Psych is a broad term referring to a genre of psychedelic vinyl albums and singles recorded from roughly 1966 to 1969. As psych record collector Patrick Lundborg describes it in his interview at Collectors Weekly, psychedelic music was created by bands that were influenced by psychedelic drugs, from LSD to mushrooms. Both an album’s cover and the music on the vinyl inside reflected these intense influences.

Although the most active sector of today’s market for psych records is in rare and obscure recordings, some of the most famous psych records are by some of the world’s most popular artists, from Jimi Hendrix to Eric Clapton. Album covers such as Revolver (1966) and Sgt. Pepper’s Lonely Hearts Club Band (1967) place The Beatles squarely in the psych-records camp. Magical Mystery Tour (1967) is also a link to the world of rock music posters, thanks to its cover by renowned poster artist John Van Hamersveld.

Other highly regarded examples of British psych include Donovan’s Sunshine Superman from 1966. The list from 1967 is exceptionally deep—Pink Floyd’s The Piper at the Gates of Dawn, Their Satanic Majesties Request by the Rolling Stones, Cream’s Disraeli Gears, The Who Sell Out by The Who, and Traffic’s Mr. Fantasy are just a few of the trippy English gems from that seminal year.

In the San Francisco Bay Area, a multitude of rock bands released a plethora of psych records in the late 1960s. Moby Grape’s eponymous 1967 debut is a must-have for most psych vinyl collectors, as is the Jefferson Airplane’s 1967 After Bathing at Baxter’s, which was reportedly mixed by the band based on how well the music would sound while the listener was under the influence of LSD.

Country Joe and the Fish made the connection between psychedelic drug culture and their music explicit with their 1967 Electric Music for the Mind and Body. Power trio Blue Cheer released Vincebus Eruptum in 1968, which was the same year one of San Francisco’s most influential acts, Quicksilver Messenger Service, offered up its spacey self-titled debut. Also desirable is the pair of albums by H.P. Lovecraft, a Chicago band that was formed in 1967, relocated to San Francisco in 1968, and then disbanded a year later.

The Grateful Dead was the region’s psychedelic heavyweight. Anthem of the Sun (1968), with its mandala-like cover, combined live tracks with studio work, while the band’s studio follow-up, Aoxomoxoa, featured a gloriously psychedelic cover by Fillmore and Avalon poster artist Rick Griffin.

And then there was the back cover of the band’s 1969 double LP, Live Dead, which featured the word "Dead" in big, blocky letters: It was designed by artist R.D. Thomas so that the top part of "Dead" appeared to spell out the word "Acid" in a not-so-subtle wink to the recreational drug of choice for the Grateful Dead’s audience of Deadheads...

As with Northern Soul, though, the most intense collecting activity in psych vinyl records revolves around the lesser-known, cult-status bands that produced discs in small production runs. Like Northern Soul, scarcity is key.

For example, in 1967, the bands Golden Dawn and 13th Floor Elevators, both from Austin, Texas, released a pair of albums that were not widely distributed at the time but today are considered by many to be classics of the genre. Golden Dawn’s Power Plant is less well known than the Elevators’ Easter Everywhere or The Psychedelic Sounds of the 13th Floor Elevators, the group’s 1966 debut. But that extra layer of obscurity, it seems, is at least part of what makes Golden Dawn attractive to collectors.

But for sheer scarcity and cult cachet, few psych bands compare to C.A. Quintet, a Minneapolis outfit that produced just one album in its heyday. Trip Through Hell, 1969, sold less than 1,000 copies for a label called Candy Floss. Today, beat-up copies with tequila-sunrise stains on their covers fetch more than a grand on eBay.

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Recent News: Psych Records

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Kevin Parker Reckons Australia Doesn't Have A Psych Scene
Tone Deaf, July 28th

That's why it was a little disappointing to see Parker make some rather underwhelming remarks about the Australian psychedelic scene. Specifically, outside of his band and cohorts Pond and King Gizzard & The Lizard Wizard, Parker doesn't really think...Read more

Dedric Moore talks about spacing out Psych Fest
Pitch Weekly, July 28th

Instead of a 72-hour overload of the finest psychedelic rock that Kansas City has to offer, Moore is booking what he says is one major event apiece in August, September and October. Ahead of the first 2015 Psych Fest event Saturday, August 1, at the...Read more

Shows: Gaze at Synth-Psych Legends and Dance to the Sound of Crack Recovery
Bedford + Bowery, July 28th

But beyond that, Silver Apples also made a great contribution to the notion that we take for granted now, that feedback, noise, and general cacophony as made by electronic blips, buzzes, and gurgles are as salient to rock music as guitars n' drums...Read more

Tame Impala's Kevin Parker: there's no Aussie psych scene, we're just 10 people
The Guardian, July 26th

nothing to do I tend to go back into the studio and start plugging things in anyway. It's kind of an automatic process for me that starts happening, like an old lady doing the washing. A lot of acts name-drop Tame Impala – is there an Australian...Read more

Local psychedelic band The Halfways brings experimentation to Austin rock scene
UT The Daily Texan, July 22nd

Nothing says “Welcome to Austin” like the sound of muffled rock music permeating through thin apartment walls. In a small room located beneath the front desk of a Riverside complex, local band The Halfways practice for their next show. The band is ...Read more

On Their Third Album, Tame Impala Achieve Psych-Rock Nirvana
Vulture, July 17th

Which means it's a funny time for Tame Impala, the most beloved psych-rock band in years, to release a dance album. Tame Impala — named for the antelope, not the Chevy — is essentially one guy, 29-year-old Kevin Parker from Perth, Australia. Front...Read more

The Psychedelia of Santiago: South America's Hotbed of Retro Rock
Noisey (blog), July 10th

With local venues popping up in the city's bohemian neighborhoods like Bellavista and Larrista, Santiago now specializes in something other than las vistas de las montañas and empanadas: psychedelic rock. Maybe it's the presence of La Silla Observatory ...Read more

Tame Impala's Kevin Parker, from psych-rock stoner to disco infiltrator
The Guardian, July 4th

His acclaimed 2010 debut, Innerspeaker, ushered in a new wave of young psych rock bands such as Pond, Toy and Hookworms, and turned a whole new generation of fans on to the transcendental power of scuzzy, droning guitars. The follow-up, 2012's ...Read more