When Rowland Hill published his pamphlet advocating Post Office reform more than 100 years later in 1837, postage prices had gone up considerably, but the stamping system was basically unchanged. Hill's criticisms focused on these exorbitant fees, and his broadside was directed toward an official Commission of Inquiry that had been organized to investigate Royal Post Office mismanagement.

One of Hill’s proposals was prepaid postal stationery, including letter-sheets, wrappers, and envelopes, as well as smaller stamped labels, which he described as “bits of paper just large enough to bear the stamp, and covered at the back with a glutinous wash.” Hill also suggested that postage be uniformly charged by weight, rather than the existing system based on destination proximity and pages per letter.

In the summer of 1839, a Parliamentary “Penny Postage” bill was passed; by May of the following year, Britain’s first adhesive stamps were printed. These first two stamps, known as the Penny Black and Two Pence Blue, featured an engraved portrait of Queen Victoria with the word “Postage” along the top edge and the price written along the bottom. The lower two corners also included a letter code indicating the individual stamp’s placement on each printed sheet. Original stamp sheets were imperforate, and included directions for placing the postage above and to the right of the handwritten address. Adhesive stamps became compulsory for the British post in 1853.

The first canceller used for British stamps was shaped like a Maltese cross and required red ink. However, Royal Mail officers soon realized how easy these cancellation marks were to erase, and in 1841 the stamps were altered to make reuse more difficult. The black ink for penny stamps was changed to red, and while the two-cent stamps remained blue, white lines were added to distinguish the newer version. Both stamps acquired perforations in 1854, and check letters in all four corners in 1858.

Notably, the words “Great Britain” weren’t included anywhere on these first adhesive stamps, essentially because England was the only country in the world issuing paper stamps at the time. The omission became standard, and has been maintained on all official British postage ever since.

Other countries were relatively slow to adopt adhesive stamps, though Great Britain encouraged each of the postal services in its colonies to release their own. One of the rarest stamps ever produced was an imitation of England’s original penny stamps issued by the island colony of Mauritius. After stamps ordered from the United Kingdom were indefinitely delayed, the Governor of Mauritius asked a local engraver to create a red one-cent and blue two-cent stamp designed after England’s Penny Black and Two Pence Blue. Five hundred of each kind were produced, and all sold out within a few days of their release in September of 1847.

Other British colonial rarities include the Lady McLeod shipping stamps from Trinidad in 1847, the plain stamps issued in Hamilton, Bermuda beginning in 1848, and Guyana’s famed one cent, black-on-magenta stamp of 1856.

Britain’s first commemorative stamps were technically produced in 1887, on the 50th anniversary, or “Golden Jubilee,” of Queen Victoria’s ascension to the throne. However, these designs were used throughout the remainder of Victoria’s reign, unlike more modern commemoratives which have a limited production run. The country’s first commemorative specially designed for a current event were created by Harold Nelson for the British Empire Exhibition in 1924. In addition to the exhibition title and requisite bust of King George V, the image also showcased a symbolic roaring lion.

Early British commemoratives always featured portraits of royalty, though designers experimented with increasingly diverse and informal imagery during the 20th century. For example, in 1948 the Silver Anniversary of King George VI and Queen Elizabeth was celebrated with stamps based on Dorothy Wilding’s photographs of the royal couple.

The first commemorative stamps without a royal figure were those honoring William Shakespeare’s Quatercentenary in 1964. During the following years, the British Royal Mail increased its output of commemorative lines, releasing several series each year on subjects ranging from historic events and national monuments to artwork and wildlife.

Notable designers for early British stamps include Bertram Mackennal and G.W. Eve, who along with engraver J.A.C. Harrison created many classic portraits and pictorial designs. Their “Sea-Horses” series of 1913 is very desirable among collectors, and depicts Brittania’s chariot pulled by a team of equine creatures and flanked by a bust of King George V. As an avid philatelist, George V specifically asked that Mackennal and Eve use the older intaglio printing process for these stamps, which was out of fashion due to the popularity of letterpress technology.

The most prolifically reproduced design in British philatelic history is the Machin series of stamps, first issued in 1967. Featuring a portrait of Queen Elizabeth originally sculpted by Arnold Machin, thousands of different versions of these stamps have since been created, and its design is still issued by the British post today.

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