The 17th and 18th century French monarchy—partial to flamboyant, florid excesses as well as delicate, feminine lines—had a tremendous impact on furniture design as we know it today. This is because French kings and queens insisted on the highest quality in all aspects of their palaces, hiring the most innovative and skilled craftsmen in Europe.
Characteristics of antique French-style furniture are easy to spot: Curving, "cabriole" chair legs inspired by animals' hind legs; sinewy serpentine lines; embellishments featuring everything from swirling scrolls and arabesques to intricate, grotesque scenes; "boullework" surfaces made of brass inlaid into ebony or tortoiseshell; ornamental brass corner mounts of "ormolu," or bronze treated to look like gold; and sumptuous pastel silk upholstery with floral needlework.
The original handmade Baroque and Rococo furnishings from the 17th and 18th centuries are almost exclusive to museums. However, these looks were revived in the 19th century with industrialization, which allowed elaborate pieces that had been once handcrafted at tremendous cost to be produced easily and cheaply. That's why most collectible antique French-style furniture on the market today dates from the mid-1800s on.
Nineteenth-century French revivalist furniture draws on three main time periods: those under the reigns of Kings Louis XIV (1661-1715), a.k.a. "The Sun King"; King Louis XV (1723-74), who birthed the over-the-top Rococo era; and King Louis XVI (1774-89), who was executed by guillotine, along with his wife, Marie Antoinette, in the French Revolution.
Louis XIV, whose goal was to shape the Palace of Versailles into a magnificent tribute to his own glory, employed designer Charles Le Brun as well as Europe's finest craftsmen. Even the smallest visual motifs like the sunburst and the fleur-de-lys, or two interlocking L's, honored the Sun King. These Baroque designs also incorporated Renaissance images like mythological creatures, as well as arabesques, grotesques, flowers, and wild animals.
Naturally, the Sun King demanded nothing less than the most expensive materials possible, exotic woods, silver and gilt, and imported lacquer. For the first time in the history of furniture, comfort was made a priority. The "fauteuil," an armchair with open sides, and the "canapé," or early couch, grew in popularity as commodes and bureaus replace armoires for storage and display.
The King’s most famous cabinetmaker, André-Charles Boullé, one of myriad craftsmen lodged in the Louvre, became synonymous with an Italian form of marquetry originally known as "...
When young Louis XV, grandson to the Sun King, took over the throne, he had Juste-Aurèle Meissonier remodel his bedroom in an over-the-top asymmetrical fashion featuring an extravagant scene incorporating waterfalls, rocks, shells, and icicles. This posh, frou-frou style was named after rockwork, "rocaille" in French, and "rococo" in Italian, and it flew in the face of Classical rules of symmetry. Rococo, also known as "style moderne," was all about fantasy, unabashedly flaunting frilly flowers, arabesques, C- and S-scrolls, cupids, scallop shells, chubby Cupids, and Chinese-inspired figures.
As the king's mistress, Madame de Pompadour wielded her influence to demand delicate, decorative pieces for her salons, Louis XV furniture became airier, curvier, and more petite than items of the past. The new cabriole legs freed chairs and tables from stretcher support. The chairs had visible wooden frames with arched crest rails, as arms were shortened and shaped backs lowered to accommodate women's hoop skirts and huge coiffures. Extravagant carvings, painted wood, and boullework with fantastic designs were all the rage, often integrated into commodes, the most prestigious and lavishly decorated of all furnishings.
Since upholstery was becoming more widely available, craftsmen invented an even more comfortable chair, called the "bergére," with upholstered panels between the arm and seat. The chairs and sofas, covered in the most exquisite woven silks in pale pastels, echoed the patterns and colors of a room's wall panels. Commodes and bureaus were adorned with ornamental mounts of brass or ormolu. Those by Charles Cressent, called "espagnolettes," were shaped like the women found in the paintings of Jean-Antoine Watteau. This painter also brought the concept of "fête galante," images of wealthy lovers in garden settings, to home decor.
Neoclassicism came into vogue in Europe about the same time Louis XVI took the throne, so during his reign, extravagance of French Rococo style was tamed, ever so subtly, by Classical symmetry. Furnishings became more rectangular and geometric, with tapered legs preferred over cabrioles. Items were often painted, and usually incorporated boullework, pieces of painted and foiled glasses called "verre églomisé," or recycled 17th century panels based on romantic notions of Chinese and Japanese culture. Landscapes, architectural composition, and vases or baskets of flowers were popular motifs.
