Native American tribes living in the Southwest—in what became Arizona, New Mexico, Nevada, Utah, and Colorado—didn’t make pottery until around A.D. 100, although they were likely aware of the techniques used in Mexico and South America. As they were nomadic hunters and gatherers, it didn’t make sense for them to lug around heavy pots—baskets and weavings were much more practical as lightweight containers.

It was only after the Southwestern indigenous peoples developed techniques for irrigation and began farming their dry homeland that they needed pots for storing grain—these were probably mud-lined baskets. Pottery made for use in sacred ceremonies came next, followed by pieces made for trade with other tribes such as the Navajo.

The interactions between tribes influenced the imagery, shapes, and techniques used in pottery. Between 1100 and 1330, prehistoric pottery-making reached its height of artistry. This pottery, made by the ancient ancestors of modern-day tribes, can be identified by color of the clay: Brown clay is attributed to Mogollon, white or gray to Anasazi (early Pueblo who lived in the Four Corners region), buff to Hohokam and Casa Grandes, red to Salado, and yellow to Sinagua and early Hopi.

Some of the earliest pieces were made by rolling the clay into long snakelike shapes, and then coiling it up from the base until the potter had a finished piece. The Hohokam and Mogollon also used a method that employed a paddle and an anvil to shape the clay into a jar.

Around 1300, the Pueblos were hit with a drought that killed their crops, prompting enemy nomadic tribes to exploit their weakened state and raid their settlements. They never quite recovered. By the time Southwestern Natives were enslaved by Spanish conquistadors around 1600, their pottery was considered pagan and primitive junk by their subjugators. The Native peoples, who were Christianized and schooled in the ways of the Old World, were forced to use tin, glass, or crockery made in Europe.

Once the transcontinental railroad opened the West to the rest of the United States in the late 1800s, Southwestern Native American pottery experienced a revival. Victorian Era tourists found American Indian wares to be exotic and adorable, and wanted to take an authentic piece of pottery home as a conversation piece for their cluttered parlors.

At the same time, the Smithsonian and other institutions went on expeditions to document the ways of American Indians, whom they believed would soon disappear. These scientists g...

That’s when the Southwestern Native Americans began making pottery almost exclusively to sell to tourists and non-Indians. At first, the Indians made the same sort of pots they would for themselves—large vessels for grains, created laboriously with attention to detail and lavish decoration. However, Anglo merchants pressured the Native artisans to make smaller objects that could fit neatly into Victorian suitcases. Potters soon realized it was more efficient to make less elaborate work with less concern for perfection.

While purists might dismiss the newer generations of Pueblo pottery, it sparked a revival in a dying art. In fact, many 20th-century potters have devoted themselves to re-creating and expanding upon the techniques and simple styles perfected by their ancestors. As a result, Pueblo pottery made today is of extraordinarily high quality because that's what the market demands. Prehistoric pottery is also available, but it is fraught with risk for collectors, as recent laws have prohibited digging on Native lands.

One of the most common shapes in Southwestern pottery is the olla, which is Spanish for “big jar.” Others shapes include the basket, which is a clay bowl with a handle over the top; the bean pot, a deep bowl from Picuris or Taos that's fired at a high temperature so it's safe for cooking; the chili bowl, meant for individual servings; the dough bowl, which is often big enough to knead bread for 12 loaves; a kiva jar, a pot whose stepped shape recalls the steps to a “kiva” or underground ceremonial chamber; the melon jar, which resembles a casaba melon; a storage jar, a grain container that can be two-feet tall; and a seed jar, whose small opening is perfect for shaking out seeds.

Pottery was also made into figural shapes. Effigies are vessels shaped like animals, plants, or humans, while figurines are solid. The term “mono,” Spanish for monkey, was used in the 19th century to dismiss figurines made by the Cochiti and Tesuque. One particularly popular figurine with the Victorians was the Tesuque Rain God, which was mass-produced for tourists between the 1890s and 1930s.

In 1964, Helen Cordero, a prominent potter in the Cochiti Pueblo, produced a figurine with little children sitting all over him, as if they were listening to a tale. These “Storyteller” figurines have been widely popular ever since. If the main figurine is a woman, the figure is called “Singing Mother.” Tourists are also fond of the double-mouthed wedding vase, supposedly designed so the bride and groom can share a drink, as well as curios shaped like miniature “hornos” or pueblo bread ovens—these were particularly popular in the '60s.

