There is something about holding a vinyl LP in the palms of your hands, touching only the platter’s edges lest you smudge, soil, or scratch the grooves incised in its inky surface. As you tilt the disc so that it catches the light, the tracks show up as fuzzy concentric bands, each delineated by a darker, thinner bar of dead space. That wide band in the middle of side one of The Doors must be the seven-minute version of "Light My Fire." Flip it over, and the last band on side two is even fatter, the 11-plus-minute opus, "The End." It’s time to give this vintage vinyl a spin.
Records as we know them today (or knew them, before the rise of CDs and digital music) have been around since 1930, when RCA manufactured a 12-inch vinyl disc that was meant to be played at 33 1/3 revolutions per minute (RPM). RCA’s vinyl records produced a lot less playback noise than the shellac records that dominated the market, but the Great Depression was no time to introduce a new entertainment product with limited manufacturer support, so vinyl didn’t catch on.
It took until 1948 for that to happen. That’s when Columbia introduced its own 12-inch, 33 1/3 vinyl monaural record, which it branded as the LP for Long Play. Today, the letters LP are treated like the word "Kleenex," which is to say that it’s technically a brand name, but we use it as if it was the generic description for vinyl records.
For fans of early rock ’n’ roll, key vinyl LPs to collect include 1955’s Rock Around the Clock, the first 12-inch LP that Bill Haley & His Comets cut for Decca. The following year, a teenage singer named Frankie Lymon, who was sort of the Michael Jackson of the 1950s, released The Teenagers Featuring Frankie Lymon, which included their hit "Why Do Fools Fall In Love."
Other pioneers of rock include Chuck Berry, whose 1957 LP called After School Session on Chess Records is a classic of the genre. Another Chess artist was Bo Diddley, whose 1958 Bo Diddley included such early hits as "Who Do You Love?"
And then there was Elvis Presley, whose eponymous 1956 debut was the first rock ’n’ roll album to top the charts and sell a million copies. Tracks included the King’s famous cover of Carl Perkins’s "Blue Suede Shoes."
For jazz fans, collectible LP choices range from Dixieland to West Coast Cool. From 1952 on, Chet Baker recorded numerous albums, many of them live, accompanied by the likes of Charlie Parker and Gerry Mulligan on labels with names like Fresh Sound, Pacific Jazz, and Blue Note...
Another early jazz LP pioneer was Louis Armstrong, whose trumpet work and vocals on the soundtrack for the 1956 film High Society contributed to its brisk sales (Bing Crosby’s duet with Grace Kelly, plus other tracks by Frank Sinatra, didn’t hurt, either). Armstrong had another film-related hit in 1963, when an LP version of Hello Dolly! was released to capitalize on his best-selling single from the movie.
During the 1960s, a painful (to the ears) transition from mono to stereo took place. In many cases, monaural recording sessions were turned into stereo LPs during post-production, with predictably poor results. For collectors, some of the "pure" mono recordings of that decade are therefore highly prized. These include the 1963 Parlophone release of Please Please Me by The Beatles, the first Rolling Stones album in 1964, mono versions of Pink Floyd’s 1967 The Piper at the Gates of Dawn, and the Grateful Dead’s first album, also from 1967.
In fact, LPs by psychedelic bands like Floyd and the Dead are a genre of collecting unto itself. Known as Psych Rock, bands include 13th Floor Elevators, The Chocolate Watchband, and H.P. Lovecraft. In some cases, particular LPs are considered classics of this trippy art form, such as the Jefferson Airplane’s 1967 After Bathing at Baxter’s, which was reportedly mixed based on how well it would sound while the listener was on LSD.
Yet another highly collectible genre of vintage LPs is Progressive Rock, also known as Prog Rock. This late-1960s to 1970s phenomenon includes bands like Gong, Tangerine Dream, King Crimson, Yes, and Rush.
Regardless of genre, one of the best things about LPs is their generous size, which gave rise to a flood of covers with gorgeous and/or provocative artwork. There are the colorful covers of 1960s Psych records, to be sure, but go back in time a little bit and you can collect Mid-century Modern graphics disguised as 1950s and 1960s jazz albums.
