Vintage classical vinyl records are prized by collectors for their warm sound quality compared to digital as well as the fact that many rare or out-of-print titles are only available in LP format. There's an extremely wide range of desirable record titles available to classical-music fans, from recordings by famous conductors (Furtwangler, Orff) and instrumentalists (Menuhin, Oistrakh) to rare and compelling pressings by lesser-known artists. Collectors have varying methods of accumulating classical records—some prefer specific conductors, musicians, or record labels, while others fancy particular eras.
Some of the first records ever produced were classical recordings. Beginning in 1903, 12-inch classical records with about five minutes of music per side were sold. These early classical records spun at 78 rpm and mostly featured European classical music, which was popular in the United States at the time.
By the 1930s, with the advent and widespread popularity of radios, these 78 records were no longer sufficient to capture live-music transmissions, which lasted longer than any single disc could hold. After World War II, Columbia thought it had this problem solved when it introduced its 12-inch, 33 1/3 rpm vinyl monaural record, which it branded as the LP, for Long Play. The slower speed allowed record companies to put more music on a disc, although at first popular music was relegated to smaller, less-expensive 10-inch discs.
Eventually, all music went to 12-inch discs, and by the 1950s and 1960s, classical music was largely replaced in the mainstream by jazz and rock ’n’ roll. In response, perhaps, classical composers moved away from some of their staples—tonal centre and harmonic progression. This may have been the heyday of vinyl records, but not necessarily of classical recordings.
Classical music’s struggles continued into the early days of the compact disc, the late 70s and early 80s. Many of the major labels spent heavily to produce a lot of recordings that are widely regarded today as junk, while small retailers were replaced by oversized, and understaffed, record stores. The entire classical music industry was in a state of severe distress.
The few successes of that period, which kept the industry afloat, were reissues of older vinyl records for serious fans, as well as recordings that brought classical music almost into the realm of pop. The prime examples of that type of recording are albums by The Three Tenors—Plácido Domingo, José Carreras, and Luciano Pavarotti—whose music remains popular to this day.
Collecting classical music records is somewhat easier for the lay collector than other musical genres. This is due in large part to lower prices and the vast variety and quantity...
Some of the most popular classical records on the market include Leonid Kogan’s Beethoven Concerto, released in the United Kingdom by Columbia, Enrico Mainardi’s performances of Bach’s Cellosuites on Deutsche Grammophon, and Rossini’s Sonate a Quattro with Salvatore Accardo on the violin, released by Philips. Recordings by pianist Glenn Gould, particularly of Bach's Goldberg Variations, are enduring favorites, though not especially rare on vinyl.
One of the most collected conductors is Leonard Bernstein, although, as with Gould, his vinyl records, such as those with the New York Philharmonic, are widely available. Bernstein released 72 different vinyl records from 1933 to 1959, but film fans often gravitate to his recordings of "On the Waterfront" or "West Side Story." Other movie-and-classical-music fans look for the collaborations between composer and conductor Bernard Herrmann and director Alfred Hitchcock—Herrmann scored such classics as "North By Northwest" and "Psycho."
In a league of his own is Eugene Ormandy, who spent almost half a century with the Philadelphia Orchestra, with whom he made hundreds of records on labels from RCA Victor Red Seal to Columbia Masterworks, although the quality of the music on his later recordings with EMI/Angel is not considered as strong as his work in the 1950s and '60s.
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Recent News: Classical Records
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Movie review: 'High-Rise' fascinates with destructive decadenceExaminer.com, April 30th
His third-person voiceover, backed by a classical record playing in the background, speaks of eerie satisfaction and renewed confidence amid the obviously dire conditions. A jack-hammered transition card hits declaring "three months earlier." That...Read more
Ben Folds composed a piano concerto because he 'didn't get the memo'Indianapolis Star, April 27th
1 classical record, and it went back as No. 7, and it's been in the Top 20 the whole time. I've performed the concerto 30 times with major symphony orchestras. I haven't gotten those reviews, like “this guy sucks.” If anything, it's been met with...Read more
ACCEPT Guitarist WOLF HOFFMANN To Release Headbangers Symphony Solo AlbumKNAC.com, April 24th
Mostly though, listeners will say, hey, I know that melody… so it's pretty much the same path as the Classical record. It was my desire to record melodies I like and melodies people recognize." Now that the album is done, Wolf is proud looking back...Read more
Shrinking body of patrons and clashes at rallies: Hebrew-language media reviewi24news, April 23rd
Relying on a demonstrably homogeneous body of patrons that's "shrinking demographically and culturally" sounds like a postmortem of Israel's best classical record shop, Jerusalem's Music House, that had to call it a day a couple of years ago much to...Read more
Chicago violinist brought gift of music to Park CityThe Park Record, April 22nd
He picked up the violin at age 8, inspired by early years of listening to his father's "huge" classical record collection. "I loved that music, especially the violin pieces. I took to it like a duck to water," he says. His musical mastery earned him a...Read more
ACCEPT's WOLF HOFFMANN To Release 'Headbangers Symphony' Solo Album In JulyBLABBERMOUTH.NET, April 22nd
Mostly though, listeners will say, hey, I know that melody… so it's pretty much the same path as the 'Classical' record. It was my desire to record melodies I like and melodies people recognize." Now that the album is done, Wolf is proud looking back...Read more
DSO to premiere piece by 2013 Lebenbom Award winnerThe Detroit News, April 14th
Snider, who co-directs a “post-genre” classical record label in Brooklyn in addition to writing music, says she came to professional composing late. “I went to Yale for graduate school when I was 28 or 29,” she says. “I'd always been writing music, but...Read more
'More Than a Feeling': The making of a rock classicEntertainment Weekly, April 13th
My parents turned me loose with a monophonic hi-fi system and their classical record collection. There was no stereo. In fact, there was no stereo for about another 15 years. It's unbelievable. So, I heard all this classical music. I would sit there...Read more