Collectors should always be wary of so-called “ceremonial” jars, bowls, or vessels. While dealers might label a piece “ceremonial” to give it air of mystery, the truth is authentic ceremonial pieces are not meant to be sold and rarely make it onto the market. For example, a “fetish bowl,” which is a Zuni pot covered in crushed turquoise with a sidewall hole for inserting carved fetishes, is considered too sacred to be sold. So-called fetish bowls on the market today were probably made by Navajos, who find no spiritual significance in such objects.

It’s also good to keep in mind that objects like plates, trivets, and tulip vases didn’t exist until Anglo Americans introduced these concepts. A lot of the Native American pottery now sold at souvenir shops is made using a pre-cast mold, which is then beautifully painted in traditional styles. This sort of pottery is known as greenware, and can be identified by bumps or divots on opposite sides of the pot.

While the turn-of-the-century obsession with all things American Indian can be blamed for the proliferation of tacky souvenirs, it also turned many gifted Native American potters into celebrities. Nampeyo, for example, became one of the most celebrated Hopi potters in history—her vast family is still making work in her style today.

María Martinez, a.k.a. Poveka, a celebrated potter of San Ildefonso pueblo, was the first to sign her pottery in the 1920s. Before then, many Indian tribes, like the Acoma, considered it a distasteful show of ego to sign one’s work. Other esteemed potters of the 20th century include María’s husband, Julian, and son Popovi Da; Margaret Tafoya, Nathan Youngblood, and Joseph Lonewolf of Santa Clara pueblo; the Victorinos of Acoma pueblo; and Hopi potter Antoinette Silas Honie.

San Ildefonso pottery is traditionally black-on-red ware or polychrome on white or grayish clay, featuring geometric designs. Martinez developed a technique to produce black-on-black pottery and also popularized feather and water serpent motifs with her work. Santa Clara pottery tends to be made of undecorated black clay, with fluted rims and a bear-paw design pressed into the pot.

Traditional San Juan potters also preferred plain vessels, but theirs were red. Potters at Taos, Picuris, and Nambe, however, used a brown clay with sparkling fleck of mica, making painted decorations unnecessary. Santo Domingo pottery, with its cream-colored slip and red base, features rich black paint with geometric, animals, or floral motifs, whereas similar Cochiti pottery has clouds, rain, and lightening, as well as human and animal forms that other tribes considered taboo for non-ceremonial pots.

Acoma pottery tends to slipped in white and painted in black, or black plus hues of red. The popular Acoma designs include complicated geometric patterns as well as flowers and birds. Acoma potters Marie Z. Chino and Lucy M. Lewis introduced a revival of prestoric designs including Hohokam flute-playing fertility god Kokopelli, “picture” designs from the Mimbres-region of Mogollan, and the Zuni “deer in his house" motif.

Though influenced by the Zuni, Hopi pottery came into its own in the 1920s, when Nampeyo reintroduced a style used in the ancient Hopi village of Sikyatki. This pottery ranges from orange to cream, depending on how it was fired, after which it's painted with mineral black, reddish orange, and white in asymmetrical designs of birds, feathers, and sometimes katsinas. The Hopi are noted for their small-mouthed squat jars with flattened shoulders.

Other tribes like the Tesuque and Jemez abandoned their traditional pottery styles in favor of brightly colored tourist trinkets using poster paints and acrylics. A good way to identify these pieces is to consider whether the paint color could have actually come from the ground.

About our sources | Got something to add?

▼ Expand to read the full article ▼

Best of the Web (“Hall of Fame”)

First American Art

First American Art

The companion website to First American Art: The Charles and Valerie Diker Collection of American Indian Art, which… [read review or visit site]

Gouda Design

Gouda Design

Stuart Lonsdale and Kim Lindley's excellent tribute to and reference on Gouda Dutch Art Pottery and Delftware. The … [read review or visit site]

Cowan Pottery Museum Associates

Cowan Pottery Museum Associates

Dedicated to raising awareness of the ceramic art work of R. Guy Cowan and his Cowan Pottery Studio in northeastern… [read review or visit site]

The Pottery Studio

The Pottery Studio

This 7,000-plus page site lives up to its self-billing as a 'knowledge base' with examples of work from all major a… [read review or visit site]