In post-monarchy 19th century, these ornate furnishings, once only available to aristocrats, were made available to the burgeoning middle class, thanks to machines that could produce decorative mounts, wood carvings, and marquetry both quickly and cheaply. The styles of Louis XIV, Louis XV, and Louis XVI—as well as Renaissance and Gothic looks—were all revived in the same time period, harkening back to France's Golden Age, as the trends focused on decoration as opposed to innovation. The public took to glamorous Sun King themes, boullework, needlepoint upholstery, and ormolu mounts.
Revivalist Louis XV furnishings were more fluid and dainty than the originals. You can distinguish between Louis XV-style and Louis XVI-style chairs based on their shapes; the former are curvier with cabrioles, the later more rectilinear with tapered legs. Nineteenth century cabinetmakers favored woods imported from France's colonies like mahogany and ebony, while cast or wrought iron and papiér mâché infused modern techniques. Even though it was more common, Rococo furniture still indicated social status based on what material one could afford, as gilt bronze, ivory, and mother-of-pearl were prohibitively expensive.
With the widespread use of coiled springs, seating became even more comfortable, particularly "tapissier" chairs, named after the richly embroidered fabrics that covered them. The Victorians put their own prudent spin on French Rococo, inventing chairs like "canapé borne," "dos-à-dos," and "boudeuse," on which lovers could sit beside each other and talk without touching. Casters, making it possible to roll chairs from one room to another, also set 19th-century pieces apart from the originals.
Mid-19th century French cabinetmaker Gabriel Viardot, like the Baroque and Rococo craftsmen before him, was particularly enamored with Japanese and Chinese decor. However, Viardot had more access to real Far Eastern design than his forebears. He gave French grotesque masks an Eastern look and carved Asian demons and dragons into his "Japonisme" and "Chinoiserie" work, bridging the gap between exotic imports and local craftsmanship.
In the 20th century, French artisans also contributed a tremendous amount to the Art Nouveau movement, with its sleeker and more modern curves that paid tribute to the natural forms of flowers and women—as well as the following Art Deco movement, which offered a more restrained, geometric look for furniture.
Best of the Web (“Hall of Fame”)
Buffalo Architecture and History
Kentucky Online Arts Resource
Other Great Reference Sites
Most watched eBay auctions
Recent News: French Style Furniture
Source: Google News
SmartTRAVEL: Perth, Scotlandmydigitalfc.com, July 30th
From the hills 222m south-facing cliff summit, views are afforded of the River Tay, the Friarton Bridge, and a stretch of the Tay Coast railway line. Further to the south, Moncreiffe Hill can be seen. On an outcrop a few hundred yards to the east of...Read more
Review: Long Beach Playhouse's 'No Exit' an intriguing existential dramaLong Beach Press-Telegram, July 28th
This is not the hell Bible teachers tell of; there is not a touch of brimstone, not a torture device in sight, just some French furniture, no mirrors and three condemned souls — all properly dressed — together for, perhaps, eternity. The play is only...Read more
Tips from a Pro on Flea Market ShoppingChicagomag.com, July 25th
When it comes to French furniture, I'm a sucker for anything Rococo with exuberant curves and an 18th-century patina. I'm a stickler for original paint, regardless of period. I love that perfectly imperfect wabi-sabi look. How do you talk a dealer down...Read more
Prior used Chinese brand name is piratedLexology (registration), July 24th
Roche Bobois International is a famous French furniture producer designing gracious and luxury furniture in Modern or European classic styles. Roche Bobois International was established by the Roche family at Paris in 1896 and has been in operation for ...Read more
EspritmeubleFurniture News Magazine, July 17th
After working together to re-establish the trade fair that best suits them, leaders within the French furniture industry are working hard on the third edition of Espritmeuble. What will be tomorrow's living environment? How does the furniture...Read more
When the United States Spoke FrenchHistory News Network, July 14th
They found merchants who built grand houses in French neoclassical style, filled them with refined French furniture, ornate French tapestries, and exquisite Gobelins porcelain. The refugees could smell the aroma of French food wafting through the...Read more
Book Review: 'When the United States Spoke French' by François FurstenbergWall Street Journal, July 11th
They bought French furniture. They took instruction from French dancing masters. They hired French chefs. The shift from English fashion to French redounded to the advantage of the upper-class American palate. Among the Binghams, Shippens, Chews and ...Read more
A certain je ne sais quoiYorkshire Post, July 4th
He and his son Marcus bought a van and embarked on a road trip hunting out more stuff to satisfy an appetite for antique and vintage French furniture and furnishings. Soon there was enough to fill a shop. The French House in York was born on Micklegate...Read more