Similarly, historical flasks bore the images of famous Americans on their sides, as well as signs and symbols of patriotism. Historical flasks are sometimes called figural flasks, but, unlike figural bottles, flasks are considered figural if they have a figure on them, not if the body is shaped like a figure.

These historical flasks often celebrated important moments in American history. One common flask was inscribed, “General Taylor never surrenders,” a reference to future President Zachary Taylor’s leadership in the Mexican-American War. The reason for the ubiquity of Taylor flasks is probably because Taylor’s short-lived celebrity in the 1840s coincided with the height of historical flask production.

There are dozens of other popular designs of antique historical flasks, such as ones featuring Benjamin Franklin, others championing the Union’s cause in the Civil War, and flasks that commemorated the deaths of Presidents John Adams and Thomas Jefferson on the same day—July 4th, 1826, exactly 50 years to the day after the signing of the Declaration of Independence. Others flasks had rallying phrases like “Success to the Railroad” on them, but the most common historical flask had busts or relief profiles of George Washington or an American eagle.

Only two women are known to have been featured on historical flasks: ballet dancer Fanny Elssler and Jenny Lind, a Swedish singer who gained popularity in the late 1850s after being brought to perform in the U.S. by P.T. Barnum. There was also a flask that featured Columbia, the American Goddess of Liberty, in profile.

It is not known who first produced all of these historical flasks, but Thomas W. Dyott of Kensington Glass Works in Philadelphia is sometimes credited with producing flasks honoring Washington, Franklin, and the Marquis de Lafayette in October 1824.

When it comes to the value of historical flasks, as with all bottle collecting, color is paramount. For example, a cobalt blue historical flask is far rarer and more valuable than an aqua-colored one.

Pictorial flasks often take the shape of what they depict. For example, a flask designed to look like a double scroll will, in fact, be embossed with two mounds. These flasks were known for their beauty and intricacy. The most common colors for them were aqua, various shades of green, and amber.

Pitkin flasks had a ribbed, flat, oval shape. The ribs were achieved from a pattern mold. They received the name Pitkin because Pitkin Glass Works, a Connecticut manufacturer, was credited with their production. Many New England glassmakers produced similar flasks, and used the name “Pitkin” regardless of whether they were produced by that particular manufacturer.

Most Pitkins were made in olive green or olive amber and had somewhere between 32 and 36 ribs. Sometimes these ribs were straight and vertical, and sometimes they swirled. Because glassmakers often double-dipped the Pitkins, these flasks also sometimes had a “broken swirl”—a blend of vertical and swirled ribbing.

Interestingly, this design became so popular that ribbed flasks made in other parts of the country, especially the Midwest, became known as Pitkins. The Pitkin flasks made outside of New England, however, were less uniform—they had anywhere between 16 and 44 ribs and came in a wide spectrum of colors, from aqua to green to dark amber.

The last of the popular flask shapes from the first part of the 19th century was the chestnut flask. Aptly named for its shape—it had a flat, round body, like a chestnut—the chestnut flask, like the Pitkin flask, was pattern molded, though some artists expanded upon the molded shape with some supplementary blowing.

Chestnut flasks came in a wide array of designs, from diamonds to hexagons to daisies. They were made mostly in the Midwest and came in just about all colors. Some scholars believe these flasks may even predate the 19th century, as William Henry Steigel, a glassmaker in Manheim, Pennsylvania, may have produced some in the late 1700s.

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