As the acoustic guitar became popular in the early 20th century, players needed ways to increase the volume of their instruments so they could be heard when playing with other musicians in large performance spaces. In the mid-1920s, John Dopyera developed an amplifying system, which he used when he founded the National String Instrument Corporation in August 1926 with his brothers Rudy, Robert, Louis, and Emil. Their company would use Dopyera's system to produce “ampliphonic” or “self-amplifying” guitars, known today as resonator guitars. John received a patent for his design on December 31, 1929.
More-advanced designs soon followed, including one which utilized a single aluminum cone to turn the entire guitar into a speaker cabinet. The guitar strings sat on a thin wooden saddle (or “biscuit”) at the peak of the volcano-like aluminum cone. The biscuit transferred the vibrations of the strings to the speaker cone, which would then resonate, thus amplifying the sound.
John, however, did not think that this single-cone design was well-suited for guitars, since they were so much larger than ukuleles. In frustration, he resigned from National in February 1929 to found Dobro Manufacturing; he derived the name “Dobro” from the first letters of Dopyera Brothers. Dobro modified National’s biscuit design by flipping the cone upside-down and connecting the broad base to the strings with a four- or eight-armed “spider”; unlike the biscuit, the spider conducted the vibrations from the strings directly to the edges of the speaker cone, allowing the cone to vibrate freely.
In addition to the cones, Dobro bodies featured sound holes between the resonator and the neck; in every model except Model 35, which featured segmented F-holes, these sound holes were circular and resembled the portholes of a ship. Because of its overall design, Dobro resonator guitars had longer sustain than single-cone Nationals of the same period.
In fact, the sound of these vintage Dobro guitars much more closely resembled that of the tri-cone or tri-plate National resonators, which, as their name suggests, had three resonator cones, rather than just one. Each resonator cone was six inches across, and the three were arranged in a triangle with two on the bass side and one on the treble side of the body. The three peaks of the cones were connected with a T-shaped bridge topped with a wooden saddle, which allowed all three cones to vibrate in unison, thus amplifying the sound.
As with nearly all resonator guitar designs, these cones were hidden under a sound plate, which were sometimes engraved for artistic effect. Because the vibrations had to travel farther from the bridge to three cones than in single-cone designs, tri-cone guitars were not as loud as single-cone guitars, but they boasted longer sustain and a sweeter tone.
Dobro and National merged in 1935 to form National-Dobro, but by the late 1930s resonator guitars had become less popular, as electric archtops and steel lap guitars became more accepted. National-Dobro made its last resonator guitars in 1940 0r '41. The company continued to sell a few models into 1942, when National-Dobro reorganized as Valco under Vic Smith, Al Frost, and Louis Dopyera...
Today, collectors can find resonator guitars under a variety of brand names besides National, Dobro, and National-Dobro. For example, Dobro built instruments which other distributors like Ward, for Montgomery Ward, sold under their own brands. In 1932, Dobro granted a Chicago-based company named Regal a license to manufacture guitars with a Dobro resonator, and in 1966 Mosrite purchased Dobro and began to produce resonator guitars under the brand Replica 66.
Dobro and National themselves produced a wide array of models and styles, but unlike Martins and Fenders, vintage Dobro guitars are a headache to date with much accuracy. For many years, Dobro model numbers corresponded to prices in the Dobro catalog. As a result, the same guitar could be listed under different model numbers in different years, and multiple designs could be listed under the same model.
Model 45, for example, simply meant that the guitar cost $45. By far the most collectible Dobro, however, is Model 206, only three of which are known to exist today. The instrument's design featured gold-plated and engraved hardware, with a gold sparkle in the center of the body. Most Dobro models were more modest, especially with the onset of the Great Depression.
National manufactured a variety of models in both the single-cone and tri-cone styles. Some of these models featured wood bodies, while others were metal with nickel-plating. These nickel-plated National guitars are extremely collectible for both their excellent sound and their dazzling look—those with round necks allowed different techniques than those with square necks, which are most desirable.
Single-cone National models included the Triolian, Duolian, Style O, and Style N; tri-cone models included Styles 1, 2, 3, and 4. Style 1 was simpler, while Styles 2, 3, and 4 featured intricate engravings and decoration. Style 4, for example, boasted Art Deco-style geometric shapes, surrounded by a chrysanthemum design credited to George Beauchamp, one of the original incorporators of National in 1928. Players today differ over whether they prefer the sharper, louder sound of the single-cone models or the softer, sweeter tone of the tri-cone guitars.
In contrast with Dobro guitars, Nationals have serial numbers that can be easily tied to a year of production. These numbers are generally found either on top of the headstock, on the body by the end of the tailpiece, or on the back of the bridge.
Best of the Web (“Hall of Fame”)
Vintage Guitars Info
Vintage Guitar and Bass
Clubs & Associations
Other Great Reference Sites
Most watched eBay auctions
Recent News: Resonator Guitars
Source: Google News
Locals share memories of 30 years in 'bluegrass heaven' at Bill's Pickin' ParlorColaDaily.com, November 28th
Klein began tinkering with bluegrass in the 1970s with the banjo and mandolin and has since discovered a knack for the dobro, a type of resonator guitar. He said the musicians at Bill's Pickin' Parlor are a "big family" centered around what Bill started...Read more
Lowest of the Low "The Kids Are All Wrong" (video)Exclaim!, November 27th
folks at Resonator caught the process on camera. The clip for "The Kids Are All Wrong" takes viewers into the studio with the band, where they were "pounding on drums, slashing guitar chords and screaming into microphones" over the course of two days...Read more
Gary Borders: My dogs scram when Hound Dog comes outRed River Radio, November 27th
guitar four months ago. It's my second resonator, with the shiny cone, the kind made famous in Paul Simon's “Graceland.” ... This is my second attempt to play guitar, an instrument I played in high school — but not especially well. That did not...Read more
Way Down in Louisiana Clifton Chenier, Cajun, Zydeco, and Swamp Pop MusicPopMatters, November 25th
Allons à Lafayette is a stripped–down collection featuring the late Creole fiddler Canray Fontenot and resonator guitarist Sonny Landreth. Christmas Bayou is the ensemble's rootsy seasonal disc. Bayou Boogie, a third artifact from this dynamic period...Read more
Dallas Jones makes the most of 'Borrowed Time'Springfield News-Leader, November 19th
Chad Graves' work on steel guitar and resonator guitar helped established the country feel, along with Jim Rea (drums) and Austin Wilson (bass). Jones has made many albums, recently at a rate of almost one per year. “Borrowed Time” posed the special ...Read more
The Green-Sky's The Limit: Anders Beck On Phish, Grateful Dead, And All Things ...Live for Live Music (press release) (blog), November 19th
AB: (Laughs) Well, it's called the dobro, or the resonator guitar. Those are the real names for it, but somewhere along the lines...the drop steel thing kinda...I'll just tell you the story. You know that lap steel and pedal steel...those are kinda...Read more
Kurt Vile: Just Let It FlowPremier Guitar, November 17th
Vile also had a Regal resonator guitar as a kid, and that instrument defined his early lo-fi sound on his debut compilation Constant Hitmaker and the follow-up God Is Saying This to You.... “You can hear it on songs like 'Slow Talkers' and 'Can't Come...Read more
Indus student receives scholarshipInternational Falls Journal, November 17th
Olesen, who plays the resonator guitar with his award-winning Minnesota-based band Porcupine Creek, attended Reso-Summit for the fifth time. During the four-day summit, Gary Hultman, an Indus school alumni and Reso-Summit graduate from Birchdale, ...Read more