When Samuel Weller launched his one-man, one-room pottery in 1872, he did everything himself. He dug the clay from the Fultenham, Ohio, soil, threw and fired his pieces, and carted them into nearby Zanesville, where he sold them door to door.
At the time, Weller’s repertoire ranged from flower pots to cuspidors, with the occasional piece of stoneware thrown in for good measure. Little could anyone have guessed that within 30 years, Weller Pottery would employ 500 people and be one of the biggest names in hand-painted art pottery in the United States.
While Weller’s roots may have been solo, his success owed a lot to the artisans he hired. The first of these was William Long of Lonhouda Pottery. Long was only at Weller a year or so, but Weller produced his Louwelsa pieces for many years to come. These vases and other decorative objects featured generally dark backgrounds, upon which were florals or portraits, which appeared frozen beneath their shiny overglaze.
The next outsider to help Weller achieve his vision, and success, was Charles Babcock Upjohn, who was hired in 1895 as Weller’s art director—he remained with the firm for almost 10 years. Upjohn is credited with the popular Dickensware II line of 1900, whose surfaces featured figurative illustrations that were literally lifted from the pages of Charles Dickens novels.
Next Weller hired the English potter Frederick Hurton Rhead, who was also only at Weller a year (1902-1903) but left a major mark before moving on to Roseville and Arequipa (Rhead is probably best known as the designer of Fiesta). Among other things, Rhead is credited with Dickensware III, which was a kind of embossed version of Upjohn’s time-consuming-to-produce line. He also produced a number of hand-painted faience plates.
Jacques Sicard, a French ceramist, arrived shortly thereafter. He was brought to Weller to share the secrets of an iridescent majolica. Sicard eventually produced the Sicardo line for Weller, but unlike Long and Rhead, he refused to reveal his formula and methods, leaving the pottery in 1907 with the secrets still in his head.
Coincidental with Sicard’s tenure at Weller was that of Austrian Rudolph Lorber, who brought a menagerie of figurines to the firm. He also excelled at embossing techniques and wa...
The Hobart line aside, Weller did not throw off its Art Nouveau roots. One of the pottery’s biggest sellers during the 1920s was its Hudson line of vases, whose floral paintings were decidedly nostalgic for the turn of the century, and are today considered among the finest examples of hand-painted production pottery in the early 20th century. Simultaneously, Weller produced several lines that used relief on their surfaces to dramatic effect, from the birds and daisies of the Knifewood line to the floral decorations of Marvo.
By the 1930s, the days of hand painting at Weller were numbered. Indeed, the company’s painted lines during the decade, from Bonito to Stellar, were extremely simplistic compared to what had come before. By 1935, Weller was only making molded pottery and in 1948, after struggling to stay afloat during World War II, the company closed for good.
Best of the Web (“Hall of Fame”)
Cowan Pottery Museum Associates
The Pottery Studio
Clubs & Associations
Other Great Reference Sites
Most watched eBay auctions
Recent News: Weller Art Pottery
Source: Google News
Property SalesWatertownDailyTimes.com, January 23rd
Town of Brasher: Parcel 1) 55.5 acres more or less, Parcel 2) 40 acres more or less, Parcel 3) 72.62 acres more or less, bounded by County Route 50, Michael Weller (administrator), Kevin J. Weller, Brasher, sold to Richard H. Spaulding, North Bangor...Read more
OSHA Sends Respirable Crystalline Silica Rule to OMB for Final ReviewThe National Law Review, January 7th
Industry sectors expected to be particularly affected include foundries, abrasive blasting operations, paint manufacture, glass and concrete product manufacture, brick making, china and pottery manufacture, manufacture of plumbing fixtures, and many ...Read more
Everson Explores Its Own RichesSyracuse New Times, November 18th
Once again, the ceramics were made by a diverse roster of artists: Adelaide Alsop Robineau, Weller Pottery, Iranian and Mexican potters, and Peter Jones, an artist from the Onondaga Nation. Gods and Monsters is a type of show that sometimes spins out...Read more
Karen Allen at Home in the BerkshiresNew York Times, July 31st
Vintage American ceramics are another love, a vestige of her 10-year marriage to Kale Browne, an actor who “knew a lot about the Arts and Crafts movement,” she said. “My favorite pieces are by Weller and the North Dakota School of Mines. What I like...Read more
Treasures in Your Attic: Familiar theme in Weller piecesThe Union Leader, June 2nd
Weller is the name of a pottery making company that originated in Fultonham, Ohio, in around 1872. The proprietor was Samuel A. Weller, who some might call an “entrepreneur,” while others would judge him to be something of an opportunistic scoundrel...Read more
More than 350 pieces of Weller pottery and Royal Bayreuth figurals will be ...ArtfixDaily (blog), April 15th
LONE JACK, Mo. – A little more than 350 lots of rare and unusual Weller Pottery and Royal Bayreuth figurals from the single-owner lifetime collection of Dale and Nancy Carter will come up for bid on Saturday, April 26th, at Dirk Soulis Auctions, in the...Read more
Weller art pottery in much demandMilwaukee Journal Sentinel, May 18th
Art pottery made by Weller is a favorite among collectors. The company made art pottery in Zanesville, Ohio, from 1893 to 1948. From the 1920s to the 1940s, Weller also made less sophisticated pottery for the yard called "Garden Ware." Stone-colored ...Read more
Weller pottery still popular with buyersCt Post, February 23rd
Weller pottery was first made in 1872 in Fultonham, Ohio, but by 1882 Weller had moved to Zanesville, one of the main cities where pottery was made in Ohio. Hundreds of thousands of pieces of decorative art pottery and florist wares were made at Weller ...Read more