While some Bakelite costume jewelry was fashioned from solid blocks of a single color, many more began as laminated pieces, in which horizontal or zigzag layers of complementary colors were combined. Sometimes pieces were laminated to create polka dots; other times polka dots were hand painted on an object’s surface, and in the 1950s polka dots and gumdrop shapes were injected into Bakelite during the manufacturing process itself.

Of the brooches and pins, one of the most popular treatments during the Art Deco 1930s was to combine Ebony Bakelite—an imitation of the jet pieces from the Victorian era—with rhinestones or inlaid silver. Egyptian motifs were in vogue, as were pins in the shapes of animals (cats, camels, dogs, birds) and plants, especially flowers and clusters of dangling cherries. Especially collectible are the World War II era MacArthur Hearts, which consisted of a 3-by-3-inch key-shaped pin, from which dangled a puffy red heart with a keyhole in its center—it was sold with a card that read "He holds the key to my heart."

The most famous use of Bakelite in jewelry was as bracelets. Many of these were formed of large, block- or medallion-shaped beads that were strung together on strips of elastic. Other Bakelite bracelets were hinged, carved into the shapes of serpents, or left open at the back so they could be easily slipped onto a wrist. Some bracelets incorporated chrome accents into their designs, others combined Bakelite with Czech glass.

But the most collectible types of Bakelite bangles are the so-called Philadelphia bracelets, which take their name from a Philadelphia auction in 1985 that featured two of these remarkable pieces. Philadelphia bracelets are always laminated in colors that include green, red, and yellow. The best pieces are hinged, and feature either multicolor laminated wedges or individually colored slices that have been glued onto the bracelet body, which is usually a rich shade of Butterscotch.

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