There is something about holding a vinyl LP in the palms of your hands, touching only the platter’s edges lest you smudge, soil, or scratch the grooves incised in its inky surface. As you tilt the disc so that it catches the light, the tracks show up as fuzzy concentric bands, each delineated by a darker, thinner bar of dead space. That wide band in the middle of side one of The Doors must be the seven-minute version of "Light My Fire." Flip it over, and the last band on side two is even fatter, the 11-plus-minute opus, "The End." It’s time to give this vintage vinyl a spin.
Records as we know them today (or knew them, before the rise of CDs and digital music) have been around since 1930, when RCA manufactured a 12-inch vinyl disc that was meant to be played at 33 1/3 revolutions per minute (RPM). RCA’s vinyl records produced a lot less playback noise than the shellac records that dominated the market, but the Great Depression was no time to introduce a new entertainment product with limited manufacturer support, so vinyl didn’t catch on.
It took until 1948 for that to happen. That’s when Columbia introduced its own 12-inch, 33 1/3 vinyl monaural record, which it branded as the LP for Long Play. Today, the letters LP are treated like the word "Kleenex," which is to say that it’s technically a brand name, but we use it as if it was the generic description for vinyl records.
For fans of early rock ’n’ roll, key vinyl LPs to collect include 1955’s Rock Around the Clock, the first 12-inch LP that Bill Haley & His Comets cut for Decca. The following year, a teenage singer named Frankie Lymon, who was sort of the Michael Jackson of the 1950s, released The Teenagers Featuring Frankie Lymon, which included their hit "Why Do Fools Fall In Love."
Other pioneers of rock include Chuck Berry, whose 1957 LP called After School Session on Chess Records is a classic of the genre. Another Chess artist was Bo Diddley, whose 1958 Bo Diddley included such early hits as "Who Do You Love?"
And then there was Elvis Presley, whose eponymous 1956 debut was the first rock ’n’ roll album to top the charts and sell a million copies. Tracks included the King’s famous cover of Carl Perkins’s "Blue Suede Shoes."
For jazz fans, collectible LP choices range from Dixieland to West Coast Cool. From 1952 on, Chet Baker recorded numerous albums, many of them live, accompanied by the likes of Charlie Parker and Gerry Mulligan on labels with names like Fresh Sound, Pacific Jazz, and Blue Note...
Another early jazz LP pioneer was Louis Armstrong, whose trumpet work and vocals on the soundtrack for the 1956 film High Society contributed to its brisk sales (Bing Crosby’s duet with Grace Kelly, plus other tracks by Frank Sinatra, didn’t hurt, either). Armstrong had another film-related hit in 1963, when an LP version of Hello Dolly! was released to capitalize on his best-selling single from the movie.
During the 1960s, a painful (to the ears) transition from mono to stereo took place. In many cases, monaural recording sessions were turned into stereo LPs during post-production, with predictably poor results. For collectors, some of the "pure" mono recordings of that decade are therefore highly prized. These include the 1963 Parlophone release of Please Please Me by The Beatles, the first Rolling Stones album in 1964, mono versions of Pink Floyd’s 1967 The Piper at the Gates of Dawn, and the Grateful Dead’s first album, also from 1967.
In fact, LPs by psychedelic bands like Floyd and the Dead are a genre of collecting unto itself. Known as Psych Rock, bands include 13th Floor Elevators, The Chocolate Watchband, and H.P. Lovecraft. In some cases, particular LPs are considered classics of this trippy art form, such as the Jefferson Airplane’s 1967 After Bathing at Baxter’s, which was reportedly mixed based on how well it would sound while the listener was on LSD.
Yet another highly collectible genre of vintage LPs is Progressive Rock, also known as Prog Rock. This late-1960s to 1970s phenomenon includes bands like Gong, Tangerine Dream, King Crimson, Yes, and Rush.
Regardless of genre, one of the best things about LPs is their generous size, which gave rise to a flood of covers with gorgeous and/or provocative artwork. There are the colorful covers of 1960s Psych records, to be sure, but go back in time a little bit and you can collect Mid-century Modern graphics disguised as 1950s and 1960s jazz albums.
