Frank Lloyd Wright, who emerged as an architect during the turn-of-the-century Arts and Crafts movement, gave birth to the first distinctly American brand of architecture. Throughout his seven-decade career, Wright insisted that buildings complement their natural settings: With unfinished materials, simple lines, and open spaces, his structures seem to grow organically out of the landscape. Influenced by sparse Japanese design, Wright rejected the boxy, labyrinthine layouts and excessive ornamentation of Victorian Europe in favor of a style he felt reflected American principles of democracy and self-determination.

Wright is perhaps best known for his striking and innovative dwellings such as the Robie House near Chicago, Fallingwater in rural Pennsylvania, and his longtime home, Taliesin, in Spring Green, Wisconsin. He also invented the influential “Prairie Houses,” which he designed regularly between 1900 and 1917. These long, low-to-the-ground buildings with sloping roofs and clean lines were meant to mimic the flatness of the surrounding prairies. The concept eventually led to a proliferation of one-story ranch-style houses around the United States. In addition to his architecture and design, Wright was an educator, philosopher, and prolific writer, publishing 20 books and a myriad of articles.

In addition to the 532 architectural structures he erected worldwide (409 of which are still standing), Wright also designed furniture, textiles, art glass, lamps, dinnerware, silver, and graphic arts. He began creating his own furnishings in the 1890s, as he felt most commercially made objects did not live up to his high aesthetic standards. They were pretty high standards, indeed, because at the time he was employing brothers Leopold and John George Stickley of Fayetteville, New York, to produce many of his furnishings.

Wright believed the interior design of a home could influence the spiritual and emotional well-being of his clients. This philosophy became known as the House Beautiful movement and it applied not just to the spaces he conceived but the furniture within them. Take, for example, the wooden spindle-backed side chairs he designed for his Oak Park home in 1895. The chairs have such high backs that when positioned at the dining table, they create an intimate room-within-a-room effect.

Often Wright made his furniture compact and multi-functional to give living areas an open feeling. In fact, much of his furniture was built into the structure of his homes. Wright also believed that repeating uncomplicated geometric patterns created an atmosphere of order and simplicity. His stained-glass pieces, such as the “Tree of Life” window, echoed these motifs. Even the lines and circles in his textile and carpet patterns, such as his Taliesin Line, played on this theme of geometric harmony.

Wright, who was born in Richland Center, Wisconsin, on June 8, 1867, to a Unitarian pastor and a schoolteacher, spent his formative years, ages 11-20, in Madison. He never went to college to study architecture; he only took two semesters worth of civil engineering classes at the University of Wisconsin. Instead, he learned the ropes first by helping architect Joseph Lyman Silsbee draft and supervise the construction of Unity Chapel in Madison, and then by taking a drafting job at age 20 for the Adler and Sullivan firm in Chicago.

For six years, Wright reported directly to famous architect Louis Sullivan, the only influence Wright would acknowledge in his life, as his “Lieber Meister,” or “beloved master.”...

In 1889, when Wright was 22, he married Catherine Tobin and built a home in the Chicago suburb of Oak Park, which eventually became the headquarters of his practice and is now known as the Frank Lloyd Wright Home and Studio. His first acknowledged masterpiece, the Winslow House, was built in 1893 in River Forest, Illinois.

It was during this period that he started producing his Prairie Houses. He built the Martin House, which first incorporated his trademark horizontal-band windows; Robie House, one of his most celebrated Prairie Houses; the Unity Temple in Oak Park, one of the first U.S. buildings to feature exposed concrete; and the Larkin Company Administration Building in Buffalo, New York, which boasted innovations like the first wall-hung toilets, steel office furniture, glass doors, and extensive use of ventilation.

Around this time, Wright also began to give lectures on architecture. He famously parted ways with the one of the basic principles of the Arts and Crafts movement—that craftsmanship is always superior to machine-made products—in a 1901 lecture at the Hull House in Chicago. In his talk, “The Art and Craft of the Machine,” he asserted that machines can be used to bring out the simplicity and beauty of wood, establishing himself as the first U.S. architect to declare his acceptance of industrialization.

It was a prolific time for him in other ways, too. He had six children with Catherine before he left her in 1910 to run off to Europe with Mamah Borthwick Cheney, a client’s wife, where he put together two portfolios, published by Ernest Wasmuth, “Ausgefuhtre Bauten und Entwurfe” and “Ausgefuhrte Bauten,” also known as the Wasmuth Portfolios. These publications brought him international acclaim and also influenced architects worldwide.

In 1911, Wright returned to Wisconsin to build a home on the land his mother’s Welsh ancestors had settled. He named this new home Taliesin, which is Welsh for “shining brow.” When Wright was working on Midway Gardens entertainment center in Chicago and the Imperial Hotel in Tokyo (a structure heralded for its earthquake-proof support system) in 1914, a mentally-ill servant set fire to the living quarters of Taliesin, killing Mamah, two of her children, and four others.

