The Arts and Crafts movement that swept the United States and Great Britain from roughly 1880 to 1920 was a response to the industrialization of the late 19th century. It was a call on the part of thinkers, poets, artists, and designers to return to a handmade aesthetic, in which craftsmanship was paramount, design was nature-inspired , and construction methods were straightforward, simple, and undisguised.

English art critic John Ruskin had actually articulated the movement’s founding principles several decades earlier. He considered the prevailing Victorian aesthetic decadent and argued for working conditions that considered the happiness of craftsmen. Pattern designer William Morris put Ruskin’s theories into practice when he established Morris, Marshall, Faulkner & Co. in 1861 to create everything from furniture to wallpaper to fabrics to tapestries.

Another craftsman to put the ideals of Arts and Crafts into action was Charles Robert Ashbee, who established his Guild of Handicraft in 1888 in the slums of London’s East End. The goal was to produce furniture, metalware, and jewelry in an atmosphere of fair wages, good working conditions, and cooperation.

Most British artists of the day did not take the movement’s social side that far. Instead, they contented themselves to producing furniture, ceramics, metalwork, and jewelry that hued to the visual principles of the movement, which got its formal name of Arts and Crafts in 1888.

Liberty & Co. in London brought the movement to the masses with chairs, plant stands, bookcases, and buffets, mostly in oak and mahogany. Individual designers of the day included William De Morgan, whose earthenware vases often suggested Persian influences.

Scotsman Charles Rennie Mackintosh, also considered a practitioner of Art Nouveau (which ran concurrently with the Arts and Crafts period), was another leader. From his Glasgow workshop, he produced handsome desks and other pieces of furniture. His high-backed chairs, especially the ones with trellis backs, are considered his signature.

Robert “Mouseman” Thompson arrived on the scene a little later. His charming gimmick was to adorn a carved mouse on the side of every piece of furniture he made...

In the United States, the Arts and Crafts movement was warmly embraced. Gustav Stickley published a highly influential magazine called The Craftsman from 1901 to 1916. Through his Craftsman Workshops in Syracuse, New York, he also produced furniture and metalwork.

Two of Stickley’s brothers, John George and Albert, established their own firm, Stickley Bros. Co., in Grand Rapids, Michigan in 1891. After John George left to start yet another Stickley company with yet another brother (L. & J. G. Stickley in Fayetteville, New York with brother Leopold), Albert carried on at Stickley Bros., eventually labeling his pieces with a tag that read "Quaint Furniture."

Leopold and John George produced pieces for one of the 20th century's greatest architects, Frank Lloyd Wright. Today Wright is more closely associated with what we now call the Prairie School, a type of architecture that emphasized horizontal lines and eschewed ornamentation. But at the turn of the 20th century, he was considered one of the leading practitioners of Arts and Crafts. Importantly, Leopold and John George were not above using mechanical techniques to produce their pieces. Thus, they embraced the aesthetic of Arts and Crafts if not its social and philosophical underpinnings.

Louis Comfort Tiffany was perhaps even more famous than Stickley, although like Macintosh, his style straddled Arts and Crafts and Art Nouveau. Some of the finest examples of the former are his lamps with ceramic bases by Grueby Faience Company of Massachusetts.

Speaking of ceramics, the oldest pottery in the United States, Fulper Pottery Company, also became a proponent of Arts and Crafts with its 1909 Vasecraft line. Rookwood Pottery was a breeding ground for numerous Arts and Crafts ceramists — at one time or another, Artus Van Briggle, Matthew A. Daly William P. MacDonald, Albert Valentien, and John D. Wareham were all on staff.

More difficult to categorize was George Ohr, the so-called "Mad Potter of Biloxi, Mississippi," whose deformed and pinched vases fairly drip with candy-colored glazes. Newcomb College pottery from New Orleans went the other way, promoting simply-shaped vases and plates, usually with floral decorations in soft, pastel glazes.

Regions developed their own specialties. New York was the home of Roycroft, which excelled in copper objects for the home, handmade books, and fine wooden furniture. In Northern California, Arequipa Pottery of Fairfax imported future Fiesta visionary Frederick H. Rhead to design its pieces from 1910-1912. Dirk Van Erp was another San Francisco Bay Area artisan of renown: His metal vases featured his trademark "warty" surface produced by hand-hammering.

In Southern California, Pasadena was the center for Arts and Crafts. In 1908, architects Charles Sumner and Henry Matthew Greene designed what many consider to be the movement’s architectural masterpiece for David and Mary Gamble. A year later, tilemaker Ernest T. Bachelder established a school devoted to the movement.

Meanwhile, in Chicago and Boston, jewelry in the Arts and Crafts style was very popular. The Kalo Shop opened in Chicago in 1900. And in Boston, Frank Gardner Hale and Edward E. Oakes were among that city’s leading jewelry designers.

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Recent News: Arts and Crafts Era

Source: Google News

Beautiful Bok Creates Memories
The Ledger, July 22nd

The tower was also inspired by the arts and crafts movement, featuring tile work and carvings that depict nature scenes. Plans to revitalize the gardens are underway, including raising $12 million to restore the tower and construct a children's garden...Read more

JW Anderson Attends Opening of CASA LOEWE Omotesando
Fashion Headline Japan, July 22nd

The stone staircase, large-size wooden table with raffia and ceramic arrangements, chairs designed by William Morris and other antique furniture associated with the English Arts and Crafts Movement create a fusion of the old, present and future...Read more

Arts and Crafts on a grand scale
Portsmouth News, July 15th

Many people have become familiar with the Arts and Crafts movement thanks to the number of artefacts that appear on the never-ending television auction shows. But rather than a piece of pottery or other handiwork, Colin Shairp, of Fine and Country ...Read more

Design forecast
Prospect, July 13th

In the end, the arts and crafts movement lost its way, overtaken by 20th-century modernism and the explosion of possibilities offered by technology. But residual nostalgia for such certainty is still evident in Terence Conran's frequent quoting of...Read more

Art and life
Marshall News Messenger, July 10th

The arts and crafts movement was broad and loosely structured with many and varied strands of thought and artistry. As a movement it formally gained its name from the Arts and Crafts Exhibition Society founded in 1888 that claimed its origins back as...Read more

Ruth: Plan for grand St. Petersburg museum is an eye-opener
Tampabay.com, July 3rd

Ciccarello, a little-known but very affluent entrepreneur who lives in Tarpon Springs, has announced plans to develop a new museum to honor the American Arts and Crafts movement. This is not going to be some quaint little boutique on Central Avenue...Read more

Roycroft Campus Within Reach of $1.3M Goal
MarketWatch, July 1st

EAST AURORA, NY, Jul 01, 2014 (Marketwired via COMTEX) -- The Roycroft Campus, where the American Arts and Crafts Movement was founded, is following through on its mission to restore and revive the Campus. A capital campaign to raise $1.3 million ...Read more

Plans unfold for huge art museum in downtown St. Petersburg
Tampabay.com, June 27th

The Museum of the American Arts and Crafts Movement would rise on a downtown St. Petersburg site with a multimillion-dollar permanent collection in a four-story, 90,000-square-foot building designed at a cost of more than $35 million by Alfonso...Read more