Slag Glass Lamps

Since the process of making slag glass was shrouded in a certain amount of mystery, stories sprang up to try and account for the process behind the effects. For example, it was a good bet that Sowerby’s Blue Nugget color of 1883 was the result of adding cadmium to molten glass, but how to explain Gold Nugget? Stories soon spread that John George Sowerby, son of the company’s founder, was tossing gold sovereigns into batches of amber glass to create this dramatic hue.

In the United States, manufacturers such as Westmoreland and Akro Agate picked up on the techniques developed in England and produced their own versions of slag glass. As in England, one of the most popular applications for their pressed opaque glass was in lampshades. Wide bands of creamy colors allowed the light source in a lamp to fill a room with a soft ivory glow, while the purples and greens and reds pieced together in detailed leaded shades resulted in multi-colored illumination.

Just about anyone who was making lamps during the Art Nouveau period, from Tiffany to Roycroft to Steuben, might have used slag glass in their shades. But whether they did or not in a particular lamp is another matter. The problem is that today, "slag glass" is used rather casually by dealers and collectors alike to refer to almost any type of pressed opaque glass containing colored swirls or streaks. The key to determining if a piece of glass is "true" slag or just a handsome example of pressed glass is to look for glass that is obviously and richly marbled rather than simply colored or streaked.

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