Vintage classical vinyl records are prized by collectors for their warm sound quality compared to digital as well as the fact that many rare or out-of-print titles are only available in LP format. There's an extremely wide range of desirable record titles available to classical-music fans, from recordings by famous conductors (Furtwangler, Orff) and instrumentalists (Menuhin, Oistrakh) to rare and compelling pressings by lesser-known artists. Collectors have varying methods of accumulating classical records—some prefer specific conductors, musicians, or record labels, while others fancy particular eras.
Some of the first records ever produced were classical recordings. Beginning in 1903, 12-inch classical records with about five minutes of music per side were sold. These early classical records spun at 78 rpm and mostly featured European classical music, which was popular in the United States at the time.
By the 1930s, with the advent and widespread popularity of radios, these 78 records were no longer sufficient to capture live-music transmissions, which lasted longer than any single disc could hold. After World War II, Columbia thought it had this problem solved when it introduced its 12-inch, 33 1/3 rpm vinyl monaural record, which it branded as the LP, for Long Play. The slower speed allowed record companies to put more music on a disc, although at first popular music was relegated to smaller, less-expensive 10-inch discs.
Eventually, all music went to 12-inch discs, and by the 1950s and 1960s, classical music was largely replaced in the mainstream by jazz and rock ’n’ roll. In response, perhaps, classical composers moved away from some of their staples—tonal centre and harmonic progression. This may have been the heyday of vinyl records, but not necessarily of classical recordings.
Classical music’s struggles continued into the early days of the compact disc, the late 70s and early 80s. Many of the major labels spent heavily to produce a lot of recordings that are widely regarded today as junk, while small retailers were replaced by oversized, and understaffed, record stores. The entire classical music industry was in a state of severe distress.
The few successes of that period, which kept the industry afloat, were reissues of older vinyl records for serious fans, as well as recordings that brought classical music almost into the realm of pop. The prime examples of that type of recording are albums by The Three Tenors—Plácido Domingo, José Carreras, and Luciano Pavarotti—whose music remains popular to this day.
Collecting classical music records is somewhat easier for the lay collector than other musical genres. This is due in large part to lower prices and the vast variety and quantity...
Some of the most popular classical records on the market include Leonid Kogan’s Beethoven Concerto, released in the United Kingdom by Columbia, Enrico Mainardi’s performances of Bach’s Cellosuites on Deutsche Grammophon, and Rossini’s Sonate a Quattro with Salvatore Accardo on the violin, released by Philips. Recordings by pianist Glenn Gould, particularly of Bach's Goldberg Variations, are enduring favorites, though not especially rare on vinyl.
One of the most collected conductors is Leonard Bernstein, although, as with Gould, his vinyl records, such as those with the New York Philharmonic, are widely available. Bernstein released 72 different vinyl records from 1933 to 1959, but film fans often gravitate to his recordings of "On the Waterfront" or "West Side Story." Other movie-and-classical-music fans look for the collaborations between composer and conductor Bernard Herrmann and director Alfred Hitchcock—Herrmann scored such classics as "North By Northwest" and "Psycho."
In a league of his own is Eugene Ormandy, who spent almost half a century with the Philadelphia Orchestra, with whom he made hundreds of records on labels from RCA Victor Red Seal to Columbia Masterworks, although the quality of the music on his later recordings with EMI/Angel is not considered as strong as his work in the 1950s and '60s.
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Recent News: Classical Records
Source: Google News
Music tech startup Dart gains traction, raises capitalThe Tennessean, May 22nd
Dart, the brainchild of Nashville native Chris McMurty, is showing promise because it is narrowly focused on affordably allowing classical music composers and niche classical record labels to upload their music to digital services. But, observers say...Read more
How Moog synthesisers changed the worldGQ.com, May 12th
Carlos adopted one of the earliest Moog systems to produce her "Switched-On Bach" recording - still the highest selling classical record to date. Carlos went on to use the Moog Modular to create the electronic scores for A Clockwork Orange, The Shining...Read more
Death and transfiguration: the classical music recording industry in the ...Radio Australia, May 11th
The good times were gone, and for classical record labels, there could now only be either death or transfiguration. I've been speaking with those leading the change—Klaus Heymann from Naxos, Gilad Tiefenbrun from innovative Scottish label Linn Records...Read more
#BerlinPhil: How the Berlin Philharmonic became a global brandDeutsche Welle, May 7th
"It has got its Digital Concert Hall, so in a way it's almost a global orchestra," said James Jolly, editor-in-chief of the prestigious classical record magazine, "Gramophone." The orchestra that used to perform in a humble Berlin roller skating rink...Read more
Tributes to classical record label founderGazette, May 7th
Brian Couzens founded and ran Chandos Records, which is based in Colchester and recognised around the world. He became interested in music at school and spent his weekends shadowing recording engineers. He taught himself the trombone and ...Read more
A classical record master has diedSlipped Disc, May 4th
Distressed this morning to receive news of the death on Friday of Paul Myers, an engaging character who was head of CBS Masterworks and, later, a driving force at Decca. Urbane, engaging and vastly well informed, Paul was a man of the world in the ...Read more
Classical record magazine is declared insolventSlipped Disc, March 30th
Classical record magazine is declared insolvent. March 30, 2015 by norman lebrecht. 4 comments. The death of Barry Irving last month drained his publication of essential support. We have received this final notice: irr gilbert cover. March 30th, 2015...Read more
Sad news: Classical record magazine loses its publisherSlipped Disc, February 23rd
We are saddened to hear that Barry Irving died last night, after a short illness, aged 69. Barry was publisher of Gramophone in the boom times. When the magazine was sold to a corporate owner, he founded International Record Review (IRR) which he ran...Read more