The fact that Christian Louboutin began his career at the age of 16 designing shoes for the Folies-Bergere should tell you a lot about the sensibilities of this red-hot shoe designer. The fact that his hero is fellow Parisian Roger Vivier, whose sculptural high heels have graced the feet of everyone from Josephine Baker to Catherine Deneuve, should tell you everything else.
The Follies account for Louboutin’s sense of showmanship, whether it’s a gold-plated leather and leopard-print sandal or a thigh-high deerskin boot. As for Vivier, he was a master not just of shape but of texture, too, which may help explain why Louboutin enjoys working with materials as varied as python and Lucite.
But for all these influences, Louboutin’s high heels, mules, boots, and sandals are uniquely his own, the most obvious example being his practice of painting the soles of his shoes nail-polish red, no matter what the upper looks like. Indeed, this single device almost sums up the Louboutin aesthetic—brash, surprising, and undeniably eye catching.
After his introduction to fashion from a costumer’s perspective, Louboutin worked for Charles Jourdan and Yves Saint Laurent. He opened his own boutique in Paris in 1991 and today has shops in major cities around the world.
A good pair of Louboutins often makes Manolo Blahnik’s creations look like sensible Oxfords. Sure he does ballet flats, but Louboutin’s are dyed in purple, red, or yellow, after which they are covered with spikes. When Louboutin conjures a “safari shoe,” he sees a stiletto skinned in snake.
Want a Louboutin Mary Jane? Be prepared for a pump in multi-hued canvas with a 5-inch heel and an open toe. And his short boots are secured to the foot with all manner of straps that variously resemble bondage devices or slender seat belts.
Louboutin shoes excel at unusual combinations of materials, such as fishnet paired with patent leather. Like nature, Louboutin abhors a vacuum, which may explain why a pair of pu...
Heels, too, get the Louboutin treatment. Chunky ones are carved and painted gold, curved ones are meant to mirror the lines of a woman’s body. Up front, below the toes and ball of the foot, Louboutin frequently hides modest, flat platforms, making his 5-inch heels a bit more manageable. Even the lowly espadrille gets a Louboutin makeover—his versions feature uppers of lilac ribbon, tanned leather, or floral prints, with ropey platform wedges below.
Naturally people who make their living based on the impression they create are drawn to Louboutin shoes. J-Lo, who has a self-professed weakness for his heels, recorded a hit single called “Louboutins” that describes a woman leaving an unworthy boyfriend, not in slippers and a veil of tears but defiantly in 5-inch heels.
Fergie of the Black Eyed Peas is similarly fond of her Louboutins—she has been photographed countless times strutting the stage in her silver, above-the-knee Louboutin Supra Fifre boots, whose heel height rivals J-Lo’s. This is footwear that projects power and independence, although it’s a safe bet that the hip-hop diva has someone to help her with each boot’s 21 hooks.
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