Since the Colonial era, wood has been a key medium for American artisans creating folk-art objects in their workshops and homes. From rocking horses to boxes, figurative sculptures to signs, wood has been a favorite of folk artists who, lacking training and supplies, often turned to this basic material because it was readily accessible and relatively inexpensive.

Wooden folk art is often associated with tramp art, an art form from the late 19th and early 20th centuries in which cut wood chips were layered on top of each other to create simple, geometric patterns. But wood has been used in many other ways by folk artists. For example, wood was the main ingredient in duck decoys, handmade cigar boxes, and weathervanes.

Prior to the settling of the Americas by Europeans, Native Americans made the first duck decoys out of mud. Early in the 18th century, though, wood became the dominant material in decoys, especially white pine and cedar, both of which were tough enough to take repeated use and buoyant enough to float. More than most wooden examples of folk art, the collectability of antique duck decoys depends on the craftsmanship, the intricacy of the carving, and, when known, the artist.

Early cigar boxes, which were commonly created in the tramp-art style, were largely made of cedar or mahogany. Though at the time they were often considered mere afterthoughts to the stogies inside, today they are widely collected.

Wooden weathervanes and whirligigs, which were put on the roofs of houses to indicate wind direction, date to the Colonial era. These delightful, carved pieces were initially constructed in simple shapes—arrows, for example. Later, the designs became more involved, as artists fashioned angels, ships, and whales that would point into the wind. After the Revolutionary War, these weathervanes were colorfully painted and their carving became ever more detailed. By the time of the Civil War, heroic weathervanes could be found on either side of the Mason-Dixon Line in the shapes of soldiers.

Whirligigs are slightly different than weathervanes in that they continually spin—hence their name—in the direction the wind is blowing. Some scholars believe that whirligigs were never actually used in the same practical way as weathervanes but were made as children’s toys. Today, though, whirligigs and weathervanes are strong emblems of the country-living aesthetic.

Folk art includes a vast range of collectibles, so naturally the spread of folk-art items made from wood is equally broad. In addition to items mentioned above, wooden folk art i...

Two other types of wood folk art are canes and dolls. Canes are prized for the skills of the whittler—a good one could give a cane exquisite detail, especially on the handle. Often these handles were carved in the shapes of animals, while the shafts were sometimes treated as canvases for landscapes and other scenes.

Artisans who made wooden dolls for their children usually did so because they could not afford store-bought or custom-made dolls. These dolls were often very simple, sometimes carved from sticks or even discarded bedposts. Once the dolls were carved to the artist’s satisfaction, they were often dressed in clothes made from tobacco leaves.

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