The Arts and Crafts movement that swept the United States and Great Britain from roughly 1880 to 1920 was a response to the industrialization of the late 19th century. It was a call on the part of thinkers, poets, artists, and designers to return to a handmade aesthetic, in which craftsmanship was paramount, design was nature-inspired , and construction methods were straightforward, simple, and undisguised.
English art critic John Ruskin had actually articulated the movement’s founding principles several decades earlier. He considered the prevailing Victorian aesthetic decadent and argued for working conditions that considered the happiness of craftsmen. Pattern designer William Morris put Ruskin’s theories into practice when he established Morris, Marshall, Faulkner & Co. in 1861 to create everything from furniture to wallpaper to fabrics to tapestries.
Another craftsman to put the ideals of Arts and Crafts into action was Charles Robert Ashbee, who established his Guild of Handicraft in 1888 in the slums of London’s East End. The goal was to produce furniture, metalware, and jewelry in an atmosphere of fair wages, good working conditions, and cooperation.
Most British artists of the day did not take the movement’s social side that far. Instead, they contented themselves to producing furniture, ceramics, metalwork, and jewelry that hued to the visual principles of the movement, which got its formal name of Arts and Crafts in 1888.
Liberty & Co. in London brought the movement to the masses with chairs, plant stands, bookcases, and buffets, mostly in oak and mahogany. Individual designers of the day included William De Morgan, whose earthenware vases often suggested Persian influences.
Scotsman Charles Rennie Mackintosh, also considered a practitioner of Art Nouveau (which ran concurrently with the Arts and Crafts period), was another leader. From his Glasgow workshop, he produced handsome desks and other pieces of furniture. His high-backed chairs, especially the ones with trellis backs, are considered his signature.
Robert “Mouseman” Thompson arrived on the scene a little later. His charming gimmick was to adorn a carved mouse on the side of every piece of furniture he made...
In the United States, the Arts and Crafts movement was warmly embraced. Gustav Stickley published a highly influential magazine called The Craftsman from 1901 to 1916. Through his Craftsman Workshops in Syracuse, New York, he also produced furniture and metalwork.
Two of Stickley’s brothers, John George and Albert, established their own firm, Stickley Bros. Co., in Grand Rapids, Michigan in 1891. After John George left to start yet another Stickley company with yet another brother (L. & J. G. Stickley in Fayetteville, New York with brother Leopold), Albert carried on at Stickley Bros., eventually labeling his pieces with a tag that read "Quaint Furniture."
Leopold and John George produced pieces for one of the 20th century's greatest architects, Frank Lloyd Wright. Today Wright is more closely associated with what we now call the Prairie School, a type of architecture that emphasized horizontal lines and eschewed ornamentation. But at the turn of the 20th century, he was considered one of the leading practitioners of Arts and Crafts. Importantly, Leopold and John George were not above using mechanical techniques to produce their pieces. Thus, they embraced the aesthetic of Arts and Crafts if not its social and philosophical underpinnings.
Louis Comfort Tiffany was perhaps even more famous than Stickley, although like Macintosh, his style straddled Arts and Crafts and Art Nouveau. Some of the finest examples of the former are his lamps with ceramic bases by Grueby Faience Company of Massachusetts.
Speaking of ceramics, the oldest pottery in the United States, Fulper Pottery Company, also became a proponent of Arts and Crafts with its 1909 Vasecraft line. Rookwood Pottery was a breeding ground for numerous Arts and Crafts ceramists — at one time or another, Artus Van Briggle, Matthew A. Daly William P. MacDonald, Albert Valentien, and John D. Wareham were all on staff.
More difficult to categorize was George Ohr, the so-called "Mad Potter of Biloxi, Mississippi," whose deformed and pinched vases fairly drip with candy-colored glazes. Newcomb College pottery from New Orleans went the other way, promoting simply-shaped vases and plates, usually with floral decorations in soft, pastel glazes.
Regions developed their own specialties. New York was the home of Roycroft, which excelled in copper objects for the home, handmade books, and fine wooden furniture. In Northern California, Arequipa Pottery of Fairfax imported future Fiesta visionary Frederick H. Rhead to design its pieces from 1910-1912. Dirk Van Erp was another San Francisco Bay Area artisan of renown: His metal vases featured his trademark "warty" surface produced by hand-hammering.
In Southern California, Pasadena was the center for Arts and Crafts. In 1908, architects Charles Sumner and Henry Matthew Greene designed what many consider to be the movement’s architectural masterpiece for David and Mary Gamble. A year later, tilemaker Ernest T. Bachelder established a school devoted to the movement.
Meanwhile, in Chicago and Boston, jewelry in the Arts and Crafts style was very popular. The Kalo Shop opened in Chicago in 1900. And in Boston, Frank Gardner Hale and Edward E. Oakes were among that city’s leading jewelry designers.
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Wend your way to Wells HouseIrish Independent, March 9th
Dr Nicola Gordon Bowe will give a talk on Harry Clarke and Ireland's Arts and Crafts Movement, on Wed-nesday at Marlay House, Rathfarnham, Dublin, 7.30pm. www.paviliontheatre.ie. HAVE FAITH. Gúna Nua Theatre Company premieres Paul Meade's new ...Read more
Modern Avionics: Beneficiaries and VictimsAVweb (blog), March 9th
The mind-numbing tedium of factory work and the office labor that supported it ignited the Arts and Crafts movement at the end of the 19th century. A resurgence of manual craft labor was seen as restorative by some, moving author T.J. Jackson Lears to...Read more
One Tank Trips: Pewabic PotteryLivingston Daily, March 8th
Along the way, Pewabic Pottery became known as a symbol of ceramic excellence, and Stratton became known as a leader in the arts-and-crafts movement, which prized the unique beauty of hand-made goods in the machine age. Pewabic Pottery, now a ...Read more
Charles Hanson: Arts and Crafts metalware is highly desirable at auctionDerby Telegraph, February 23rd
One of the main pioneers of the Arts and Crafts movement in the late 19th century, Charles Robert Ashbee established a guild of men in London in 1888, but later moved to the tranquil Cotswold village of Chipping Campden in order to escape the ...Read more
Asheville welcomes 27th Arts & Crafts ConferenceBlack Mountain News, February 19th
She credits conference organizer Bruce Johnson as “a key figure” in helping Asheville develop a greater understanding and appreciation of how this city contributed to the Arts and Crafts movement. “The first conference was really meant for established ...Read more
Smart Bets: Arts & Crafts Conference and Antiques ShowMountain Xpress, February 18th
Now in its 27th year, the annual Arts & Crafts Conference provides a long weekend's worth of exhibitions, seminars, speakers and presentations. Learn about the pottery, rugs, artwork, jewelry and textiles created during the Arts and Crafts movement...Read more
St. Pete museum to honor arts, crafts movementTbo.com, February 17th
PETERSBURG — In many ways, St. Petersburg seems an ideal place for a museum that celebrates the intricate, skillfully-crafted furniture, pottery and metalwork of the American Arts and Crafts Movement. City neighborhoods have a diversity of well...Read more
Everyday Solutions: Columns add character to '70s homeMinneapolis Star Tribune, February 15th
Crafts character: The homeowners are big fans of the Arts and Crafts movement and have filled their transformed abode with Stickley furniture and vintage art pottery next to a fireplace clad with Arts and Crafts-style handmade tile. The columns, with ...Read more