From lighted glass cabinets to simple cardboard signs, in-store displays have been used to sell products for hundreds of years. Prior to the 18th century, most retailers did little to display their goods: Instead, customers had to request specific items that a shopkeeper would locate for them in a back storeroom. But beginning with small storefronts that had no extra storage space, shop owners started organizing products in pleasing ways that might incite a customer to buy more.
By the late 19th century, shopping halls ranging from small five-and-dimes all the way up to giant, urban department stores attempted to show off their products in more visceral, three-dimensional ways. In Europe, covered shopping arcades were designed to take advantage of strolling customers, turning shopping into a leisure activity rather than a necessity. Slowly but surely, larger department stores capitalized on their abundant space by dedicating entire rooms as shrines to specific items like makeup, ties, or shoes.
These early retail merchandisers recognized the value of an eye-catching display, and sought to present their products with style. While some displays highlighted a product by piling them into pyramids or spreading them out on huge racks, others stood out by incorporating gimmicks such as lifelike mannequins or jumbo-sized versions of the objects for sale, like a giant pair of eyeglasses or an oversized Polaroid camera.
Most store displays were glorified dispensers, meant to hold a large quantity of smaller items, using the display’s size to broadcast a brand name. Edible products like throat lozenges or licorice were frequently stuffed into bins or jars made for holding treats in bulk. Elegant goods like knives, pocket watches, or cigars sometimes received boxed countertop displays with velvet linings. The familiar decorative cigar box is a simple form of packaging whose clever design also allowed for lovely in-store displays. Outside, customers were beckoned into some establishments by a wooden statue of an Indian holding a fistful of stogies. Personal vanity products were often placed in glass display cases or cabinets featuring a company’s logo, like the countertop cases for Bonnie B’s hair nets or Ever-Ready’s shaving brushes.
Spools of thread and other sewing supplies were typically stored in self-contained sets of narrow drawers, while other household products like dye or knitting needles came with their own open-slot shelving. Wire racks were common for seed packets, magazines, and other paper items. Adult products, including condoms and other prophylactics, often had special cases that could be sealed shut, revealing only generic brand names like Julius Schmid or Ramses.
In contrast, some product displays tried to give customers a view of the item in action, like the elaborate Westinghouse setups for its light bulbs or “Mazda Lamps.” The human form often helped to sell products designed to be worn, from full-sized mannequins in carefully matched outfits to detached hands or feet flaunting the latest jewelry or sock styles.
In fact, the use of mannequins dates to the 14th century, when elaborate fashion dolls were first used to model popular fashions for wealthy aristocrats. Eventually, milliners created more utilitarian forms made from wire, wood, and leather, and by the late 19th century, as window displays became the popular method of luring customers off the streets, even more realistic models were made in wax...
The realism of these mannequins was so effective that the Women’s Christian Temperance Union lobbied to have the sexually provocative models banished entirely; though this never came to pass, some municipalities did pass laws requiring stores to cover their windows before undressing mannequins.
Mannequin trends followed the times, made from papier mache, plaster, plastic, and fiberglass, even reflecting period styles with their shape, as with the angular, streamlined models that appeared during the Art Deco era. The allure of mannequin marketing finally led to the store display’s highest art form, the world-famous Christmas windows at New York City shopping meccas like Lord & Taylor, Macy’s, and Bergdorf Goodman.