When Minton & Company of Staffordshire exhibited a new line of ceramics at The Great Exhibition of 1851 in London, the firm called it Palissy ware. The name came from a 16th-century Frenchman named Bernard Palissy, whose vividly colored, high-relief, lead-glazed plates, platters, and pitchers had inspired Minton’s new, French-born art director, Léon Arnoux.

The word majolica was also used to describe the ware, since it had some commonalities with the tin-glazed 16th-century Spanish and Italian earthenware of the same name. But even though Palissy ware was a more accurate description of Minton’s new line, the work quickly became known as majolica.

Before long there was a majolica renaissance in Europe and the United States. A great deal of it was made in Italy by firms such as Ginori and Cantagalli. In Germany, the Royal Porcelain Manufactory was known for its majolica.

What these companies shared was a vocabulary of images and style that was at once exuberant and uniform. All used bright colors splashed on reliefs of plants and animals. This was fun ware for the common man, and it sold as quickly as Minton and others could produce it.

Naturally Wedgwood and other Staffordshire stalwarts wanted a piece of this action, even though Minton had about a 10-year head start. Predictably, Wedgwood majolica was more formal than Minton’s and used humor with restraint. While some potteries were producing teapots in the shapes of cauliflowers, Wedgwood stuck mostly to basket-weave patterns and relief foliage on the outsides of its standard shapes.

In the United States, a similar fascination with majolica took hold around the same time as the Minton debut. As in England, potteries coated their ware with clear glazes, so that the pieces positively shined. Griffen, Smith & Hill was one prominent Pennsylvania manufacturer, who sometimes marked its pieces with “G.S.H.” or labeled them as “Etruscan Pottery.”

Other American companies known for their majolica in the second half of the 19th century were Morrison & Carr, Chesapeake Pottery, and Edwin Bennett. They produced relish dishes,...

One of the most popular majolica forms was the pitcher, which was sometimes designed to appear as if it had been formed from vertical slices of wide bamboo, with more slender bamboo branches employed for the pitcher’s handle. Other pitchers resembled ears of corn, while syrup containers were routinely festooned with fat sunflowers or clusters of lily leaves and flowers.

There were platters and plates, or course, with leaf-shaped plates being a collectible subcategory all its own (begonia leaves were especially popular). Sardine boxes and cigarette holders were also produced—many were topped by African-American figurals, known then as now as blackamoors. And animals from bulldogs to pigs were deemed the perfect shapes within which to store tobacco.

If there was a dark side to the sunny look of majolica it was the process of making it. In 19th-century America, young girls did much of the painting, usually earning as little as 25 cents for a 12-hour day. This was well before child-labor laws, so the idea that these children were expected to work long hours and handle lead glazes was not seriously questioned until the first part of the 20th century. Not surprisingly, the difficult conditions produced work that was often sloppy, as anyone who has seen a majolica vase with colors radically out of register or running down the side can attest.

By the 1890s, the majolica craze was ending in the United States—the technique looked a bit too baroque compared to the ascendant Arts and Crafts and Art Nouveau styles. While majolica persisted in Europe, pieces from the 20th century are generally thinner and feature less dramatic relief than those from the century before, which makes them less interesting to collectors.

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Recent News: Majolica

Source: Google News

Inside the factory: Unravelling the intricate art of making Dutch pottery
Indian Express, September 18th

During the sixteenth century, there were several factories established in a number of Dutch towns that produced the Majolica products. As Mr. Van Nieuwenhuijzen mentioned, these products were made with tin-glaze and were found originally in Italy and ...Read more

What's It Worth: Majolica vase, desk-bookcase
Richmond Times-Dispatch, September 17th

between 1900 and 1925; together they are worth about $600. QUESTION: Please tell me about my vase that sits on a matching stand that I recently inherited from a deceased relative. I have been told that it is majolica, but that's about all I know...Read more

John Sewell: This Old Thing
Windsor Star (blog), September 12th

A: Your figural majolica pitcher was made by the Frie Onnaing pottery, named for the city, Onnaing, in northern France. This pottery was established in the 1800s and continued producing work until about 1938. Majolica is defined as a heavier pottery, ...Read more

Antiquing Returns to Riverfront Park this Weekend
The Kittanning Paper, September 9th

Dan Sukala displays his table of majolica pottery during the 2013 “Antiquing Along the Allegheny” event in Kittanning Riverfront Park. The next event will be held this weekend. (submitted). Quality antiques, hand crafts and food will be featured at the...Read more

The Renaissance in Cambridge
Maine Antique Digest, September 4th

The highlight was a 9" high majolica footed and double-handled jar with a portrait of a Roman nobleman wearing a wreath on one side and a portrait of a woman wearing a necklace on the other (est. $600/900). It sold for $15,600 to an Italian dealer in...Read more

Curbed Features
Curbed SF, September 3rd

You put the Majolica ashtray in one spot and it didn't get moved. They'd take pictures and show the cleaning lady: this is where the ashtray goes, and this is where the crystal box goes, and this is where the obelisk goes, and nothing was to be moved, ...Read more

Man jumps into woman's car, makes her drive, steals her money but gives her $5 ...
WBTV, August 28th

According to the police report, the incident began when a witness called police to report a fight taking place in the parking lot of the Exxon gas station near Majolica Road on Statesville Boulevard. The witness described seeing one man down on the...Read more

'Worlds of Wonder' highlights local talent at Dorsky
Poughkeepsie Journal, August 27th

The color and patterns from the paintings are continued in the majolica plates, referencing historical process and created with a contemporary approach to design. On the floor, Angela Voulgarelis's "Paperwork," a collection of picture postcards...Read more