Military memoirs and histories are some of the most treasured possessions for veterans, their families, and book collectors alike. The tradition of chronicling conflicts goes back at least to the 1st century, when the Jewish historian Josephus documented the destruction of Jerusalem by the Romans in the year 70.
Books on military strategy go back even further, most famously to Sun Tzu’s “The Art of War,” which dates to the 6th century BCE. Despite being more than 2,500 years old, the document is still studied by military scholars and personnel. For example, it is required reading for staff sergeants in the U.S. Marine Corps.
In the 19th century, the Civil War produced untold volumes documenting that storied struggle. During the war, “Harper’s Weekly,” a magazine based in New York City, published accounts of the fighting from the battlefield, complete with maps and engravings...
After the war, in 1875, D. Appleton & Co. first published “Memoirs of General William T. Sherman. By Himself.” For almost the next 40 years, numerous editions of Sherman’s memoirs would be reissued. Some of these editions were published by Charles L. Webster & Co., which was co-owned by author Mark Twain. In 1885, Webster would also release a two-volume set of memoirs by former U.S. President and Civil War hero Ulysses S. Grant.
Also notable at the end of the 19th century are the histories written by Elizabeth B. Custer, the widow of General George Armstrong Custer, who met his maker in 1876 at the Battle of Little Big Horn. After his death, Mrs. Custer made it her mission to bring her husband’s successes in what were then called the Indian Wars to light. Her three works were “Boots and Saddles” (Harper & Brothers, 1885), “Tenting on the Plains” (Webster, 1887), and “Following the Guidon” (Harper & Brothers, 1890).
In the second decade of the 20th century, the Great War, as it was known before people were forced to refer to it as World War I, proved the source of countless works of literature. Numerous books were published during the war, from “Nothing of Importance” by Bernard Adams to Roy Bridges’s “The Immortal Dawn,” which was based on diaries written by two Australian soldiers during the battle at Gallipoli. One title often associated with World War I, but not a war book per se, is “The Good Soldier” by Ford Madox Ford, which is sought for its extremely rare cover.
Many more titles were published in the 1920s and ’30s, including Ernest Hemingway's novel "A Farewell To Arms" and Erich Maria Remarques’s “All Quiet On the Western Front,” both from 1929. The conflict also spurred poets, from Rupert Brooke (“1914 and Other Poems,” 1915) to Wilfred Owens (“Poems,” 1920).
Similarly, World War II produced chroniclers on the ground as well as historians and novelists. Bill Mauldin’s three years with the 45th Division of the U.S. Army produced the “dogfaces” Willie and Joe, who appeared in the Army’s publication “Stars and Stripes” before they were collected for Mauldin’s debut book, “Up Front” from 1945. After the war, between 1948 and 1953, the wartime Prime Minister of Great Britain, Winston Churchill, wrote his six-volume opus, "The Second World War," which earned him a Nobel Prize for Literature in 1953.
Around the same time, in 1951, novelist Herman Wouk penned “The Caine Mutiny,” which won the Pulitzer Prize and was adapted into both a play and film, the latter starring Humphrey Bogart as Captain Queeg. Joseph Heller “Catch-22,” 1961, was also made into a memorable movie, while Wouk’s subsequent World War II novels—“The Winds of War” in 1971 and its sequel, “War and Remembrance,” 1978—were made into TV mini-series.
Other postwar writers looked back to the Civil War. Shelby Foote's 1952 historical novel, "Shiloh," devoted itself entirely to the Battle of Shiloh that took place one year into the conflict in Tennessee. Foote followed up his novel with a three-part history called "The Civil War: A Narrative," which was published between 1958 and 1974.
More recently, conflicts in Korea, Vietnam, and the Middle East have produced informative and moving works of literature, from James Webb’s “Fields of Fire,” 1979, to Denis Johnson’s “Tree of Smoke,” 2007.
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