Charles and Ray Eames, who pioneered modern chair design in the 1940s and '50s, were responsible for some of the most innovative chairs of the 20th century. Their chairs were fabricated from wood, fiberglass, plastic, and metal mesh. Eames chairs have been widely imitated, but originals are highly sought-after by collectors because they are considered breakthroughs in both design and technology.
In 1940, Charles Eames met Ray Kaiser at Cranbrook Academy of Art in Michigan, which was also home to architect and Eames collaborator Eero Saarinen and furniture designer Harry Bertoia. The couple married a year later and moved to Los Angeles to continue their work in molded plywood.
By 1945, the couple had figured out how to create compound curves in molded plywood. One of their first pieces was a birch child’s chair and stool manufactured by the Molded Plywood Division of Evans Products — production was limited to just 5,000 pieces.
Evans also produced about 1,000 LCW chairs (which stands for Lounge Chair Wood) before the Eameses began a long collaboration with the Herman Miller Furniture Company, which produced and distributed a number of chairs for them, including the DCM (Dining Chair Metal), in which two pieces of plywood are secured to a solid-rod chromed frame with rubber shock mounts. In 1951, Herman Miller was selling 2,000 of these chairs a month (examples with wooden legs were less popular, making them more collectible today).
Molded fiberglass chairs in a variety of bright colors — with or without arms, with or without a rocking base — came next. Serious Eames connoisseurs look for chairs from this period, 1950-1953, with a "Miller-Zenith" label on their undersides. The ones with wooden bases (DAW, PAW) are less common and thus more sought-after than the ones with metal legs (DAR, LAX, LAR, RAR). Around the same time, the couple designed chairs made from sturdy wire mesh, with covers available in leather, vinyl, and fabric by designer Alexander Girard.
These were the chairs that the Eameses produced for the mass consumer. By 1956, well-heeled customers could order a Lounge Chair and Ottoman, whose molded rosewood plywood form embraced rich leather upholstery. The chair is still available today from Herman Miller in cherry and walnut.
In 1958, the couple launched a chair collection called the Aluminum Group, which included a desk chair and a lounge chair — the armless models of the latter are most prized today. In 1960, Eames designed several chairs and a trio of stools for the new Time-Life Building in New York. One was an Executive Desk Chair, the other an Intermediate Desk Chair, which was a smaller version of the Executive that did not sell as well, making it the more prized of the two today.
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Rookwood potteryWashington Observer Reporter, July 26th
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Sprucing up your home, your wayPittsburgh Post-Gazette, July 25th
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What Charles And Ray Eames Might Have Done With Modern MaterialsCo.Design, July 18th
Matthew Strong recreates an Eames sofa using carbon fiber. What else might the legendary designers have done with today's materials? The Eames fiberglass shell chair has been made in the same way for almost 60 years. A mold covered in glue is dipped ...Read more
The ultimate bachelor padIndependent Online, July 8th
Inside, he has played up the apartment's gritty urban finishes with industrial-inspired furniture, which he has offset with high-end statement pieces, like an Eames chair and OKHA lamp, and contemporary artwork. “A friend of mine did a series of...Read more
Modern Design Works Include '67 Evans at Clarke.ArtfixDaily (blog), July 8th
Clarke Auction's July 14th sale will include several midcentury design masterworks by Paul Evans, Poul Kjaerholm, Ib Kofod- Larsen, Florence Knoll, Ray & Charles Eames, and more. The featured lot in the sale is a magnificent and large wall mounted ...Read more