The Arts and Crafts movement that swept the United States and Great Britain from roughly 1880 to 1920 was a response to the industrialization of the late 19th century. It was a call on the part of thinkers, poets, artists, and designers to return to a handmade aesthetic, in which craftsmanship was paramount, design was nature-inspired , and construction methods were straightforward, simple, and undisguised.
English art critic John Ruskin had actually articulated the movement’s founding principles several decades earlier. He considered the prevailing Victorian aesthetic decadent and argued for working conditions that considered the happiness of craftsmen. Pattern designer William Morris put Ruskin’s theories into practice when he established Morris, Marshall, Faulkner & Co. in 1861 to create everything from furniture to wallpaper to fabrics to tapestries.
Another craftsman to put the ideals of Arts and Crafts into action was Charles Robert Ashbee, who established his Guild of Handicraft in 1888 in the slums of London’s East End. The goal was to produce furniture, metalware, and jewelry in an atmosphere of fair wages, good working conditions, and cooperation.
Most British artists of the day did not take the movement’s social side that far. Instead, they contented themselves to producing furniture, ceramics, metalwork, and jewelry that hued to the visual principles of the movement, which got its formal name of Arts and Crafts in 1888.
Liberty & Co. in London brought the movement to the masses with chairs, plant stands, bookcases, and buffets, mostly in oak and mahogany. Individual designers of the day included William De Morgan, whose earthenware vases often suggested Persian influences.
Scotsman Charles Rennie Mackintosh, also considered a practitioner of Art Nouveau (which ran concurrently with the Arts and Crafts period), was another leader. From his Glasgow workshop, he produced handsome desks and other pieces of furniture. His high-backed chairs, especially the ones with trellis backs, are considered his signature.
Robert “Mouseman” Thompson arrived on the scene a little later. His charming gimmick was to adorn a carved mouse on the side of every piece of furniture he made...
In the United States, the Arts and Crafts movement was warmly embraced. Gustav Stickley published a highly influential magazine called The Craftsman from 1901 to 1916. Through his Craftsman Workshops in Syracuse, New York, he also produced furniture and metalwork.
Two of Stickley’s brothers, John George and Albert, established their own firm, Stickley Bros. Co., in Grand Rapids, Michigan in 1891. After John George left to start yet another Stickley company with yet another brother (L. & J. G. Stickley in Fayetteville, New York with brother Leopold), Albert carried on at Stickley Bros., eventually labeling his pieces with a tag that read "Quaint Furniture."
Leopold and John George produced pieces for one of the 20th century's greatest architects, Frank Lloyd Wright. Today Wright is more closely associated with what we now call the Prairie School, a type of architecture that emphasized horizontal lines and eschewed ornamentation. But at the turn of the 20th century, he was considered one of the leading practitioners of Arts and Crafts. Importantly, Leopold and John George were not above using mechanical techniques to produce their pieces. Thus, they embraced the aesthetic of Arts and Crafts if not its social and philosophical underpinnings.
Louis Comfort Tiffany was perhaps even more famous than Stickley, although like Macintosh, his style straddled Arts and Crafts and Art Nouveau. Some of the finest examples of the former are his lamps with ceramic bases by Grueby Faience Company of Massachusetts.
Speaking of ceramics, the oldest pottery in the United States, Fulper Pottery Company, also became a proponent of Arts and Crafts with its 1909 Vasecraft line. Rookwood Pottery was a breeding ground for numerous Arts and Crafts ceramists — at one time or another, Artus Van Briggle, Matthew A. Daly William P. MacDonald, Albert Valentien, and John D. Wareham were all on staff.
More difficult to categorize was George Ohr, the so-called "Mad Potter of Biloxi, Mississippi," whose deformed and pinched vases fairly drip with candy-colored glazes. Newcomb College pottery from New Orleans went the other way, promoting simply-shaped vases and plates, usually with floral decorations in soft, pastel glazes.
Regions developed their own specialties. New York was the home of Roycroft, which excelled in copper objects for the home, handmade books, and fine wooden furniture. In Northern California, Arequipa Pottery of Fairfax imported future Fiesta visionary Frederick H. Rhead to design its pieces from 1910-1912. Dirk Van Erp was another San Francisco Bay Area artisan of renown: His metal vases featured his trademark "warty" surface produced by hand-hammering.
In Southern California, Pasadena was the center for Arts and Crafts. In 1908, architects Charles Sumner and Henry Matthew Greene designed what many consider to be the movement’s architectural masterpiece for David and Mary Gamble. A year later, tilemaker Ernest T. Bachelder established a school devoted to the movement.
Meanwhile, in Chicago and Boston, jewelry in the Arts and Crafts style was very popular. The Kalo Shop opened in Chicago in 1900. And in Boston, Frank Gardner Hale and Edward E. Oakes were among that city’s leading jewelry designers.
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Has Dakota Johnson Found the Perfect Transitional Shoe?Vogue.com, July 29th
what with fashion's current fixation on the Free Love Generation and denim's tendency to come with us on most of the adventures in our lives), something about engaging with the era's Arts and Crafts movement, the proposition of something so...Read more
New Director Hired for Florida's Museum of the American Arts and Crafts MovementArtforum, July 29th
The yet-to-be-built Museum of the American Arts and Crafts Movement, which is slated to get 110,000 square feet of space on a 3.5-acre site in St. Petersburg, has now also named its first director: Kevin Tucker, who's currently senior curator of...Read more
Chipping Campden Silversmiths Still Hammering Out a LivingHuffington Post, July 28th
England's Cotswolds hide many subtle dimensions of the local culture. A hundred years ago, the delightful village of Chipping Campden hosted the Arts and Crafts Movement (refugees from the Industrial Age who despised mass-produced decorative art)...Read more
Kevin W. Tucker Appointed Director of the Museum of the American Arts and ...ArtfixDaily, July 27th
The Museum of the American Arts and Crafts Movement (MAACM) has announced that Kevin W. Tucker has been named the first director of the Museum, to be located in St. Petersburg, Florida. Tucker assumes his role with the MAACM on August 17, 2015...Read more
'Contemporary arts and crafts' home on Lake Michigan beach listed for $1.8 MMLive.com, July 22nd
The inside of the house borrows heavily from the arts-and-crafts movement with its open floor design and use of wood beams -- but it also maintains the casual feel of a beach house. The kitchen surfaces and ceilings throughout the home are a study in...Read more
The Arts and Crafts House at Compton VerneyCountry Life (blog), July 18th
And, imaginatively, Compton Verney has been working with the gardener Dan Pearson, whose thoughts have been focused on the Arts-and-Crafts movement from his work at Lutyens's Folly Farm, where the Jekyll garden has been reinterpreted in a modern ...Read more
Book review: Arts & Crafts Stained GlassCountry Life, July 11th
Michael Hall applauds a new book on the much-neglected art of stained glass, which underwent a flowering under the influence of the Arts-and-Crafts movement. Arts & Crafts Stained Glass by Peter Cormack (Yale, £50 *£45). In 1933, Frederick Glasscock, ...Read more
Lower Hutt villa arts and crafts treasure for saleStuff.co.nz, July 6th
Heritage New Zealand has classified it a Category 2 building, and notes the property has links to renowned Arts and Crafts movement architect, JW Chapman-Taylor. Legend has it that Chapman-Taylor was responsible for some structural modifications ...Read more