Psych is a broad term referring to a genre of psychedelic vinyl albums and singles recorded from roughly 1966 to 1969. As psych record collector Patrick Lundborg describes it in his interview at Collectors Weekly, psychedelic music was created by bands that were influenced by psychedelic drugs, from LSD to mushrooms. Both an album’s cover and the music on the vinyl inside reflected these intense influences.
Although the most active sector of today’s market for psych records is in rare and obscure recordings, some of the most famous psych records are by some of the world’s most popular artists, from Jimi Hendrix to Eric Clapton. Album covers such as Revolver (1966) and Sgt. Pepper’s Lonely Hearts Club Band (1967) place The Beatles squarely in the psych-records camp. Magical Mystery Tour (1967) is also a link to the world of rock music posters, thanks to its cover by renowned poster artist John Van Hamersveld.
Other highly regarded examples of British psych include Donovan’s Sunshine Superman from 1966. The list from 1967 is exceptionally deep—Pink Floyd’s The Piper at the Gates of Dawn, Their Satanic Majesties Request by the Rolling Stones, Cream’s Disraeli Gears, The Who Sell Out by The Who, and Traffic’s Mr. Fantasy are just a few of the trippy English gems from that seminal year.
In the San Francisco Bay Area, a multitude of rock bands released a plethora of psych records in the late 1960s. Moby Grape’s eponymous 1967 debut is a must-have for most psych vinyl collectors, as is the Jefferson Airplane’s 1967 After Bathing at Baxter’s, which was reportedly mixed by the band based on how well the music would sound while the listener was under the influence of LSD.
Country Joe and the Fish made the connection between psychedelic drug culture and their music explicit with their 1967 Electric Music for the Mind and Body. Power trio Blue Cheer released Vincebus Eruptum in 1968, which was the same year one of San Francisco’s most influential acts, Quicksilver Messenger Service, offered up its spacey self-titled debut. Also desirable is the pair of albums by H.P. Lovecraft, a Chicago band that was formed in 1967, relocated to San Francisco in 1968, and then disbanded a year later.
The Grateful Dead was the region’s psychedelic heavyweight. Anthem of the Sun (1968), with its mandala-like cover, combined live tracks with studio work, while the band’s studio follow-up, Aoxomoxoa, featured a gloriously psychedelic cover by Fillmore and Avalon poster artist Rick Griffin.
And then there was the back cover of the band’s 1969 double LP, Live Dead, which featured the word "Dead" in big, blocky letters: It was designed by artist R.D. Thomas so that the top part of "Dead" appeared to spell out the word "Acid" in a not-so-subtle wink to the recreational drug of choice for the Grateful Dead’s audience of Deadheads...
As with Northern Soul, though, the most intense collecting activity in psych vinyl records revolves around the lesser-known, cult-status bands that produced discs in small production runs. Like Northern Soul, scarcity is key.
For example, in 1967, the bands Golden Dawn and 13th Floor Elevators, both from Austin, Texas, released a pair of albums that were not widely distributed at the time but today are considered by many to be classics of the genre. Golden Dawn’s Power Plant is less well known than the Elevators’ Easter Everywhere or The Psychedelic Sounds of the 13th Floor Elevators, the group’s 1966 debut. But that extra layer of obscurity, it seems, is at least part of what makes Golden Dawn attractive to collectors.
But for sheer scarcity and cult cachet, few psych bands compare to C.A. Quintet, a Minneapolis outfit that produced just one album in its heyday. Trip Through Hell, 1969, sold less than 1,000 copies for a label called Candy Floss. Today, beat-up copies with tequila-sunrise stains on their covers fetch more than a grand on eBay.
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Temples Unfurl Psychedelic Excellence in 'Sun Structures' Live VideoSPIN, April 17th
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One Wytch, Unplugged In A Sunny BackyardKUAC, March 27th
The Wytches' furious, hair-flinging psych-rock isn't the stuff of back-porch acoustic sessions: Both live and on the English band's singles, the energy is so intense, it can barely be contained. But when NPR Music arranged a Wytches session during SXSW ...Read more
The Black Keys explore psych-rock on new song 'Fever'HitFix, March 24th
The Black Keys are back. Last week, the band announced that its first new album in almost three years, “Turn Blue,” will be released May 13 and, today, dropped its first single, “Fever.” Listen to the new song, watch the album teaser and check out the...Read more