When people talk about Italian art glass, they are usually referring to the vases, paperweights, goblets, and decorative objects produced in the city of Venice and the adjacent island of Murano. Indeed, Murano is the heart of Italian glassmaking, the place where, in the late 13th century, glassmakers were banished lest their furnaces catch the rest of Venice on fire.
Even though the middle of the 19th century was a time of much innovation for Venetian and Murano artisans, the periods of interest to most collectors of antique and vintage Italian art glass are the years between the two world wars and the post-war decades of the 1950s and 1960s.
Ercole Barovier was perhaps the most influential figure of the 1920s and 1930s. His family’s glassmaking roots went all the way back to the Renaissance, and his family’s first company, Artisti Barovier, was established in 1878. In 1920, the firm changed its name to Vetreria Artistica Barovier & Co., which lasted until its merger with Ferro Toso in 1936.
Before Ercole Barovier took over the firm’s designs, his family’s company hired some of the best glass masters in Murano, including future Venini legend Vittorio Zecchini. For Barovier, Zecchini created murrine mosaic paintings on the sides of vases. Other examples combine several techniques—for example, a murrine goblet depicting flowers against a blue-sky background might have a very traditional, decorative Venetian knob between the goblet’s bowl and foot.
For its part, Ferro Toso was known in the 1920s and early 1930s for vases that combined classic Venetian forms with bold coloration. Toso’s Primavera series from this period is particularly prized, as are the pieces that were made using a new technique developed by Toso for coloring hot glass.
The post-war years were unquestionably Murano’s most glorious period. In the 1940s, Barovier & Toso produced thick, clear pieces with textured surfaces called Lenti, as well as the exceptional and highly colorful vases in the now-rare Oriente series. In the 1950s, Barovier & Toso would introduce flat-side cylindrical vases in basketweave cane patterns or checkerboard designs.
Seguso Vetri d’Arte was another firm that made strides in the 1930s but really came into its own after the war. Some of its thick, organic-shaped vases were three-sided, others w...
Of the post-war Murano glass factories, Venini is perhaps the most highly regarded, and certainly the best known. In addition to boasting the talents of Paolo Venini himself, who perfected the sommerso technique in the 1930s and used the traditional technique of inciso to create vases that appeared to glow from within, the company attracted architects and artists such as Carlo Scarpa, Fulvia Bianconi, and Gio Ponti to Murano.
Scarpa was considered the Frank Lloyd Wright of glass, which is to say that he injected modernism into the look of this traditional medium. After Scarpa left Venini in the 1940s to devote himself to architecture, his son, Tobia, joined the firm. Bianconi took his background as an illustrator and applied it to glass, using the emphatic forms produced by Venini’s glassblowers as armatures for his witty explorations of color—patchworks, horizontal stripes, and polka dots were particular favorites.
Ponti was an architect by training but Venini brought out the painter in him. For Venini, he designed flared vases constructed of nothing but multi-colored lengths of cane, or bottles wrapped in frilly spirals to suggest the lines of a skirt. Even his most ostensibly conservative pieces contained colorful twists, such as a bulbous-bottomed bottle whose body is perfectly bisected by a shift from red to green.
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Yoox Founder Federico Marchetti's Art-Filled HomeWall Street Journal, March 6th
Nearly every chandelier is from Venini, a Venetian maker of Murano glass. Marchetti has lots of Fornasetti, both old—a metal tray from the 1950s—and new, like the black lacquered cabinet swarmed with butterflies in the entry. "Everything I do for...Read more
Your Guide To The Artists Of The 2014 Whitney BiennialHuffington Post, March 6th
The paintings reflect the transformative power of water, light, and the formidable Titians, Tintorettos, Veroneses, etc., as well as the exquisite Murano glass of the early to mid-20th century. Who else's work are you most excited for at the Biennial?...Read more
Blooms and butterflies are inspiration of Pandora's Spring Collection 2014InterAksyon, March 6th
The collection features figures such as silver dangle butterflies with cubic zirconia, silver daisies with white enamel and butterfly charms with Murano glass. Pandora also continues the success of their pavé charms with lavender and pink pavé balls...Read more
The making of Dolce & Gabbana's Micro Mosaico glassesTelegraph.co.uk, March 5th
Tiny tiles made from hand-spun Murano glass are painstakingly arranged in floral patterns on five new frames. Optical glasses carry just a hint of embellishment with 45 tiles at each temple, while the standout sunglasses boast around 1000 tiles...Read more
Tuason clan's style arbiter has artisanal findsInquirer.net, March 4th
On one of these discreet corners, she discovered Morretti's atelier, which utilizes traditional Murano glass techniques to produce sleek, contemporary objects. “If you're buying for yourself or presenting a special gift, the Morretti glasses come in...Read more
The Sharp End: Grappa, not just for peasantsFinancial News, March 4th
Tosolini packages some of his grappa in Murano glass decanters decorated by leading Italian fashion designers. Prices have risen alongside the ambitions of the wineries and a bottle of Tosolini grappa is now around £400. There are boutique grappas and ...Read more
Manhattan's Chicest Urban RetreatHarper's BAZAAR, March 3rd
Above the dining table is a Murano glass chandelier by the Japanese artist Yuichi Higashionna. "My personal taste definitely leans toward traditional," says Johnson, "but I love how things like artist-made furniture can make you look with new eyes at...Read more
Passion into profit: the glass blowers of Fort CollinsRocky Mountain Collegian, March 3rd
It was tradition in 13th century Italy for glass makers to learn the trade secrets of glass making while residing on the Venetian island of Murano. Glass blowers were forced to remain on the island or risk having their hands cut off to make it...Read more