When Samuel Weller launched his one-man, one-room pottery in 1872, he did everything himself. He dug the clay from the Fultenham, Ohio, soil, threw and fired his pieces, and carted them into nearby Zanesville, where he sold them door to door.

At the time, Weller’s repertoire ranged from flower pots to cuspidors, with the occasional piece of stoneware thrown in for good measure. Little could anyone have guessed that within 30 years, Weller Pottery would employ 500 people and be one of the biggest names in hand-painted art pottery in the United States.

While Weller’s roots may have been solo, his success owed a lot to the artisans he hired. The first of these was William Long of Lonhouda Pottery. Long was only at Weller a year or so, but Weller produced his Louwelsa pieces for many years to come. These vases and other decorative objects featured generally dark backgrounds, upon which were florals or portraits, which appeared frozen beneath their shiny overglaze.

The next outsider to help Weller achieve his vision, and success, was Charles Babcock Upjohn, who was hired in 1895 as Weller’s art director—he remained with the firm for almost 10 years. Upjohn is credited with the popular Dickensware II line of 1900, whose surfaces featured figurative illustrations that were literally lifted from the pages of Charles Dickens novels.

Next Weller hired the English potter Frederick Hurton Rhead, who was also only at Weller a year (1902-1903) but left a major mark before moving on to Roseville and Arequipa (Rhead is probably best known as the designer of Fiesta). Among other things, Rhead is credited with Dickensware III, which was a kind of embossed version of Upjohn’s time-consuming-to-produce line. He also produced a number of hand-painted faience plates.

Jacques Sicard, a French ceramist, arrived shortly thereafter. He was brought to Weller to share the secrets of an iridescent majolica. Sicard eventually produced the Sicardo line for Weller, but unlike Long and Rhead, he refused to reveal his formula and methods, leaving the pottery in 1907 with the secrets still in his head.

Coincidental with Sicard’s tenure at Weller was that of Austrian Rudolph Lorber, who brought a menagerie of figurines to the firm. He also excelled at embossing techniques and wa...

The Hobart line aside, Weller did not throw off its Art Nouveau roots. One of the pottery’s biggest sellers during the 1920s was its Hudson line of vases, whose floral paintings were decidedly nostalgic for the turn of the century, and are today considered among the finest examples of hand-painted production pottery in the early 20th century. Simultaneously, Weller produced several lines that used relief on their surfaces to dramatic effect, from the birds and daisies of the Knifewood line to the floral decorations of Marvo.

By the 1930s, the days of hand painting at Weller were numbered. Indeed, the company’s painted lines during the decade, from Bonito to Stellar, were extremely simplistic compared to what had come before. By 1935, Weller was only making molded pottery and in 1948, after struggling to stay afloat during World War II, the company closed for good.

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Recent News: Weller Art Pottery

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Time Out Roundabout — What's Happening Feb. 26-March 4
Salisbury Post, February 26th

Dr. Nelson A. Weller on “Warts and All,” sensitive issues and dark secrets sometimes found in family histories. Forsyth County Public Library-Reynolda Manor Branch, 2839 Fairlawn Drive, W-S. –Regional 8th grade History .... See www.earthdayjamnc.com...Read more

Harmonists were economic engine for the region
Timesonline.com, February 25th

“They laid out a lot of the town of Beaver Falls,” Knecht said of the Harmonists, where they even gave land to Geneva College and developed the town in the 1860s, development that included a bank, cutlery factory and pottery. Knecht said they helped...Read more

Glass and Antique Show returns to Rosenberg
Fort Bend Herald, February 19th

The show features American made glassware and antiques from 1880-1970, including pattern glass, carnival glass, American brilliant cut glass, depression glass, and American art pottery. Guests will find a variety of companies at the show, including...Read more

Public to preview train plans
Alton Telegraph, February 12th

By Linda N. Weller lweller@civitasmedia.com ... Last month, field technicians from Gateway Archaeology LLC of St. Charles, Mo., finished digging in a small area where pottery shards, glass pieces and other small artifacts were discovered a few years ago...Read more

The Houston Glass Show & Sale and The Best Little Antique Show in Texas set ...
Fortbendstar.com, February 11th

This includes Pattern Glass, Carnival Glass, American Brilliant Cut Glass, Depression Glass, and American Art Pottery. Our dealers come from 12 states and bring their best glass and pottery to sell at our show. Friday night we ... You will find Fenton...Read more

Unpaved Roadshow: The whys and wares of early-American pottery
Rappahannock News, February 5th

An enterprising brewer and businessman, Rogers's pottery works was one of Virginia's most prosperous businesses, producing 23 types of redware and stoneware, which were shipped up and down the East Coast. Since the quality of Rogers's vessels was...Read more

More than 350 pieces of Weller pottery and Royal Bayreuth figurals will be ...
ArtfixDaily (blog), April 15th

LONE JACK, Mo. – A little more than 350 lots of rare and unusual Weller Pottery and Royal Bayreuth figurals from the single-owner lifetime collection of Dale and Nancy Carter will come up for bid on Saturday, April 26th, at Dirk Soulis Auctions, in the...Read more

Weller pottery still popular with buyers
Ct Post, February 23rd

Weller pottery was first made in 1872 in Fultonham, Ohio, but by 1882 Weller had moved to Zanesville, one of the main cities where pottery was made in Ohio. Hundreds of thousands of pieces of decorative art pottery and florist wares were made at Weller ...Read more