Some album covers are simply legendary: Andy Warhol designed a cover for The Rolling Stones’s Sticky Fingers that featured an actual working zipper. The Who’s Tommy came with a cover-size booklet filled with art and lyrics. Robert Rauschenberg designed a clear plastic cover for the Talking Heads’s Speaking in Tongues. And if you want a copy of The Beatles’s infamous "butcher" version of Yesterday and Today, you’ve got to go back to the original vinyl.
Today, numerous contemporary musicians are choosing to release their music not just on CD and digitally but on vinyl, too. In 2007, Radiohead famously offered music files of its In Rainbows album to its fans for whatever they wanted to pay. The potentially risky gambit did not seem to hurt sales of the vinyl version of the 10-song collection—In Rainbows was the best-selling vinyl LP of 2008.
Grunge bands such as Nirvana and Pearl Jam embraced vinyl from the beginning of their careers. A rare version of Nirvana’s Nevermind was issued with a multi-colored, mottled, "splash" design on the vinyl itself. As for Pearl Jam, one of the bestsellers on eBay continues to be its four-disc recording of a benefit the band performed in 2003 at Seattle’s Benaroya Hall. The discs, which are red like the album’s cover, were issued in an edition of 2,000. The price in 2004 was $40 for the set. Today, you’d be lucky to find a sealed copy for under $500.
Best of the Web (“Hall of Fame”)
Association of Vogue Picture Record Collectors
The Remington Site
Clubs & Associations
Other Great Reference Sites
Most watched eBay auctions
Recent News: LP Records
Source: Google News
Inspired Interiors: Shop Downtown's new Urban FleaIndianapolis Star, May 29th
More than 100 vendors will show June 13 with goods ranging from vinyl records to vintage clothing, garden décor, industrial design, fine art, Mid-Century Modern furniture, unusual plants and craft items. "We are seeking a lot of variety. Craft items...Read more
A$AP Rocky's 'At.Long.Last.A$AP' Is the Perfect Experiment: Album ReviewBillboard, May 29th
In the first three months of 2015, Drake, Kendrick Lamar and Earl Sweatshirt all dropped records with little to no warning. So it wasn't a shock when A$AP Rocky's ... But musically, A.L.L.A. is a surprise. Rocky, 26, and his Harlem-based A$AP Mob crew...Read more
Recommended Dose: The Best Dance Tracks Of MayNPR, May 29th
Amsterdam-based Hun Choi, better known as Hunee, will release his debut LP, Hunch Music, in June, to the delight of many left-leaning house fans. The German-born son of Korean immigrants has been a positive force ... The French expatriate, who will...Read more
Ho Chi Minh, Vietnam: An unlikely place for a record collector's paradiseBega District News, May 29th
House of Oldies at 35 Carmine Street, New York has thousands of vintage record albums for sale. Photo: New York Daily News ... We'd come to Le Cong Kieu Street to fossick for vinyl records, but didn't hold out much hope. In amongst all the porcelain...Read more
Oasis May Reunite....Maybe In Twenty YearsVVN Music, May 29th
Alan McGee is the man who "discovered" Oasis and signed them to his Creation Records, so he has a unique view into the minds of brothers Noel and Liam Gallagher and that mind says there's no reunion of the band anytime in the near future. After many ...Read more
Record Fair to support ROTA GalleryPlattsburgh Press Republican, May 29th
PLATTSBURGH — Vintage vinyl is the focus of a Record Fair in support of ROTA Gallery this Sunday afternoon. Local music maven Gary Peacock will be on hand as DJ and emcee for trivia, but he will also have more than 1,000 phonograph records from his ...Read more
The Rentals Love Moog: Any Old Synths Just Won't DoHouston Press, May 27th
The Rentals' Instagram page tells part of their more obscure indie-rock, Moog-nerd story: underneath a photo of a vintage '60s Orange Matamp amplifier there's a picture of a Moog-inspired chocolate bar held above a cup of coffee; Moog synthesizers set...Read more
Bryce McCloud's art preserves Nashville's unique storiesThe Tennessean, May 27th
In contrast to nearby SoBro, Pie Town veers toward small, creative businesses — art supplies, camera repairs, vinyl records, pole dancing and hot dogs — alongside the Nashville Rescue Mission and the Room In the Inn, which serve the homeless. "The...Read more