Antique and Vintage Moorcroft Pottery

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William Moorcraft (1872-1945) was a Staffordshire ceramist who got his start in 1897 as a designer at James Macintyre & Co. in Burslem. A champion of Art Nouveau, Moorcraft's hand-painted slipcast vases and other pieces for Macintyre featured...
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William Moorcraft (1872-1945) was a Staffordshire ceramist who got his start in 1897 as a designer at James Macintyre & Co. in Burslem. A champion of Art Nouveau, Moorcraft's hand-painted slipcast vases and other pieces for Macintyre featured bright florals on their surfaces, which made them popular with buyers from Liberty & Co. of London and Tiffany & Co. of New York. Perhaps because the Moorcroft name was getting too well known, Macintyre closed the Moorcroft part of its pottery in 1913, which did little to slack the thirst of the public for Moorcroft pottery. Accordingly, that same year, Liberty & Co. made a sizable investment in Moorcroft, allowing the designer and his former Macintyre staff to strike out on their own. Early examples of Moorcroft's work while still in the employ of Macintyre include his Aurelian Ware and the Florian Ware that followed. While the Aurelian pieces used transfer techniques as well as hand painting to achieve their striking surface effects, Florian pieces also relied on slip decoration. Either way, collectors of the day were enchanted by the strong floral colors on the vases, whose shapes were traditional, as if to let the surface decorations predominate. Today, antique and vintage examples of Aurelian Ware and Florian Ware are highly sought by contemporary collectors. In 1928, Moorcroft's company was named "Potters to H. M. The Queen," a title that was transferred to William Moorcroft's son, Walter, a year after the pottery patriarch's death in 1945. For decades, Walter Moorcroft was the firm's designer, injecting more exotic flowers and bolder colors into the firm's repertoire and palette. In 1962, Moorcroft bought out Liberty & Co., and in 1986 it named Sally Tufin as head designer. Her contribution to the Moorcroft iconography was to add animals and geometric patterns into the mix. Then, in 1993, Rachel Bishop became Moorcroft's sole designer.

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