When Christian Dior introduced his New Look in 1947, it was not the product of decades in the trenches as a fashion designer. Rather, Diorâ€™s famous postwar collection marked his professional debut.
Which is not to say that the collection was purely a case of beginnerâ€™s luck. Dior had been in the Paris fashion world for years, including productive stints as assistants to Robert Piguet and Lucien LĂ©long. By the time he opened his own couture house in 1946, he was already 41 years old.
Dior called his first collection Corolle, which was French for flower petals. Indeed, compared to the boxy, utilitarian, World War II fashions that had dominated the 1940s, Diorâ€™s collection was a bouquet of bounty, with yards upon yards of fabric lavished on just one dress. The fashion press was smitten, with â€śHarperâ€™s Bazaarâ€ť being the first to call it the New Look.
In fact, there was much that was not new at all about Diorâ€™s breakthrough. Some have detected 1860s French influences, while Dior himself said that the collection reminded him of the clothes his mother had worn to the races when he was a young boy.
Though the fashion press fawned over Dior (â€śVogueâ€ť covered him obsessively until his death in 1957), many Europeans were shocked by the excessive use of material at a time when fabric was still being rationed. Others resented the ornamentation of womenâ€”fellow Parisian Coco Chanel dismissed Diorâ€™s look as the equivalent of dressing women up like armchairs.
Perhaps in deference to his critics, Diorâ€™s subsequent collections were more pared down. For example, his A-line dresses, whose silhouette resembled the letter A, were signatures of the casual, unfussy 1950s.
After Diorâ€™s death, Yves Saint Laurent, who had been a design assistant with the firm, was named chief designer, even though he was only 21. Within two years Marc Bohan had replaced Saint Laurent, and he stayed at that post for 28 years, longer than Dior himself had been at the helm of his own company...
Italian designer Gianfranco Ferre followed Bohan, but the next designer to make his mark on Dior was a Brit, John Galliano, who arrived at Dior in 1996. Many critics believe Galliano has best understood Diorâ€™s unique aesthetic.
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Use arrows below or keyboard arrows to navigate through imagesVogue.com, July 28th
EVER since Christian Dior and Chanel put trainers on the catwalk for their couture shows last season, the humble shoe has been elevated in style status. Wear them with your skate gear, wear them with your ballgown, this is footwear with cross-occasion ...Read more
Jennifer Lawrence face palms Emma Watson at Christian Dior show in ParisThe Independent, July 8th
The two were posing for pictures at Christian Dior's latest couture show in Paris, when Lawrence presumably got bored and gave photographers something much more entertaining to look at. Jennifer Lawrence takes Watson by surprise at the Dior show...Read more
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How to find a modern relevance for haute couture? Raf Simons is approaching his quest for answers as a kind of time-traveler, puzzling out how he can reconcile the grandeur of the French tradition with the simple, efficient wayâ€”or rather, waysâ€”women ...Read more
At Dior, a Future PastNew York Times, July 7th
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