Psych is a broad term referring to a genre of psychedelic vinyl albums and singles recorded from roughly 1966 to 1969. As psych record collector Patrick Lundborg describes it in his interview at Collectors Weekly, psychedelic music was created by bands that were influenced by psychedelic drugs, from LSD to mushrooms. Both an album’s cover and the music on the vinyl inside reflected these intense influences.

Although the most active sector of today’s market for psych records is in rare and obscure recordings, some of the most famous psych records are by some of the world’s most popular artists, from Jimi Hendrix to Eric Clapton. Album covers such as Revolver (1966) and Sgt. Pepper’s Lonely Hearts Club Band (1967) place The Beatles squarely in the psych-records camp. Magical Mystery Tour (1967) is also a link to the world of rock music posters, thanks to its cover by renowned poster artist John Van Hamersveld.

Other highly regarded examples of British psych include Donovan’s Sunshine Superman from 1966. The list from 1967 is exceptionally deep—Pink Floyd’s The Piper at the Gates of Dawn, Their Satanic Majesties Request by the Rolling Stones, Cream’s Disraeli Gears, The Who Sell Out by The Who, and Traffic’s Mr. Fantasy are just a few of the trippy English gems from that seminal year.

In the San Francisco Bay Area, a multitude of rock bands released a plethora of psych records in the late 1960s. Moby Grape’s eponymous 1967 debut is a must-have for most psych vinyl collectors, as is the Jefferson Airplane’s 1967 After Bathing at Baxter’s, which was reportedly mixed by the band based on how well the music would sound while the listener was under the influence of LSD.

Country Joe and the Fish made the connection between psychedelic drug culture and their music explicit with their 1967 Electric Music for the Mind and Body. Power trio Blue Cheer released Vincebus Eruptum in 1968, which was the same year one of San Francisco’s most influential acts, Quicksilver Messenger Service, offered up its spacey self-titled debut. Also desirable is the pair of albums by H.P. Lovecraft, a Chicago band that was formed in 1967, relocated to San Francisco in 1968, and then disbanded a year later.

The Grateful Dead was the region’s psychedelic heavyweight. Anthem of the Sun (1968), with its mandala-like cover, combined live tracks with studio work, while the band’s studio follow-up, Aoxomoxoa, featured a gloriously psychedelic cover by Fillmore and Avalon poster artist Rick Griffin.

And then there was the back cover of the band’s 1969 double LP, Live Dead, which featured the word "Dead" in big, blocky letters: It was designed by artist R.D. Thomas so that the top part of "Dead" appeared to spell out the word "Acid" in a not-so-subtle wink to the recreational drug of choice for the Grateful Dead’s audience of Deadheads...

As with Northern Soul, though, the most intense collecting activity in psych vinyl records revolves around the lesser-known, cult-status bands that produced discs in small production runs. Like Northern Soul, scarcity is key.

For example, in 1967, the bands Golden Dawn and 13th Floor Elevators, both from Austin, Texas, released a pair of albums that were not widely distributed at the time but today are considered by many to be classics of the genre. Golden Dawn’s Power Plant is less well known than the Elevators’ Easter Everywhere or The Psychedelic Sounds of the 13th Floor Elevators, the group’s 1966 debut. But that extra layer of obscurity, it seems, is at least part of what makes Golden Dawn attractive to collectors.

But for sheer scarcity and cult cachet, few psych bands compare to C.A. Quintet, a Minneapolis outfit that produced just one album in its heyday. Trip Through Hell, 1969, sold less than 1,000 copies for a label called Candy Floss. Today, beat-up copies with tequila-sunrise stains on their covers fetch more than a grand on eBay.

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Recent News: Psych Records

Source: Google News

Milwaukee Psych Fest; Karmin; Demetri Martin; Suzy Bogguss; Sea Wolf; 12 ...
Milwaukee Journal Sentinel, April 24th

The event kicked off Thursday with the British cult band Loop (above), but there are still four more shows and 17 more psychedelic rock bands left to see, hailing from Michigan (Beast in the Field, Sisters of Your Sunshine Vapor, Haunted Leather...Read more

How Japanese psych rockers Acid Mothers Temple and, say, Miley Cyrus inhabit ...
Nashville Scene, April 24th

But you need to listen to this Japanese psych-rock collective — especially if psych, improv, out-there music is not your thing. If you are a fan of traditional, normative pop music, you owe to yourself, your ears, your very your soul to dive headlong...Read more

Thee Oh Sees' album explores psychedelic, leaving behind punk greatness
UW Badger Herald, April 23rd

The album is marked by slower melodies and styles that hark back to the time of Bowie and even further back to San Francisco-centered psychedelic rock. Because Dwyer is playing most of the instruments on all of the songs, some distinct features of the ...Read more

A British psych-rock group returns
Pitch Weekly, April 22nd

t has been 24 years since the psych-rock band Loop released its third and final album, the classic A Gilded Eternity. Right after Eternity hit the charts, the London foursome — founding lead singer and guitarist Robert Hampson, guitarist Scott Dowson, ...Read more

Three to see: World rock, shoegaze and psychedelic rock
Sacramento Bee, April 16th

There are more than enough sun splashes of soul and breezes of blues in Tinariwen's effervescent sound to make it seem like a soundtrack to a road trip – but these are roads and journeys the likes of which very few of us here would ever comprehend, ...Read more

The Black Keys' "Turn Blue" Makes Them Sound Like a Trippy Psych Rock Jam ...
Bustle, April 14th

The Black Keys just released the “official audio” for “Turn Blue” the title track to their upcoming album. It is the second song released from the new album; the toe-tapping “Fever” has been floating around Spotify since last month. The album, which...Read more

Faith Connections
Sydney Morning Herald, April 2nd

Holy men parade on elephants or strike improbable yogic poses; chanting and drumming is constant, as is the smoking of ganja. Cyril Morin's score is tinged with psychedelic rock, while Nalin's penchant for distorting wide-angle lenses adds to the...Read more

One Wytch, Unplugged In A Sunny Backyard
NPR, March 27th

The Wytches' furious, hair-flinging psych-rock isn't the stuff of back-porch acoustic sessions: Both live and on the English band's singles, the energy is so intense, it can barely be contained. But when NPR Music arranged a Wytches session during SXSW ...Read more