At the beginning of the 20th century, when 12-string guitars first appeared in the United States, the instruments were considered novelty items, curiosities, freaks of guitar making that were beneath the dignity of serious companies like Martin and Gibson. But when Blind Willie McTell picked up a Stella 12-string in 1927, and then basically never put it down, the instrument was suddenly legitimized.

A folk singer named Huddie Ledbetter, better known as Lead Belly, had actually made the Stella 12-string his own earlier, in 1912, but Lead Belly had so many scrapes with the law and spent so much time in prison that he wouldn’t get a chance to popularize the ringing tones of the 12-string until the 1930s and ’40s. Even then, his biggest hit, “Good Night Irene,” came after his death in 1949.

Pete Seeger and the Weavers kept the 12-string sound alive until the 1960s, when groups like the Rooftop Singers (“Walk Right In”) made it the go-to instrument on the commercial folk scene. Gibson was ready with its B-45 in 1961 and its B-25 in 1962, while Martin got on board a bit later with its D12-20 in 1964 and D12-35 in 1965.

The loudest noise in 12-strings, though, was made by Rickenbacker, thanks to a custom, one-of-a-kind 12-string version of its 325 hollowbody electric guitar made in 1964 for John Lennon of the Beatles. George Harrison also became a Rickenbacker acolyte, playing his Rickenbacker 360 12-string on songs like "A Hard Day’s Night."

One musician who liked that sound a lot was Roger McGuinn of the Byrds. Reportedly, he bought a 360-12 after seeing the movie named after of the famous Beatles song. He went on to play a 12-string on one of the Byrds’ biggest hits, “Turn Turn Turn.”

By the late 1970s, newer companies like Taylor made acoustic 12-strings part of their lines. Once again, a key musician would cement the instrument's sound in our collective soundtrack. In this case it was Neil Young who, while vacationing in Florida, purchased a Taylor 12-string, an 855, at a local music shop. Young liked his 855 so much he ordered a second, and Taylor subsequently gained widespread recognition when Young’s 855 figured prominently in his concert film, "Rust Never Sleeps."


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