Even though the practice of smoking tobacco has been around since the 16th century, cigarettes did not achieve widespread popularity until the middle of the 19th. Not surprisingly, that’s also about the time when the first ashtrays appeared.

Whether or not you smoke, ashtrays are appealing collectibles for numerous reasons. First, they are small, which means you can acquire hundreds of ashtrays and display them in a relatively finite amount of space. Second, they were made out of a wide range of materials, so if you are a fan of art glass, pounded copper, or ceramics, there is bound to be an ashtray for you. Third, ashtrays were produced during some of the most creative periods in history, which means there are ashtrays for fans of the Victorian era, Arts and Crafts, and Art Deco. Finally, ashtrays are snapshots of their culture, so it is not uncommon to find ashtrays that were produced to advertise products and events of the day.

Ceramic ashtrays in the United States ranged from the simple, folksy animal shapes produced by Rookwood and Red Wing to the geometric ashtrays of Homer Laughlin, whose Fiesta and Amberstone ashtrays were marked by the firm’s trademark concentric rings. Haeger Pottery made ashtrays for commercial settings (hotels, restaurants), as did Shenango and Hall.

More fanciful were the ceramic ashtrays of Brush-McCoy, whose pot-bellied ashtray flanked by a pair of open-mouthed frogs (that’s where you were supposed to put your fresh cigarettes) is quite collectible. Currier & Ives made ceramic ashtrays whose borders and cigarette rests acted as frames for the scenic prints in their centers. Van Briggle made ashtrays in the shapes of card suits, and Homer Laughlin produced an ashtray whose central image of a group of dogs playing poker is a classic—for a while, smoking cigarettes and playing cards were inseparable activities. As for Russel Wright, his ashtrays were paragons of efficiency, with matchbox holders built into their bases.

Ashtrays in the U.K. were somewhat more refined. Made of porcelain by such renowned potteries as Wedgwood, English ashtrays tended to be formal and highly decorated. Wedgwood produced countless Jasperware ashtrays, mostly in the firm’s signature cobalt hue but also in pink, purple, and black. Royal Winton produced rectangular stacking ashtrays with colorful scenes on black backgrounds—a set of four ashtrays accompanied by a matching cigarette box is considered a real catch.

Funkier were Royal Doulton’s "ash receivers," so-called because they were not shaped like trays. Instead, these pieces assumed the form of hollowed-out heads depicting scoundrels and characters of English lore, from the 18th-century highwayman Dick Turbin to generically named cartoonish coots such as Farmer John and Old Charley.

Other international ceramic ashtrays included those made by Limoges, Haviland, and Quimper in France; the blue-on-white hand-painted windmill ashtrays from Delft of Holland; Royal Bayreuth, Villeroy & Boch, and Hummel ashtrays from Germany; and Japan’s Noritake ashtrays, which were sometimes decorated with figural frogs, pelicans, and horse heads...

Of the glass ashtrays, some of the easiest to collect are the Depression glass pieces made in the United States by Anchor Hocking, Bartlett Collins, and Federal. The Manhattan pattern, with its concentric rings and trios or quartets of cigarette rests, was quite common, as were ashtrays in the shapes of playing-card suits. Less widespread were Art Deco ashtrays, whose bases were chunkier and more architectural than decorative. Greensburg, Knox, and Hazel Atlas are three other manufacturer names to look for.

After the Depression, pressed-glass patterns such as Daisy Button, Moon & Stars, and Hobnail seemed perfectly suited to ashtrays; carnival glass, milk glass, and vaseline glass were also used. U.S. manufacturers included Akro Agate, Cambridge, Fenton, and Imperial.

Art-glass ashtrays were also popular. Everyone from Steuben to Lalique to Waterford to Daum made them. The Venetians pulled at the edges of their molten crystal to create everything from thick bubble-glass ashtrays to whimsical pieces in the shapes of clowns, fish, and birds.

In the 20th century, metal ashtrays were common all over the world. Brass, bronze, and copper were routinely used, but so were chrome, aluminum, and silver, from sterling to plate. Breaking away from these monochromatic ashtrays were the cloisonné and enameled pieces exported from China.

Regardless of the material they were made out of, ashtrays with advertisements on them were an economical way for companies to spread the word about their products and services. Since ashtrays were ubiquitous to bars, ashtrays sporting advertisements for beer and liquor brands were produced in great numbers, making them achievable collectibles today. Coors, Pabst, Olympia, Schlitz, Budweiser, Grain Belt, Stroh’s, Lone Star, Hamm’s, and Colt 45 are just the tip of the iceberg when it comes to U.S. beer companies who advertised on ashtrays. In the U.K, Joule’s, Tennent’s, Bass, and Courage all left their marks on ashtrays, as did Heineken, Pilsner Urquell, St. Pauli Girl, Tuborg, Tucher Bier, and Hackerbräu.

