Victorians didn’t have text messaging, so when postcards proliferated in the late 1800s, people immediately took to them as a cheap means of sending a brief note with an image. Postcards were particularly popular with travelers and tourists, who used them to document journeys for loved ones waiting back home. Often travelers would pay a penny or two to buy a postcard depicting a sight they’d seen, from real photo postcards of the Eiffel Tower or Statue of Liberty to silk postcards of a sweeping Italian vista or a Grand Canyon sunset.
Early on, hotels owner realized that postcards would make an excellent and inexpensive means of advertising. They’d print a flattering image of their hotel, lodge, inn, cabins, or resort on the card’s face (sometimes combining exterior and interior shots), add the necessary branding and contact information to the back, and then offer the cards for free at the check-in desk. Other hotels placed “free with stay” postcards directly in the hotel room, often accompanied by free letterhead stationary or travel stickers that could be attached to steamer trunks or other pieces of luggage.
Guests who were lazy, cash-strapped, or just plain proud of the establishment they were staying in would toss off chatty notes to their family or friends, add a stamp, and pop them in the mailbox, often before they had even gone out sight-seeing. Ideally, the recipients of these cards would admire the fine hotel their loved one was enjoying, and perhaps feel inspired to take a trip themselves. Worst case, if they ever ended up in the same city, they’d remember the nice spot their kin had discovered...
Other guests, of course, simply pocketed hotel postcards as personal mementos of their trip, keeping them for scrapbooks or photo albums. “Free with stay” hotel postcards exploded in popularity in the 1920s and '30s, edging out civic buildings, Carnegie Libraries, and insane asylums as the most common postcards sent. One reason for the fixation on lodging postcards? Before World War II, staying in a hotel with indoor plumbing was often something to brag about.
After the war, cars superseded trains as the most common means of terrestrial travel in the United States. In 1956, the interstate highway system was authorized, and as new freeways were laid, the landscape was suddenly dotted with one- and two-story roadside “motor hotels” or “motels,” where weary drivers could park right outside their room.
The charming photograph postcards given away at these motels prominently featured their tremendous, breathtaking neon signs in iconic Mid-century Modern lettering and design, usually towering over bland, nondescript buildings surrounded by Midwestern prairie or Southwestern desert. The most eye-catching signs have large swooping arrows or elaborate '60s space-age themes. Postcard images from this era showing guests lounging by the pool are particularly enticing, as they just scream “vacation!” These days, though, the vintage swimsuits and gleaming classic Ford and Chevy cars on these postcards are other reason to gawk at these snapshots of Americana.
Interviews & Articles
Walker Evans, Preeminent Photographer and Passionate Postcard Collector

In 1994, I had the great pleasure of acquiring the complete archive of Walker Evans for the Metropolitan Museum. The archive is qu… [more]
When Postcards Were the Social Network

I worked for 35 years as a reference librarian with the Madison Public Library and I just got interested in Madison’s history thro… [more]
Attending the Theatre, Via Postcards

Andreas Praefcke (Ravensburg, Germany) collects postcards of old and new theatre buildings worldwide. His complete collection can … [more]
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This fun site has a simple mission: To show off as many postcards as possible of 1950s and '60s American motels. Or… [read review or visit site]
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