do Not Sell at Any Price's' hunters stalk rare 78 rpm records
Los Angeles Times, July 3rd

"There's music all over the world that's equally rare," says Ward, while acknowledging that blues records nonetheless represent "a very interesting piece of Americana." However, he adds, "That same thing exists in many other places. It's just, does it...Read more

Worse Than The Blues
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He would become obsessed: writing a master's thesis on Charley Patton, driving door to door in the South to buy 78 rpm blues records from black families, and tracking down bluesman Skip James in a Tunica, Miss., hospital. Through all of this, Lowenthal ...Read more