Vintage Indiana Glass

Following the 1907 Bankers’ Panic, during which U.S. stocks fell nearly 50% from the previous year’s high, the National Glass Company was placed in receivership, leaving it prone for the picking. Accordingly, in 1908, the National Glass Company’s assets were scooped up by the Indiana Glass Company, making the latter an overnight powerhouse within the glass industry.

From 1908 through the Great Depression, the Indiana Glass Company produced several new glass patterns each year. In 1915, for example, a pattern now known to collectors as Frosted Block featured a strikingly original array of colors for the time. Clear crystal, pale pink, light green, and uranium-yellow glass was molded to resemble pebbled blocks, each of which bore even more intricate patterning.

In 1923, the company released a glassware pattern called Avocado, also known as the Sweet Pear design, considered by many historians to be the first example of an authentic Depression glass pattern. Avocado featured two pear shapes nestled against one another atop a bed of leaves. Consistently produced over a period of eleven years (1923 to 1934) and across four distinct color schemes (the original green for which it was named, plus pink, crystal, and white milk glass), Avocado glassware carved a niche for itself among other Art Nouveau-style patterns of the day. Of the cups, saucers, relish plates, and other pieces in this pattern, the Avocado pitcher is considered especially difficult to find.

Other significant Depression era glassware patterns produced by Indiana included Cracked Ice; Indiana Custard; No. 610 (Pyramid); No. 612 (Horseshoe); No. 616 (Vernon); No. 618 (Pineapple and Floral); Old English; Sandwich; and Tea Room. Vines winding around the edges of pieces were typical of patterns such as Floral and Indiana Custard, whereas a pattern such as Sandwich was distinguished by a central flower surrounded by dots, scrolls, and, if space allowed, even more floral emblazonments.

In 1929, the Lorraine No. 615 pattern was added to the Indiana lineup. Noted for being the first mold-etched design, these Art Deco shaped pieces featured floral etching—today Lorraine pieces are much in demand. This foray into experimental-design concepts led to the production of Hon on a Nest in the 1930s. These dishes had covers in the shapes of hens, whose feathers featured varying degrees of intricately beaded patterns, while the hens themselves sat on lattice-like or stippled nests.

During World War II, the Indiana Glass Company produced fewer patterns—along with other glass manufacturers of the period, regular operations were shut down in favor of producing wartime materials such as headlights and lenses. The glass industry as a whole expanded in the 1950s to meet the demands of restaurants and diners that sprung up nationwide. The Indiana Glass Company cranked out white milk glass versions of its older glassware lines. To better serve the restaurant industry, heat-resistance was added to the glassware's list of features.

Following this brief postwar boom, though, a severe lull in the market for glassware, caused in part by the introduction of plastic substitutes, forced the sale of the Indiana Glass Company to the Lancaster Glass Corporation in 1957. Ironically, one of Lancaster’s other properties, Colony Glass, was struggling to produce its Harvest pattern milk glass line fast enough, so the Indiana Glass Company quickly began manufacturing Harvest milk glass under the Colony Glass name.

With the 1960s came a renewed interest in glassware, and Indiana Glass Company’s popular carnival glass molds were used to produce new lines of traditionally styled products in a variety of colors. Among the big sellers for the company was the King’s Crown line of clear goblets with red-tinged rims. Indiana’s Carnival glass pieces, as well as the items it made for its Tiara line, carried the company through the 1970s and ’80s.

More than the design of its recycled patterns, the Tiara line is remembered and collected for the way in which it was marketed through in-home parties. When the home-party fad died down, national retailers such as Kmart and Wal-Mart kept the Indiana Glass Company afloat in the face of competition from low-cost international suppliers. A deal with Coca-Cola to mass-produce Coke glasses and branded trinkets was another lucrative lifeline.

Unfortunately, long-term competition with overseas manufacturers wasn’t feasible, Kmart went bankrupt, and a failure on the part of workers and management to come to terms after a strike at the Dunkirk glass factory effectively ended production there, severing the last links to a once-great company.

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