Clubs & Associations

Other Great Reference Sites

Most watched eBay auctions    

Anasazi / Mogollon Large Olla W/indented Rim Ca. 1100 Ad. No RestorationVtg 1930's Acoma Pueblo Native American 5" Pottery Bowl With Handle Basket NiceAntique Isleta Acoma Pueblo Native American Indian Pottery Candlestick HolderAuthentic Old American Indian Redware Pottery Piece Lot 1Vintage Large Horse Hair Navajo Art Pottery Signed Vessel Vase~ Lot Listed Now!Vintage Authentic Rare Acoma Navajo Art Pottery Carved Detail Cut Top Vase NrVintage Authentic Nancy Chilly Navajo Art Pottery Carved Kachina Corn Vase NrIndian Artifacts - Nice Pottery Bowl (b & G)Inuit Girl W Husky Dog Eskimo Alaska Ceramic Group Figurine~c. Alan Johnson ?Native American Paint BowlNavajo Pottery Bowl Native American Indian Signed "delores 7/06"Catawba Pottery Piece Vintage Black Pueblo Pottery Folk Art Rooster Ocarina Whistle Flute Oaxaca YqzFlint Ridge Pipe Bowl Drill Ohio Authentic Indian Arrowhead Artifact_ AwhOld Looking Santa Clara Pueblo Pottery Bird Undated Hopi Pottery Bowl Miniature Signed Priscilla Namingha NampeyoVintage L.bigmeat Maney Cherokee Nc Native American Blackware Pottery Small VaseHopi Tribe Native American Indian Pottery Bowl Signed By Nellie NampeyoQuilled Pipestem Catlinite Bowl ReplicaMichael Kanteena Laguna Pueblo Katsina Kachina Mask PotteryBerdell Signed Santa Clara Reservation New Mexico Pueblo 2 3/4" Art Pottery BowlVintage Flora & Glenda Naranjo Santa Clara Blackware PotBirdell Bourden • Santa Clara Reservation Black Polished Pottery • SignedNative American Indian Pottery Catfish Effigy Cadoo? Native American Indian Acoma Pot C. Maurus Chino "everything Has A Spirit"Vangie Tafoya Jemez Pueblo Pottery Polychrome Avanyu Vase Miniature Quapaw Arkansas BowlSanta Clara Pueblo Black Bear Pottery By Mike & Janice Naranjo Jack Black Art PotteryAuthentic Old American Indian Pot Signed LdCherokee Indian Pottery Navajo Black Glaze Pottery Jar Signed GracieAmerican Jemez Indian Round Butterfly Seed Pot Red Clay Art Pottery Jar SignedOld Looking Santa Clara Pueblo Small PotCollection Of Vintage Native American Figurines Storyteller PotterySet 2 Signed Native American Navajo Indian Pottery VasesTraditional Indian Wedding Vase Dream Catcher And Turqoise Stone And FeathersNice Prehistoric Stone Paint Bowl Native American ArtifactCaddo Bowl With Etching7" T.s. Jemez Pueblo Storyteller Doll W 5 Kids Native American Pottery FigurineC1920-30 Native American Pottery Acoma Pueblo Twisted Handle 5" BasketSanta Clara Pueblo Pot Signed By Teresa V. Gutierrez Trade Beads A Jar Full #22Nice Cedar Mesa Pottery Native American Vase Seed Pot Signed Keda Dineh Vintage San Juan Pueblo Carved Arrow Diamond Pottery Bowl Great DesignC.alan Johnson Alaskan "sarah" Aj139 Figurine.Old Native American Caddo Indian Pottery Jar AntiqueSanta Clara Black Pottery Bowl Jerry Sisneros, SignedDorothy And Paul Gutierrez Santa Clara Pottery Mudhead Miniature 2 - Native American Bird Ashtrays Pottery,san Ildefonso,jemez Handmade Native American Miniature Pottery Signed Carlos OrtizArizona Prehistoric Pottery Shards/ancient Corn Husk/sinaqua Indians/scrapersDream Catcher Jar With Glass Beads Leather And FeathersOriginal Native American Indian Pottery Acoma Turkey Effigy Seed Pot T.a.v. Alaskan Green Spinach Jade Howling Wolf Fetish Figurine Hand Carved Stone 2”Nice Lot Of Effigy Pottery Pipe Pieces Arkansas Authentic Indian ArrowheadVintage San Juan Pottery Carved Pot Vase SignedVintage Hand Painted Cast Indian 8" Totem Pole FigurineOld Pawn Antique Sterling Silver Stamped Pueblo Woman Pottery MedallionAntique American Indian Hopi Pottery Gambling Tray Rare Kachina Nampeyo Tewa Old