Wright started resurrecting Taliesin right away, and soon married sculptor Miriam Noel. Concurrently, Wright developed California properties like Hollyhock House and Millard House, for which he created the “textile block” technique, weaving together pre-cast concrete blocks with steel rods and cement. A second fire destroyed the Taliesin living quarters in 1925, when a lightning strike ignited faulty electrical wiring. As with the last fire, Wright rebuilt his home as quickly as possible. In 1928, Wright married again, this time to Olga Lazovich, the daughter of the Chief Justice of Montenegro.

In the 1930s, Wright focused on spreading his philosophies by hosting Taliesin Fellowships at his home, where scholars would study architecture, construction, farming, gardening, cooking, nature, and the arts. He promoted his ideas through books such as his autobiography and “The Disappearing City,” in which he proposed the concept of the Broadacre City, wherein each U.S. family is given a one acre-plot, a concept that helped give birth to modern suburbia.

Taking these ideas one step further, he invented prefab housing, which he named “Usonian” homes—from USONA or the United States of North America. These low-cost one-story houses for families of humble means featured innovations like carports, radiant heating using hot-water pipes under concrete-slab floors, and prefabricated walls made of boards and tar paper. His first functional Usonian home was named Jacobs I.

In 1936, Wright erected one of his most famous houses, Fallingwater, which stretches over a waterfall in rural Pennsylvania. The home, built with cantilevered balconies, doesn’t even appear to touch the ground. His other important later buildings include the SC Johnson Wax Administration Building and the Wingspread house in Racine, Wisconsin; the circular Guggenheim Museum in New York City, whose interior was inspired by the spiral of a conch shell; the Price Tower in Bartlesville, Oklahoma; and the Marin County Civic Center in California.

Eventually, Wright created two other homes for himself. Taliesin West was his winter residence, built on a sprawling several-hundred-acre property in the foothills of the McDowell Mountains in Scottsdale, Arizona. Then, in 1955, he rented an apartment at the Plaza Hotel in New York City, which he dubbed “Taliesin East” and redecorated it with black and red lacquered furniture and thick peach carpeting.

Many people have speculated that Wright, with his iconoclast reputation and adamant rejection of traditionalist architecture, inspired the architect character Howard Roark in Ayn Rand’s book “The Fountainhead.” But in a letter to a fan, Rand herself denied that Roark’s personality and life had any connection to Wright, insisting that the only thing the two have in common is their disdain for cluttered old-world design.

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Recent News: Frank Lloyd Wright

Source: Google News

Frank Lloyd Wright's Hollyhock House Will Soon Reopen to the Public
Metropolis Magazine, January 28th

Located within Los Feliz, Los Angeles, and near the trendy Silver Lake neighborhood, Wright's 1921 house has undergone numerous rebirths over the years. The project began when Pennsylvania oil heiress Aline Barnsdall purchased 36 acres of Los ...Read more

The Frank Lloyd Wright School of Architecture taps Aaron Betsky as its new dean
Architectural Digest (blog), January 27th

The Frank Lloyd Wright School of Architecture has appointed noted architecture critic and museum director Aaron Betsky as its new dean. Betsky, a Yale-trained architect and widely published writer, was most recently director of the Cincinnati Art...Read more

Frank Lloyd Wright's Hollyhock House Returns to Its Roots
BLOUIN ARTINFO, January 27th

But before any of those renowned residences could be built, there was the Hollyhock House, the first home Frank Lloyd Wright ever designed and built in Los Angeles. The 1921 residence for heiress Aline Barnsdall was gifted to the city of Los Angeles in ...Read more

Aaron Betsky Appointed New Dean of the Frank Lloyd Wright School of ...
ArchDaily, January 26th

Critic, curator and educator Aaron Betsky has been announced the new dean of the Frank Lloyd Wright School of Architecture. Betsky will assume his role immediately, taking over responsibilities regarding the School's academic programs, personnel, ...Read more

Frank Lloyd Wright's Hollyhock House to reopen once again in February
Archinect, January 23rd

In the heart of Hollywood's Barnsdall Park, Frank Lloyd Wright's Hollyhock House will officially reopen on February 13, as recently announced by L.A. Mayor Eric Garcetti, Councilmember Mitch O'Farrell, and the Barnsdall Park Art Foundation. This isn't...Read more

First Frank Lloyd Wright House in Los Angeles Finally Reopening
Curbed LA, January 22nd

Six years ago, another round of restorations began on the Hollyhock House in Barnsdall Art Park, the first house Frank Lloyd Wright designed in Los Angeles, built in the early 1920s for bohemian oil heiress Aline Barnsdall, and a public museum since...Read more

That Time Frank Lloyd Wright Went On What's My Line
Gizmodo, January 14th

A lighthearted 1950s gameshow is the last place most of us would look for Frank Lloyd Wright, America's most well-known—only known?—architect. But in 1956, Wright appeared on the game show What's My Line?, where he endured the indignity of being ...Read more

Frank Lloyd Wright? Wrong
Memphis Magazine, January 1st

Not too long ago, I contacted the Frank Lloyd Wright Foundation in Scottsdale, Arizona, because over the years I have received several queries from readers who thought they detected the world-famous Prairie School architect's influence in various...Read more