The dominant gene in the DNA of rock ’n’ roll comes from the blues, which is just one reason why many believe it’s the most important musical genre of the last 100 years. Everyone from Chuck Berry to The Beatles to Led Zeppelin has used the basic 12-bar blues chord progression as the underlying structure for their music. Indeed, it’s difficult to imagine much of contemporary music without it.

Cognizant of this fact, the Rock and Roll Museum inducted blues legend Robert Johnson into its Hall of Fame in 1986, the institution’s very first year. The following year it added Johnson acolyte Muddy Waters to its ranks, along with bluesmen B.B. King and Big Joe Turner. In subsequent years, blues artists such as Lead Belly, Bessie Smith, Ma Rainey, Howlin’ Wolf, John Lee Hooker, Jimmy Reed, and Willie Dixon, among others, have been inducted into the hallowed hall.

For vinyl record collectors, blues records are particularly appealing because the style spans so many years and formats. For example, collectors of antique 10-inch 78 RPM discs on Okeh and other labels look for Bessie Smith tunes such as “Safety Mama” or “Blind” Lemon Jefferson songs like “How Long, How Long.” In the 1920s, Jefferson’s music was so popular that some of his records enjoyed as many as 750,000 pressings.

The Depression knocked some of the stuffing out of the blues market, and World War II forced many labels to cease operations altogether as raw materials were husbanded for the war effort. But a parallel upheaval was happening in the blues, as artists moved from the Mississippi Delta region in the south to urban areas up north.

In Chicago, Muddy Waters, Howlin’ Wolf, and John Lee Hooker all made their mark, trading their acoustic Martin guitars for electric ones made by Gibson and others (B.B. King’s black ES-335, which he named Lucille, remains one of the most identifiable instruments in music).

One of Chicago’s leading blues artists was Willie Dixon. He performed extensively in the postwar era, but he also wrote a lot of tunes recorded as 45s on Chess Records, by performers from locals Waters and Wolf to England’s Rolling Stones—their 45 single of Willie Dixon’s “Little Red Rooster” was recorded in Chicago for Chess in 1965.

In fact, in the 1960s, rock bands would regularly weave blues numbers by Dixon, Lightnin’ Hopkins, and Bo Diddley into their repertoires. First pressings of “East-West” by the Paul Butterfield Blues Band are prized, as are mint mono LPs of the 1966 “Blues Breakers with Eric Clapton” album—the leader of that band, John Mayall, was one of the greatest champions of the U.S. blues in England...

Then there were the Yardbirds, a blues-inspired pop outfit that launched the careers of not only Clapton (good luck finding a seven-inch single of their 1965 hit, “For Your Love”) but also Jeff Beck (the U.K. release of “Roger the Engineer” is much sought after) and Led Zeppelin’s Jimmy Page (look for “Little Games”).

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Recent News: Blues Records

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Jack White's quest to record and release a record in one day
Toronto Sun, April 19th

He told the press conference he's not an avid record collector himself, although he does appreciate the history of “certain Americana and blues records and (will) ... sometimes purchase an old blues '78." "I just sort of want it to not get broken or...Read more

Music: The vinyl word
Pacific Sun, April 18th

Keith Richards opens a conversation with Mick Jagger as teenagers on a UK train platform because he had a stack of hot blues records in his arms after leaving a shop." For local music buffs, Record Store Day has become a much-anticipated happening...Read more

Masters Of Sex, Girls & "Boogie Train": Conversations with Michael Penn and ...
Huffington Post, April 16th

They didn't have a decent collection of blues records; in fact, I believe Dave actually picked out three or four thousand albums that they needed and raised money for it. Back then, we had more money than sense. As my mom used to say, "If you have a...Read more

Our Weekly Concert Picks: April 16-April 22
Philly.com (blog), April 16th

American Babies is the project of Tom Hamilton, Philadelphian and balladeer, whose finger-picked guitar anthems abound with twangy strings, big surging choruses, and the same moonlit appeal as your fave '60s and '70s blues records. Formed 7 years back ...Read more

Jim Jones Revue is all about the “classic” rock 'n' roll
The Province (blog), April 15th

As long as there's some blues and rock as Sun Records intended it to be, such as is in evidence on the band's last Punk Blues Records release The Savage Heart, it's all good to Jones. Just don't call his band garage rockers. “Yeah, I've never really...Read more

Depp won't Google himself
Belfast Telegraph, April 15th

"Normally when I travel and go to a location or whatever, there's always an acoustic guitar, a record player and some vinyl, more than likely old blues [records], and then there's always a typewriter, an old Smith Corona, and that's how I live. A...Read more

The Ballad of Geeshie and Elvie
New York Times, April 12th

The Paul Bowles, believe it or not, who started collecting blues records as an ether-huffing undergraduate in Charlottesville, Va., in the late 1920s, “at secondhand furniture stores in the black quarter.” Out West there was Harry Smith, who went on to...Read more

Sunday Morning Blues Recap: Remembering Muddy Waters
100.7 WZLX Classic Rock, April 7th

April 6, 2014 12:05 PM. View Comments. Blues musician Muddy Waters performs at New York's Palladium Theater, Oct. 1, 1977 in a benefit performance for the New York Public Library. The proceeds will go to purchasing rare blues records. (AP Photo) ...Read more