The dominant gene in the DNA of rock ’n’ roll comes from the blues, which is just one reason why many believe it’s the most important musical genre of the last 100 years. Everyone from Chuck Berry to The Beatles to Led Zeppelin has used the basic 12-bar blues chord progression as the underlying structure for their music. Indeed, it’s difficult to imagine much of contemporary music without it.

Cognizant of this fact, the Rock and Roll Museum inducted blues legend Robert Johnson into its Hall of Fame in 1986, the institution’s very first year. The following year it added Johnson acolyte Muddy Waters to its ranks, along with bluesmen B.B. King and Big Joe Turner. In subsequent years, blues artists such as Lead Belly, Bessie Smith, Ma Rainey, Howlin’ Wolf, John Lee Hooker, Jimmy Reed, and Willie Dixon, among others, have been inducted into the hallowed hall.

For vinyl record collectors, blues records are particularly appealing because the style spans so many years and formats. For example, collectors of antique 10-inch 78 RPM discs on Okeh and other labels look for Bessie Smith tunes such as “Safety Mama” or “Blind” Lemon Jefferson songs like “How Long, How Long.” In the 1920s, Jefferson’s music was so popular that some of his records enjoyed as many as 750,000 pressings.

The Depression knocked some of the stuffing out of the blues market, and World War II forced many labels to cease operations altogether as raw materials were husbanded for the war effort. But a parallel upheaval was happening in the blues, as artists moved from the Mississippi Delta region in the south to urban areas up north.

In Chicago, Muddy Waters, Howlin’ Wolf, and John Lee Hooker all made their mark, trading their acoustic Martin guitars for electric ones made by Gibson and others (B.B. King’s black ES-335, which he named Lucille, remains one of the most identifiable instruments in music).

One of Chicago’s leading blues artists was Willie Dixon. He performed extensively in the postwar era, but he also wrote a lot of tunes recorded as 45s on Chess Records, by performers from locals Waters and Wolf to England’s Rolling Stones—their 45 single of Willie Dixon’s “Little Red Rooster” was recorded in Chicago for Chess in 1965.

In fact, in the 1960s, rock bands would regularly weave blues numbers by Dixon, Lightnin’ Hopkins, and Bo Diddley into their repertoires. First pressings of “East-West” by the Paul Butterfield Blues Band are prized, as are mint mono LPs of the 1966 “Blues Breakers with Eric Clapton” album—the leader of that band, John Mayall, was one of the greatest champions of the U.S. blues in England...

Then there were the Yardbirds, a blues-inspired pop outfit that launched the careers of not only Clapton (good luck finding a seven-inch single of their 1965 hit, “For Your Love”) but also Jeff Beck (the U.K. release of “Roger the Engineer” is much sought after) and Led Zeppelin’s Jimmy Page (look for “Little Games”).

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Recent News: Blues Records

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Radar: The Dead Sets
University Observer Online, October 12th

Sharkey speaks of listening to older blues records as a means of rebellion, as he grew up in a household where more contemporary music dominated the radio. “My dad was quite dedicated to discovering new music, supportingIrish music, and I think the ...Read more

Review: 'Holden' gets inside Salinger's head, October 11th

The three spar like aging frat boys, playing their favorite blues records, ducking when bullets start flying amid Salinger's wartime flashbacks, and trying to get him to put his newest writing in the mail to his publisher rather than in a safe. Mostly...Read more

The Hollow Of The Hand: PJ Harvey and Seamus Murphy @ Royal Festival Hall, London, October 11th

Soundscapes from real-life, and old blues records occasionally make incursions into the songs' beginnings, as the sample of early 20th century Baghdad singer Said El Kurdi did in England. While not used consistently tonight, it will be intriguing to...Read more

Aladdin to welcome Oregon's music stars
Portland Tribune, October 8th

You should take Rhoades' advice seriously — his own playing, as well as his 35 years of spinning blues records on such radio stations as KBOO and KMHD, have led him to the Oregon Music Hall of Fame, which will induct Rhoades, as well as several others...Read more

British blues guitarist Matt Schofield plays the Acorn
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While other young Brits were debating the relative merits of Stone Roses and Happy Mondays, Schofield enjoyed his pastoral setting while listening incessantly to his father's blues records and figuring out all the guitar licks he could. By the time the...Read more

Dress up and groove at Motown Halloween party
Bristol Press, October 7th

Clemons said he started singing when his father let him listen to his Jazz and Blues records. He had performed in musical theater productions, but got his first experience singing before a large crowd after auditioning for Varlese in 2009. “Eric is a...Read more

Music festival tribute to Stan "The Record Man" Lewis Saturday
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Change up your vinyl collection at the “Record Ruckus Vinyl Shop” located in artspace where you'll be able to buy, sale and swap for records with local record shops like Day Old Blues Records (Shreveport), Rick's Records (Shreveport), Antique Market...Read more

Photo by Mary Keating-Brutton
Nantucket Island Inquirer, September 24th

(Sept. 24, 2015) Ruthie Foster knows how to sing the blues. As a girl she went to church with her mother and sang in the choir, then came home and put her father's blues records on the turntable. It was a natural combination growing up in the tiny, ...Read more