Short dinner jackets evolved into the top halves of tuxedos, which were so named for their popularity with the late-19th-century gentlemen who frequented the Tuxedo Club in Tuxedo Park outside New York City. After dinner, early-20th-century males would shed their wool or silk dinner jackets for velvet smoking jackets, which were cut long and allowed smokers to leave the odor of the cigar room behind them.

Norfolk-style jackets evolved from late-19th-century hunting attire into early-20th-century driving jackets. Marked by buttons as well as a built-in belt, these jackets had a sporty, casual look, thanks to their big pockets and principle material of rugged, patterned tweed.

Another legendary outdoors jacket was the Barbour waxed jacket, which kept generations of British royals dry as they tramped about the English countryside hunting small game, which were frequently stuffed into the wide pocket at the jacket’s back. Styles of Barbours that remain popular today include the lightweight Beaufort and the heavier-duty Moorland.

Leather bomber jackets were romanticized during World War II, spawning several generations of men who chose goatskin jackets to shelter themselves from the elements, as well as to show a measure of toughness. Brown leather originals made by Doniger, Dubow, and other manufacturers, gave way to tighter-fitting, zippered black jackets embraced by motorcycle gangs and Hollywood’s depictions thereof, most famously by Marlon Brando in the 1953 film “The Wild One.”

Also hot during the late 1940s and early 1950s was the Levi’s denim jacket. This sturdy blue jacket was considered work wear during the war and in the postwar years, but in the 1950s it was held as a rebellious alternative to more constraining daywear. The denim jacket, made by both Levi’s and Wrangler, would remain staples of young men’s fashion for years to come.

Rock ’n’ roll culture was another important influence on men’s jackets, as young men everywhere dressed like Elvis Presley in two-tone rockabilly jackets. Another popular style in the ’50s was the prep look—blazers made a comeback and letterman jackets were spotted in droves on many college campuses.

In 1960s Britain, the so-called "mod" style reigned, especially the Cardin-like collarless button-up jackets designed by London tailor Dougie Millings and worn by The Beatles early in their career.

Leather and suede were in as well, with jacket-length suede single-breasts gaining widespread acceptance in the late 1960s. Another phenomenon was the leather fringe jacket. This waist-length jacket featured tassels hanging from the sleeves, chest stitching, and sometimes pocket flaps. It was even more sought-after after its appearance on Dennis Hopper in the 1969 film “Easy Rider.”

International clothing styles, starting with the rise of the Nehru jacket, were also a significant part of the ’60s. So were vintage military uniforms, which found customers in trendsetters such as Mick Jagger of the Rolling Stones.

At the opposite end of the what-is-hip spectrum was the belted, goose-down ski jacket, which came to prominence thanks to improvements in ripstop nylon and waterproofing technologies. Sometimes these jackets had built-in or snap-on hoods, in which case they were usually referred to as parkas.

During the 1970s, wide-lapelled, multi-pocketed, belted safari jackets came into style. Black leather bomber jackets came back, this time worn by punk rockers like the Ramones and the Sex Pistols. In the following decade, leather jackets were produced in a variety of colors and often featured multiple zippers, pockets, and chains—think just about any Michael Jackson music video of that period.

Also in the 1980s, double-breasted jackets fell out of fashion, replaced by large single-breasted, often single-button, coverings. Casual jackets got shorter—the rainbow of Members Only jackets come to mind, as do the short, vinyl, snap-button jackets emblazoned with pro football, baseball, or hockey team logos.

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