The close relationship between human and horse has inspired many craft representations, from ancient Chinese jade horses to the colorful wooden Dala horses made in Sweden. During the 18th and 19th centuries, horses were essential to modern life, a fact reflected in their frequent appearance in all styles of folk art. There are intricately carved carousel horses, miniature equine models accompanying toy soldiers, racing horse whirligigs, rocking horses, and horse-head shaped hitching posts.

During this era, sculptures of animals were also widely used outside the home as decorative weathervanes or business signage. Beautiful copper renderings of leaping stags, charging stallions, or stoic roosters often topped weathervanes, though many versions were more cheaply produced in wood. Figural signs, like the wooden fish sculptures appearing above fish markets in seaside towns, provided a quick visual way to advertise a product, particularly in an era when many citizens could not read.

Decoys and lures fall into another classic folk-art genre, encompassing a variety of objects made to mimic a wild creature to aid in hunting or fishing. The most collected form of these handcrafts are duck decoys, which were adopted from the Native American practice and widely produced in the late 19th and early 20th century. The most desirable decoys tend to be highly realistic pieces made from solid wood, with natural looking feathers and heads.

Traditionally, indigenous communities created many objects in animal form to represent spiritual beings, like carved totems or ritual costume masks. Particularly collectible are the huge, complex masks created by Native American people living along the northwestern coast of the United States, which combined painted wood, fabric, and feathers to reference each clan’s animal ancestors.

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