When people talk about Italian art glass, they are usually referring to the vases, paperweights, goblets, and decorative objects produced in the city of Venice and the adjacent island of Murano. Indeed, Murano is the heart of Italian glassmaking, the place where, in the late 13th century, glassmakers were banished lest their furnaces catch the rest of Venice on fire.
Even though the middle of the 19th century was a time of much innovation for Venetian and Murano artisans, the periods of interest to most collectors of antique and vintage Italian art glass are the years between the two world wars and the post-war decades of the 1950s and 1960s.
Ercole Barovier was perhaps the most influential figure of the 1920s and 1930s. His family’s glassmaking roots went all the way back to the Renaissance, and his family’s first company, Artisti Barovier, was established in 1878. In 1920, the firm changed its name to Vetreria Artistica Barovier & Co., which lasted until its merger with Ferro Toso in 1936.
Before Ercole Barovier took over the firm’s designs, his family’s company hired some of the best glass masters in Murano, including future Venini legend Vittorio Zecchini. For Barovier, Zecchini created murrine mosaic paintings on the sides of vases. Other examples combine several techniques—for example, a murrine goblet depicting flowers against a blue-sky background might have a very traditional, decorative Venetian knob between the goblet’s bowl and foot.
For its part, Ferro Toso was known in the 1920s and early 1930s for vases that combined classic Venetian forms with bold coloration. Toso’s Primavera series from this period is particularly prized, as are the pieces that were made using a new technique developed by Toso for coloring hot glass.
The post-war years were unquestionably Murano’s most glorious period. In the 1940s, Barovier & Toso produced thick, clear pieces with textured surfaces called Lenti, as well as the exceptional and highly colorful vases in the now-rare Oriente series. In the 1950s, Barovier & Toso would introduce flat-side cylindrical vases in basketweave cane patterns or checkerboard designs.
Seguso Vetri d’Arte was another firm that made strides in the 1930s but really came into its own after the war. Some of its thick, organic-shaped vases were three-sided, others w...
Of the post-war Murano glass factories, Venini is perhaps the most highly regarded, and certainly the best known. In addition to boasting the talents of Paolo Venini himself, who perfected the sommerso technique in the 1930s and used the traditional technique of inciso to create vases that appeared to glow from within, the company attracted architects and artists such as Carlo Scarpa, Fulvia Bianconi, and Gio Ponti to Murano.
Scarpa was considered the Frank Lloyd Wright of glass, which is to say that he injected modernism into the look of this traditional medium. After Scarpa left Venini in the 1940s to devote himself to architecture, his son, Tobia, joined the firm. Bianconi took his background as an illustrator and applied it to glass, using the emphatic forms produced by Venini’s glassblowers as armatures for his witty explorations of color—patchworks, horizontal stripes, and polka dots were particular favorites.
Ponti was an architect by training but Venini brought out the painter in him. For Venini, he designed flared vases constructed of nothing but multi-colored lengths of cane, or bottles wrapped in frilly spirals to suggest the lines of a skirt. Even his most ostensibly conservative pieces contained colorful twists, such as a bulbous-bottomed bottle whose body is perfectly bisected by a shift from red to green.
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A Russian expat in Turkey makes healthy olive oil near Mount IdaCurrent Star, November 27th
Bottling is done to order and into special Murano glass bottles imported from Italy and France. The focus, she tells me time and time again, is absolutely solely on quality and not on quantity. “We are an estate producer,” she tells me as all of the...Read more
Tredici Enoteca: Zavino's snazzy sisterPhilly.com (blog), November 27th
There's the open steel shelving and lavish use of light marble from the Zavino location in University City, augmented by curved Italian glass that caps an overhang at the bar, white oak herringbone floors, and large antique mirrors. Floor-to-ceiling...Read more
Real estate: A waterfront home for work or playThe Darien News, November 26th
The interior features ebonized mahogany floors, lacquered moldings and only the best materials from the Soapstone counters to the Murano glass hand-blown chandelier in the formal dining room. A grass cloth-wrapped foyer opens into a stunning formal ...Read more
Top 5 Things to Do in Kingston, JamaicaTravelPulse (blog), November 24th
The Devon House guided tour is fascinating not just for history buffs — who will get glimpses of Italian glass chandeliers, canopied beds and 18th century spinning wheels — but also for a dose of Jamaican traditions. Our guide, Barbara, gave an...Read more
'Ducale' by KREOO to Be Featured at Studium Showroom New York, NYMarketwired (press release), November 24th
The Ducale collection showcases the marriage of these styles as marble inlays transcend beauty set beautifully alongside Brass, Murano Glass, and Gold Leaf. Paying tribute the rich heritage of the Italian masters, the Ducale collection exudes elegance...Read more
Carbone: Fit for a kingpinKNPR (blog), November 23rd
There are also nods to the mid-century: Louis Prima tunes blare on the speakers, a floor-to-ceiling Murano glass chandelier (originally commissioned for a 1960s Ferrari showroom) lights the main dining room, and artwork by David Hockney dresses the walls...Read more
Neah-Kah-Nie Middle School mosaic muralTillamook Headlight Herald, November 23rd
The mosaic was done in ceramic tile, Italian glass, rock and stone, shell, and stained glass and was placed in the main hallway of the school below the second story staircase. The mural is the 58th work of public art created by the educational art...Read more
SIMONE CENEDESE: The Art of Murano GlassBacoluxury (press release) (blog), November 11th
Murano, Italy–It's November the 9th, and even if we're travelling in the Bel Paese on a cloudless day, there is a distinct possibility that in the Venetian laguna, it will be gloomy. And in fact that's what happened. Shortly after we left the Mestre...Read more