Frank Lloyd Wright, who emerged as an architect during the turn-of-the-century Arts and Crafts movement, gave birth to the first distinctly American brand of architecture. Throughout his seven-decade career, Wright insisted that buildings complement their natural settings: With unfinished materials, simple lines, and open spaces, his structures seem to grow organically out of the landscape. Influenced by sparse Japanese design, Wright rejected the boxy, labyrinthine layouts and excessive ornamentation of Victorian Europe in favor of a style he felt reflected American principles of democracy and self-determination.

Wright is perhaps best known for his striking and innovative dwellings such as the Robie House near Chicago, Fallingwater in rural Pennsylvania, and his longtime home, Taliesin, in Spring Green, Wisconsin. He also invented the influential “Prairie Houses,” which he designed regularly between 1900 and 1917. These long, low-to-the-ground buildings with sloping roofs and clean lines were meant to mimic the flatness of the surrounding prairies. The concept eventually led to a proliferation of one-story ranch-style houses around the United States. In addition to his architecture and design, Wright was an educator, philosopher, and prolific writer, publishing 20 books and a myriad of articles.

In addition to the 532 architectural structures he erected worldwide (409 of which are still standing), Wright also designed furniture, textiles, art glass, lamps, dinnerware, silver, and graphic arts. He began creating his own furnishings in the 1890s, as he felt most commercially made objects did not live up to his high aesthetic standards. They were pretty high standards, indeed, because at the time he was employing brothers Leopold and John George Stickley of Fayetteville, New York, to produce many of his furnishings.

Wright believed the interior design of a home could influence the spiritual and emotional well-being of his clients. This philosophy became known as the House Beautiful movement and it applied not just to the spaces he conceived but the furniture within them. Take, for example, the wooden spindle-backed side chairs he designed for his Oak Park home in 1895. The chairs have such high backs that when positioned at the dining table, they create an intimate room-within-a-room effect.

Often Wright made his furniture compact and multi-functional to give living areas an open feeling. In fact, much of his furniture was built into the structure of his homes. Wright also believed that repeating uncomplicated geometric patterns created an atmosphere of order and simplicity. His stained-glass pieces, such as the “Tree of Life” window, echoed these motifs. Even the lines and circles in his textile and carpet patterns, such as his Taliesin Line, played on this theme of geometric harmony.

Wright, who was born in Richland Center, Wisconsin, on June 8, 1867, to a Unitarian pastor and a schoolteacher, spent his formative years, ages 11-20, in Madison. He never went to college to study architecture; he only took two semesters worth of civil engineering classes at the University of Wisconsin. Instead, he learned the ropes first by helping architect Joseph Lyman Silsbee draft and supervise the construction of Unity Chapel in Madison, and then by taking a drafting job at age 20 for the Adler and Sullivan firm in Chicago.

For six years, Wright reported directly to famous architect Louis Sullivan, the only influence Wright would acknowledge in his life, as his “Lieber Meister,” or “beloved master.”...

In 1889, when Wright was 22, he married Catherine Tobin and built a home in the Chicago suburb of Oak Park, which eventually became the headquarters of his practice and is now known as the Frank Lloyd Wright Home and Studio. His first acknowledged masterpiece, the Winslow House, was built in 1893 in River Forest, Illinois.

It was during this period that he started producing his Prairie Houses. He built the Martin House, which first incorporated his trademark horizontal-band windows; Robie House, one of his most celebrated Prairie Houses; the Unity Temple in Oak Park, one of the first U.S. buildings to feature exposed concrete; and the Larkin Company Administration Building in Buffalo, New York, which boasted innovations like the first wall-hung toilets, steel office furniture, glass doors, and extensive use of ventilation.

Around this time, Wright also began to give lectures on architecture. He famously parted ways with the one of the basic principles of the Arts and Crafts movement—that craftsmanship is always superior to machine-made products—in a 1901 lecture at the Hull House in Chicago. In his talk, “The Art and Craft of the Machine,” he asserted that machines can be used to bring out the simplicity and beauty of wood, establishing himself as the first U.S. architect to declare his acceptance of industrialization.

It was a prolific time for him in other ways, too. He had six children with Catherine before he left her in 1910 to run off to Europe with Mamah Borthwick Cheney, a client’s wife, where he put together two portfolios, published by Ernest Wasmuth, “Ausgefuhtre Bauten und Entwurfe” and “Ausgefuhrte Bauten,” also known as the Wasmuth Portfolios. These publications brought him international acclaim and also influenced architects worldwide.

In 1911, Wright returned to Wisconsin to build a home on the land his mother’s Welsh ancestors had settled. He named this new home Taliesin, which is Welsh for “shining brow.” When Wright was working on Midway Gardens entertainment center in Chicago and the Imperial Hotel in Tokyo (a structure heralded for its earthquake-proof support system) in 1914, a mentally-ill servant set fire to the living quarters of Taliesin, killing Mamah, two of her children, and four others.

