When Samuel Weller launched his one-man, one-room pottery in 1872, he did everything himself. He dug the clay from the Fultenham, Ohio, soil, threw and fired his pieces, and carted them into nearby Zanesville, where he sold them door to door.
At the time, Weller’s repertoire ranged from flower pots to cuspidors, with the occasional piece of stoneware thrown in for good measure. Little could anyone have guessed that within 30 years, Weller Pottery would employ 500 people and be one of the biggest names in hand-painted art pottery in the United States.
While Weller’s roots may have been solo, his success owed a lot to the artisans he hired. The first of these was William Long of Lonhouda Pottery. Long was only at Weller a year or so, but Weller produced his Louwelsa pieces for many years to come. These vases and other decorative objects featured generally dark backgrounds, upon which were florals or portraits, which appeared frozen beneath their shiny overglaze.
The next outsider to help Weller achieve his vision, and success, was Charles Babcock Upjohn, who was hired in 1895 as Weller’s art director—he remained with the firm for almost 10 years. Upjohn is credited with the popular Dickensware II line of 1900, whose surfaces featured figurative illustrations that were literally lifted from the pages of Charles Dickens novels.
Next Weller hired the English potter Frederick Hurton Rhead, who was also only at Weller a year (1902-1903) but left a major mark before moving on to Roseville and Arequipa (Rhead is probably best known as the designer of Fiesta). Among other things, Rhead is credited with Dickensware III, which was a kind of embossed version of Upjohn’s time-consuming-to-produce line. He also produced a number of hand-painted faience plates.
Jacques Sicard, a French ceramist, arrived shortly thereafter. He was brought to Weller to share the secrets of an iridescent majolica. Sicard eventually produced the Sicardo line for Weller, but unlike Long and Rhead, he refused to reveal his formula and methods, leaving the pottery in 1907 with the secrets still in his head.
Coincidental with Sicard’s tenure at Weller was that of Austrian Rudolph Lorber, who brought a menagerie of figurines to the firm. He also excelled at embossing techniques and wa...
The Hobart line aside, Weller did not throw off its Art Nouveau roots. One of the pottery’s biggest sellers during the 1920s was its Hudson line of vases, whose floral paintings were decidedly nostalgic for the turn of the century, and are today considered among the finest examples of hand-painted production pottery in the early 20th century. Simultaneously, Weller produced several lines that used relief on their surfaces to dramatic effect, from the birds and daisies of the Knifewood line to the floral decorations of Marvo.
By the 1930s, the days of hand painting at Weller were numbered. Indeed, the company’s painted lines during the decade, from Bonito to Stellar, were extremely simplistic compared to what had come before. By 1935, Weller was only making molded pottery and in 1948, after struggling to stay afloat during World War II, the company closed for good.
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Bay-Waveland Garden Club's Spring Pilgrimage Home Tour is March 8SunHerald.com, February 27th
as art pottery, art glass and collectible Americana. Special items include Newcomb, Roseville, Weller and Rookwood pottery, as well as a delightfully quirky collection of majolica figurals. An entire window case is filled with art deco, Tiffany...Read more
What's it worth: Vicente Manansala pastel, North Wind chair, Bela Bodo ...The Oregonian, February 26th
A. Samuel Weller founded Weller Pottery in 1872 in Fultonham, Ohio, an area where high-quality pottery clay was readily available. The company began making utilitarian pieces such as jars and jugs, then added art pottery lines when it moved to...Read more
Upcoming sales include furniture, Tobys, local itemsTribune-Review, February 23rd
In the glass, pottery and ceramics section, Staffordshire dogs beg for attention while Meissen Chinese figures lend a bit of Far East mystique to the sale. Also in the mix are Tiffany art glass, Rookwood and Weller pottery and crystal from Baccarat and...Read more
Holiday Sale 2013Maine Antique Digest, February 16th
The best of the Weller Pottery was a monumental Hudson vase, 29 3/8" high, decorated by Mae Timberlake, depicting a pair of birds perched among the branches of a fruit tree; it sold for $9775. About 300 lots in the sale were from the collection of...Read more