When Samuel Weller launched his one-man, one-room pottery in 1872, he did everything himself. He dug the clay from the Fultenham, Ohio, soil, threw and fired his pieces, and carted them into nearby Zanesville, where he sold them door to door.

At the time, Weller’s repertoire ranged from flower pots to cuspidors, with the occasional piece of stoneware thrown in for good measure. Little could anyone have guessed that within 30 years, Weller Pottery would employ 500 people and be one of the biggest names in hand-painted art pottery in the United States.

While Weller’s roots may have been solo, his success owed a lot to the artisans he hired. The first of these was William Long of Lonhouda Pottery. Long was only at Weller a year or so, but Weller produced his Louwelsa pieces for many years to come. These vases and other decorative objects featured generally dark backgrounds, upon which were florals or portraits, which appeared frozen beneath their shiny overglaze.

The next outsider to help Weller achieve his vision, and success, was Charles Babcock Upjohn, who was hired in 1895 as Weller’s art director—he remained with the firm for almost 10 years. Upjohn is credited with the popular Dickensware II line of 1900, whose surfaces featured figurative illustrations that were literally lifted from the pages of Charles Dickens novels.

Next Weller hired the English potter Frederick Hurton Rhead, who was also only at Weller a year (1902-1903) but left a major mark before moving on to Roseville and Arequipa (Rhead is probably best known as the designer of Fiesta). Among other things, Rhead is credited with Dickensware III, which was a kind of embossed version of Upjohn’s time-consuming-to-produce line. He also produced a number of hand-painted faience plates.

Jacques Sicard, a French ceramist, arrived shortly thereafter. He was brought to Weller to share the secrets of an iridescent majolica. Sicard eventually produced the Sicardo line for Weller, but unlike Long and Rhead, he refused to reveal his formula and methods, leaving the pottery in 1907 with the secrets still in his head.

Coincidental with Sicard’s tenure at Weller was that of Austrian Rudolph Lorber, who brought a menagerie of figurines to the firm. He also excelled at embossing techniques and wa...

The Hobart line aside, Weller did not throw off its Art Nouveau roots. One of the pottery’s biggest sellers during the 1920s was its Hudson line of vases, whose floral paintings were decidedly nostalgic for the turn of the century, and are today considered among the finest examples of hand-painted production pottery in the early 20th century. Simultaneously, Weller produced several lines that used relief on their surfaces to dramatic effect, from the birds and daisies of the Knifewood line to the floral decorations of Marvo.

By the 1930s, the days of hand painting at Weller were numbered. Indeed, the company’s painted lines during the decade, from Bonito to Stellar, were extremely simplistic compared to what had come before. By 1935, Weller was only making molded pottery and in 1948, after struggling to stay afloat during World War II, the company closed for good.

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Recent News: Weller Art Pottery

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Annual Stangl/Fulper Collectors Club Show and Sale set for Oct. 19
Hunterdon County Democrat, October 13th

As always, Stangl and Fulper pottery will be well represented, and there is always a good amount of Pennsbury, Weller, Roseville, McCoy, Hull, Trenton, and dozens of other potteries. New this year is the inclusion of additional collectibles and...Read more

Ojai shops reflect the town's artistic soul
Los Angeles Times, October 10th

Ojai, a scenic little agricultural city, has for the better part of a century lured individuals pursuing spiritual enlightenment and artists seeking inspiration and calm. Now a new crop of makers and merchants is traveling the 90 miles north of Los...Read more

Rookwood XXIV, Keramics 2014, Art Glass 2014
Maine Antique Digest, October 9th

A Weller Fru Russet vase having a molded thistle design, 11½" high, brought $4255. ... The Rookwood XXIV session continued as the part of the market where Humler & Nolan excels, not only in the pottery offered, but also in the information presented...Read more

New Bern to host Mumfest next weekend
New Bern Sun Journal, October 1st

The array includes pottery, crafts and art. There is always plenty of food in booths along the downtown district streets, as well as two days of free entertainment. That includes live bands, dance troupes, magicians, roving street performers, face...Read more