Some album covers are simply legendary: Andy Warhol designed a cover for The Rolling Stones’s Sticky Fingers that featured an actual working zipper. The Who’s Tommy came with a cover-size booklet filled with art and lyrics. Robert Rauschenberg designed a clear plastic cover for the Talking Heads’s Speaking in Tongues. And if you want a copy of The Beatles’s infamous "butcher" version of Yesterday and Today, you’ve got to go back to the original vinyl.
Today, numerous contemporary musicians are choosing to release their music not just on CD and digitally but on vinyl, too. In 2007, Radiohead famously offered music files of its In Rainbows album to its fans for whatever they wanted to pay. The potentially risky gambit did not seem to hurt sales of the vinyl version of the 10-song collection—In Rainbows was the best-selling vinyl LP of 2008.
Grunge bands such as Nirvana and Pearl Jam embraced vinyl from the beginning of their careers. A rare version of Nirvana’s Nevermind was issued with a multi-colored, mottled, "splash" design on the vinyl itself. As for Pearl Jam, one of the bestsellers on eBay continues to be its four-disc recording of a benefit the band performed in 2003 at Seattle’s Benaroya Hall. The discs, which are red like the album’s cover, were issued in an edition of 2,000. The price in 2004 was $40 for the set. Today, you’d be lucky to find a sealed copy for under $500.
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1964 - Ella Fitzgerald had the first hit with a Beatles cover when Can't Buy ...VVN Music, May 22nd
1973 - The Jefferson Airplane were barred from playing Golden Gate Park in San Francisco after the city council banned electric instruments in public concerts. 1974 - George Harrison announced the start of Dark Horse records. 1978 - Bruce Springsteen ...Read more
How to do the wrong thing rightDallas Voice, May 22nd
The man's in soap-opera-star shape, owns a lacquered black baby grand piano, several waist high alabaster obelisks, a big box of vintage vinyl records (the one on top being Barbra Streisand's Butterfly), three gargantuan fake Warhols, two Persian cats...Read more
The 10 Best Concerts In Houston This Weekend: Kenny Chesney, Grady Gaines ...Houston Press, May 22nd
Like a snake eating its tail, only a few years after the vintage-soul revival led by labels like Brooklyn Dap-Tone Records, now we have groups of musically inclined young people starting vintage-soul bands of their own, like Austin's the Nightowls...Read more
1967 - Dan Roberts (Crash Test Dummies) (48)VVN Music, May 21st
1966 - The Castilles, featuring a young Bruce Springsteen, recorded their only record, That's What You Get/Baby I. 1967 - Florence Ballard appeared with the Supremes for the first time on the Tonight Show. 1968 - Frank Sinatra performed at a Democratic ...Read more
Nicolas Winding Refn Presents Series Is Releasing The 'RoboCop' Soundtrack ...Indie Wire (blog), May 21st
A certain type of vintage genre score has rightfully earned its place in film music pantheon —think the haunting pulsations of John Carpenter, the woozy dreamscapes of Tangerine Dream, the throbbing disco-synth anxieties of Giorgio Moroder —and that...Read more
The Top 25 Albums Of 2015 (So Far)HipHopDX, May 21st
It was classic Pretty Tony with a vintage soundtrack and it all worked well in harmony. However, those ... More compact and intimate than any album he's put out thus far, the short 33-minute playtime is full enough to journey through a world filled...Read more
Pat Benatar and Neil Giraldo: 'We're Like Johnny and June'RollingStone.com, May 21st
Only the second-ever video played on MTV, it followed the Buggles' synth-heavy "Video Killed the Radio Star" on the channel and helped turn the classically trained Benatar into a rock superstar with dozens of chart hits, a Number One album and a .... I...Read more
Playback: Austin's Revamped Record Convention: The Austin Record ...Austin Chronicle, May 20th
The cement floor is bestrewn with vinyl records – thousands of LPs in boxes and crates. Shelves lining the walls are ... Hanners has rented out 275 tables, the most in the ARC's 34-year history, with dealers jetting in from Japan, Ireland, Australia...Read more