In the ’60s, the Japanese went wild for a new fad coming out of America and England—rock ’n’ roll. Albums by Elvis Presley and British Invasion sensations like the Beatles were pressed and marketed in Japan, where they sold like hotcakes. The Japanese issues often had different artwork, as well as additional features like inserts with the lyrics translated into Japanese or the story of the group.
The most distinctive feature of these Japanese vinyl records, however, is what’s known as the “obi,” a name given by English-speakers who likened it to the sash on a Japanese kimono. For record collectors, an obi is a ribbon of paper attached to the left edge of a record sleeve that features the title of the record in Japanese and other useful information for the consumer, like track listings. The 3/4 length ‘hankake’ obis are especially rare, as are the ‘rock age’ series.
Obis were flimsy and intended to be thrown out, so records with their obis intact command a much higher price than those without. In fact, sometimes the obis are worth far more t...
Pressings of American and British artists were made in limited quantities due to the fact that stores had limited space and Western albums needed to share the shelves with those by Japanese musicians. When these records didn’t sell, they were often returned to the manufacturer to be destroyed. Because the Beatles and Elvis were so big in Japan, many of their Japanese issue records are easier to come by than those by less popular acts.
Japanese vinyl pressings are also highly desired by audiophiles, who appreciate their sound quality. The Japanese manufacturers made the LPs out of top-notch virgin vinyl. In the 1960s, Toshiba took quality one step further by developing a trademarked “Ever-Clean” process, which infused an extra ingredient into its premium red vinyl to prevent static from building up on the record. Japanese issue vinyl is also notable for the more-durable stock paper that its covers are printed on.
All Japanese-issue 45 rpm singles feature a picture sleeve or a picture insert and Japanese graphics, and some even came with exclusive photographs. For this reason, Japanese 45s are also highly collectible.
Beatles vinyl LPs were released in Japan successively on the Odeon ('60s), Apple ('70s), and EMI labels ('80s). The earliest Beatles obis (circa 1964-'66) are blue “hankake-obi," which drape over the top of the album and don't connect at the bottom. Elvis Presley, the Rolling Stones, Led Zeppelin, Pink Floyd, Queen, King Crimson, and Iron Maiden are also popular with collectors of Japanese- issue vinyl.
Among the most sought-after Japanese vinyl pressings are two boxed sets, called “The Originals” and “The Originals II,” released by Kiss in Japan in 1977 and 1978 to mark the band’s brief tours of Asia. These contained three studio albums each—“Originals II” is particularly coveted for its four 12-inch-by-12-inch cardboard masks, featuring Japanese-style faces of each band member. The mask were meant to be cut out and worn.
Japanese CD pressings also come wrapped in obis, and often the first runs come with extra limited-edition booklets, stickers, posters, or bonus tracks. Promo CDs are set apart by a sticker on the obi or cover with the Japanese symbols for “In English,” “By Sample,” and “Not for Sale.” Promo Only Items, however, have no obi strip, and usually feature unique artwork and songs selected by the record company for a sampler. These will usually be marked “Special DJ Copy,” or “Special Digest/Not for Sale.”
Collectors are particularly fond of Japanese “Mini-LP” CDs, which are intended to replicate the first-issue 12-inch vinyl LP of an album exactly. These feature sleeves made entirely of cardboard or paper instead of plastic CD cases. A company named Disk Union produced “promo boxes,” meant to hold an entire 10-CD set of an artist, and these boxes were given away to encourage consumers to buy all 10 discs. Promo boxes came with obis, too.
Some overseas stock releases were not issued as albums in the United States or Britain, like Nirvana’s “Hormoaning” mini-LP, which was only put out in Australia and Japan, and features the exclusive track, “D-7.” Record labels would often issue exclusive Japanese records when their bands toured Asia, or re-release an old album with a revised obi and cover.
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