Whatever their shape, all claws are designed to remove nails and some claws are designed for only specialized nails. For example, an upholsterer’s hammer has a small claw suited to the diminutive size of the nails and brads used on chairs and sofas. A cooper’s hammer, on the other hand, has a wide claw that would be useless for removing upholstery nails but is perfectly suited to the shape of wooden pegs used to make barrels and casks.

Other specialized claws include the one on the side of a slater’s hammer, used by those who make a living installing slate roofing. Crating hammers have their claws at the end of top of the hammer’s head, creating a tool that resembles a pry bar with a small hatchet head on one side—carpet hammers also have claws at their tops. And then there are the double-claw hammers, sometimes called Shaker hammers, which have a second claw below the top one to give the user more leverage when pulling a nail that’s been pounded deep into wood.

Hammer faces exhibit even more variety. The faces on upholsterer’s hammers, for example, are small, demanding precision strikes but allowing the user to tack nails and brads into corners and other tight spots. That cooper’s hammer mentioned above has a wide, squared-off face while a cobbler’s is wide and round. Ball-peen hammers, which are used by blacksmiths and other metal workers, have a regular hammer face on one side and a rounded “peen” on the other where the claw would normally be. Other types of peening heads are wedge-shaped, with faces positioned horizontally, vertically, or diagonally depending on the needs of the smith.

Veneer hammers feature a hatchet-like piece instead of a claw, only unlike a hatchet, the metal’s face runs horizontally instead of vertically and it's rounded instead of sharp. People who shoe horses for as living use a farrier’s hammer; jewelers, bricklayers, and tinsmiths have their own specialized hammers; and there’s an almost endless number of shaped hammers used by blacksmiths when it’s time to beat hot iron into submission.

Other hammers of note include a lumberman’s marking hammer, which has raised initials or numbers on its face so that the ends of boards or timbers can be branded by their owner, and a bill-poster’s hammer, which allowed advertising flyers to be nailed on walls and other surfaces that would otherwise be out of reach—one metal tab on the hammer’s handle held the nail in place, another held the flyer.

In the United States, late-19th- and early-20th-century tool manufacturers famous for their hammers included Stanley (its nickel-plated Sweet Hart hammers are particularly prized), and Keen Kutter (look for its wedge-shaped logo on the hammer’s head). A. R. Robertson made bill-poster’s hammers, while the specialty of the Double Claw Hammer Co. should be obvious.

A variation on the hammer is the mallet, which has wooden handles of varying lengths and large, solid wooden heads, sometimes made from beech or walnut burls. Mallets were used by everyone from wheelwrights, who used long-handled mallets to drive wooden spokes into their wheels, to carpenters, who favored shorter-handled mallets when using chisels in fine woodworking. In general, the grains on these hard-wood mallets ran horizontally, so that the chisel was struck by the ends of the wood’s grains, but some mallets had round heads, so extremely tough woods like lignum vitae would be used for these tools.

Mallets are interesting to collectors because they can be paired with the tools they were used to strike. Chisels have already been mentioned, but there’s a whole category of tools called froes that were designed for nothing except to be hit by a mallet in order to split a piece of wood. Mallets and froes were used to create shingles, clapboards, and even barrel staves, which required a curved cooper’s froe.

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