Wright started resurrecting Taliesin right away, and soon married sculptor Miriam Noel. Concurrently, Wright developed California properties like Hollyhock House and Millard House, for which he created the “textile block” technique, weaving together pre-cast concrete blocks with steel rods and cement. A second fire destroyed the Taliesin living quarters in 1925, when a lightning strike ignited faulty electrical wiring. As with the last fire, Wright rebuilt his home as quickly as possible. In 1928, Wright married again, this time to Olga Lazovich, the daughter of the Chief Justice of Montenegro.

In the 1930s, Wright focused on spreading his philosophies by hosting Taliesin Fellowships at his home, where scholars would study architecture, construction, farming, gardening, cooking, nature, and the arts. He promoted his ideas through books such as his autobiography and “The Disappearing City,” in which he proposed the concept of the Broadacre City, wherein each U.S. family is given a one acre-plot, a concept that helped give birth to modern suburbia.

Taking these ideas one step further, he invented prefab housing, which he named “Usonian” homes—from USONA or the United States of North America. These low-cost one-story houses for families of humble means featured innovations like carports, radiant heating using hot-water pipes under concrete-slab floors, and prefabricated walls made of boards and tar paper. His first functional Usonian home was named Jacobs I.

In 1936, Wright erected one of his most famous houses, Fallingwater, which stretches over a waterfall in rural Pennsylvania. The home, built with cantilevered balconies, doesn’t even appear to touch the ground. His other important later buildings include the SC Johnson Wax Administration Building and the Wingspread house in Racine, Wisconsin; the circular Guggenheim Museum in New York City, whose interior was inspired by the spiral of a conch shell; the Price Tower in Bartlesville, Oklahoma; and the Marin County Civic Center in California.

Eventually, Wright created two other homes for himself. Taliesin West was his winter residence, built on a sprawling several-hundred-acre property in the foothills of the McDowell Mountains in Scottsdale, Arizona. Then, in 1955, he rented an apartment at the Plaza Hotel in New York City, which he dubbed “Taliesin East” and redecorated it with black and red lacquered furniture and thick peach carpeting.

Many people have speculated that Wright, with his iconoclast reputation and adamant rejection of traditionalist architecture, inspired the architect character Howard Roark in Ayn Rand’s book “The Fountainhead.” But in a letter to a fan, Rand herself denied that Roark’s personality and life had any connection to Wright, insisting that the only thing the two have in common is their disdain for cluttered old-world design.

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Recent News: Frank Lloyd Wright

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Frank Lloyd Wright goes west; Chinese art at SAM
The Seattle Times, November 25th

New books by Seattle-area authors or on local topics: Frank Lloyd Wright's western work; the story of the Chinese art collection at the Seattle Art Museum; a new romance by Elizabeth Boyle and the story of an early bird and a worm, by a Bremerton author...Read more

Rarely seen images of Frank Lloyd Wright's 1950s science labs
The Guardian, November 24th

Many people may be familiar with the household cleaning products that SC Johnson produces, but few realise that these products were originally developed in research and development laboratories designed by well known architect Frank Lloyd Wright...Read more

Home Tour: Rare visit inside Frank Lloyd Wright home in Indian Hill
WCPO, November 21st

INDIAN HILL, Ohio --- The Frank Lloyd Wright-designed William P. Boswell House has been a private place for more than 50 years – private in two ways. On one count, the house is tucked down at the end of a long, forested driveway, completely hidden from ...Read more

The Making of Frank Lloyd Wright's Hollyhock House
Condé Nast Traveler, November 18th

But modernism actually arrived here in 1921 when Frank Lloyd Wright built Hollyhock House, the Los Feliz residence for oil heiress Aline Barnsdall that paved the way for decades' worth of groundbreaking California architecture. Now open to the public...Read more

'Frank Lloyd Wright on the West Coast,' by Mark Anthony Wilson
SFGate, November 12th

Between Marin County Civic Center in San Rafael and the shop at San Francisco's 140 Maiden Lane with its Guggenheim-like ramp inside, the Bay Area has two of Frank Lloyd Wright's best buildings. But they're just two of the 36 structures designed by ...Read more

Ann Arbor home reflects Frank Lloyd Wright
Detroit Free Press, November 8th

You can't enter this ground-hugging house with its artisan-built furniture, its natural stone floors, its sweeping horizontal lines and repeating squares without flashing on three words: Frank Lloyd Wright. The house it is not by the Usonian architect...Read more

Stolen STL250 cake returned to Frank Lloyd Wright home
STLtoday.com, November 7th

Thieves took the cake, and now they've brought it back, apparently. The 250th St. Louis birthday cake, stolen from the Frank Lloyd Wright-designed home in Kirkwood, is back home at Ebsworth Park — a tad worse for wear. Laura Meyer, administrative...Read more

UK's First Frank Lloyd Wright House Blocked by Planning Inspector
ArchDaily, November 6th

A plan by Stephen Brooks Architects to build the first Frank Lloyd Wright-designed home in the UK has been blocked at the appeal stage by a planning inspector, reports the Architects' Journal. Based on a 1947 design by Wright for the O'Keefe family in ...Read more