Pete Seeger and the Weavers kept the 12-string sound alive until the 1960s, when groups like the Rooftop Singers (“Walk Right In”) made it the go-to instrument on the commercial folk scene. Gibson was ready with its B-45 in 1961 and its B-25 in 1962, while Martin got on board a bit later with its D12-20 in 1964 and D12-35 in 1965.
The loudest noise in 12-strings, though, was made by Rickenbacker, thanks to a custom, one-of-a-kind 12-string version of its 325 hollowbody electric guitar made in 1964 for John Lennon of the Beatles. George Harrison also became a Rickenbacker acolyte, playing his Rickenbacker 360 12-string on songs like "A Hard Day’s Night."
One musician who liked that sound a lot was Roger McGuinn of the Byrds. Reportedly, he bought a 360-12 after seeing the movie named after of the famous Beatles song. He went on to play a 12-string on one of the Byrds’ biggest hits, “Turn Turn Turn.”
By the late 1970s, newer companies like Taylor made acoustic 12-strings part of their lines. Once again, a key musician would cement the instrument's sound in our collective soundtrack. In this case it was Neil Young who, while vacationing in Florida, purchased a Taylor 12-string, an 855, at a local music shop. Young liked his 855 so much he ordered a second, and Taylor subsequently gained widespread recognition when Young’s 855 figured prominently in his concert film, "Rust Never Sleeps."


Billy Joels Ovation 12 String from th…





