When people talk about Italian art glass, they are usually referring to the vases, paperweights, goblets, and decorative objects produced in the city of Venice and the adjacent island of Murano. Indeed, Murano is the heart of Italian glassmaking, the place where, in the late 13th century, glassmakers were banished lest their furnaces catch the rest of Venice on fire.
Even though the middle of the 19th century was a time of much innovation for Venetian and Murano artisans, the periods of interest to most collectors of antique and vintage Italian art glass are the years between the two world wars and the post-war decades of the 1950s and 1960s.
Ercole Barovier was perhaps the most influential figure of the 1920s and 1930s. His family’s glassmaking roots went all the way back to the Renaissance, and his family’s first company, Artisti Barovier, was established in 1878. In 1920, the firm changed its name to Vetreria Artistica Barovier & Co., which lasted until its merger with Ferro Toso in 1936.
Before Ercole Barovier took over the firm’s designs, his family’s company hired some of the best glass masters in Murano, including future Venini legend Vittorio Zecchini. For Barovier, Zecchini created murrine mosaic paintings on the sides of vases. Other examples combine several techniques—for example, a murrine goblet depicting flowers against a blue-sky background might have a very traditional, decorative Venetian knob between the goblet’s bowl and foot.
For its part, Ferro Toso was known in the 1920s and early 1930s for vases that combined classic Venetian forms with bold coloration. Toso’s Primavera series from this period is particularly prized, as are the pieces that were made using a new technique developed by Toso for coloring hot glass.
The post-war years were unquestionably Murano’s most glorious period. In the 1940s, Barovier & Toso produced thick, clear pieces with textured surfaces called Lenti, as well as the exceptional and highly colorful vases in the now-rare Oriente series. In the 1950s, Barovier & Toso would introduce flat-side cylindrical vases in basketweave cane patterns or checkerboard designs.
Seguso Vetri d’Arte was another firm that made strides in the 1930s but really came into its own after the war. Some of its thick, organic-shaped vases were three-sided, others w...
Of the post-war Murano glass factories, Venini is perhaps the most highly regarded, and certainly the best known. In addition to boasting the talents of Paolo Venini himself, who perfected the sommerso technique in the 1930s and used the traditional technique of inciso to create vases that appeared to glow from within, the company attracted architects and artists such as Carlo Scarpa, Fulvia Bianconi, and Gio Ponti to Murano.
Scarpa was considered the Frank Lloyd Wright of glass, which is to say that he injected modernism into the look of this traditional medium. After Scarpa left Venini in the 1940s to devote himself to architecture, his son, Tobia, joined the firm. Bianconi took his background as an illustrator and applied it to glass, using the emphatic forms produced by Venini’s glassblowers as armatures for his witty explorations of color—patchworks, horizontal stripes, and polka dots were particular favorites.
Ponti was an architect by training but Venini brought out the painter in him. For Venini, he designed flared vases constructed of nothing but multi-colored lengths of cane, or bottles wrapped in frilly spirals to suggest the lines of a skirt. Even his most ostensibly conservative pieces contained colorful twists, such as a bulbous-bottomed bottle whose body is perfectly bisected by a shift from red to green.
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So today I went to Google and used the exact words from many of my listings such as "unique antique sessions adamantine clock" and "genuine murano glass stingray". What happened then was expected and now I know why my sales have plummeted...Read more
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London hotels with river viewsTelegraph.co.uk, December 16th
Mondrian, London. The view, the view! London and its river glitter outside: the panorama from the Rooftop Bar rivals Manhattan or Hong Kong. A shifting cast of cyclists, skaters and commuters on the Thames Path passes as you eat and the tide rises and...Read more
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Garlands and wreaths filled with DeCarlini Italian glass blown and/or molded ornaments along with candy/store display containers resembling Santa, and numerous antique ornaments complement the room's décor. A revolving pre-lit tree in the family room ...Read more
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This week Millon will auction a number of circa-1960 Christmas trees by Barovier & Toso, a Venetian company known for its Murano-glass lighting. Each tree is unique, and this monochrome example features twisted transparent Murano glass with iridescent ...Read more