If ashtrays for beer companies tended to be workmanlike, ashtrays for liquor producers were often handsome and sophisticated. Examples included the white Scotty dog figural in the center of a black ashtray for Black & White Scotch, or the Limoges ashtray with gold cigarette rests framing a portrait of Napoleon made for Camus Napoleon Cognac. Especially collectible is the yellow heart-shaped ashtray for Gordon’s gin, with the slogan "The Heart of a Good Cocktail" in black letters on the ashtray’s white rim.

Some people like to collect the glass or ceramic ashtrays made for U.S. casinos, Harrah’s the Sands, and the Hotel Fremont, to name but a few. Then there are collectors of ashtrays for nightclubs and entertainment spots, from the shallow, yellow glass squares made for the Playboy Club to the deep ceramic discs made for the Stork Club. Fraternal organizations made their own ashtrays, too—a Shrine ashtray featuring a figural of a red fez is particularly collectible.

Transportation-themed ashtrays were also popular. Those with a chrome airplane hovering over its ashtray are highly sought, as are the glass ashtrays sitting in a real rubber tires made by Firestone, Michelin, Goodyear, and others.

Finally there were the novelty ashtrays. The Big Mouths were hollow, porcelain ashtrays in the shape of tall, elongated heads with enormous, gaping mouths—vent holes in the head and ears allowed cigarette smoke to escape in comic ways. Most of these were made in Japan, but the most collectible ones are from the German firm of Shaffer & Vater.

Another type of Big Mouth had a rounder head and, inexplicably, a bee on the figure’s nose. There were Big Mouth animals, too, from cats and dogs to whales and frogs. Other novelty porcelain ashtrays included ones depicting Charlie Chaplin, happy-go-lucky hobos, and a tall conductor with strategically placed vents holes so that smoke would puff from his oversize ears.

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Recent News: Ashtrays

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Gallery listings for Sept. 14, 2014
Chico Enterprise-Record, September 13th

Lantrip Ashtray Collection. BOLT'S ANTIQUE TOOL MUSEUM: 1650 Broderick St. 538-2528, 533-3096. Open 11:45 a.m.-3:45 p.m. Tuesday-Sunday. Morning and evening tours by appointment. Collection consists of some 5,000 tool items, as well as an ...Read more

The Paying Guests: by Sarah Waters
Sydney Morning Herald, September 12th

Over his shoulder Frances caught a glimpse of what was inside it: a mess of bursting suitcases, a tangle of chair and table legs, bundle after bundle of bedding and rugs, a portable gramophone, a wicker birdcage, a bronze-effect ashtray on a marbled...Read more

Kickstarting A is for Zebra, subversive alphabets by Crap Hound's Sean Tejaratchi
Boing Boing, September 10th

Each page features a single brightly colored letter of the alphabet surrounded by dozens of (mostly) vintage black and white illustrations depicting words that begin with that letter. From obvious to obscure, there's fun for the whole family in...Read more

Marz Community Brewing launches with a small space, a big crew, a great party ...
Chicago Reader, September 8th

It's a bacon sort of smoke, not an ashtray sort of smoke, which is definitely a good call. The Marz guys classify May of '68 (7 percent alcohol) as a saison, but it's like no other saison I've ever had—I kept returning to it, trying to get a handle on...Read more

Brimfield antiques market on the decline
Boston Globe, August 22nd

He shows me circa 1980s Teenage Mutant Ninja Turtle action figures that sell regularly for $50 each to nostalgic thirtysomethings, and he's seen rising demand for vintage video games, especially original Nintendo eight-bit cartridges. ... The...Read more

Turns Out This Boob-Themed Bar Is a Great Place for Girls
New York Magazine, August 21st

It was a Tuesday night and I was in a bar bathroom taking pictures of a ceiling covered in vintage rubber-boob bath mats. After that, I took snapshots of a boob collage shellacked to a chair, next of some boobs in clear plastic containers on the wall...Read more

Heart of America Carnival Glass Association Auction
Maine Antique Digest, August 14th

The store was located in St. Louis, Missouri, and its address, as described on the plate, was “Broadway and Morgan.” The plate is one of two known, and the irid on the plate is outstanding. A Millersburg Cleveland Memorial ashtray in amethyst brought...Read more

YPD makes several drug arrests
Youngstown Vindicator, August 13th

Reports said the officers smelled marijuana coming from inside the car and there was a marijuana cigar in the ashtray. Beacham said he had nothing illegal inside the car. When he was told he was under arrest for possession of marijuana and he got out...Read more