In 1945, Girard-Perregaux made a small, rectangular Art Deco styled mechanical wristwatch, whose frame was made of steel and yellow gold, and whose second hand was housed in a small box in the 6 position. Fifty years later, this same watch was redesigned slightly and reissued as the Vintage 1945.

By the 1950s, self-winding Gyromatic, 17-jewel wristwatches were the workhorses of the Girard-Perregaux line. They were designed with simple round or square faces in metals ranging from polished stainless steel to gold. During this same era, the firm produced hard-working chronographs with 30-minute and 12-hour counters along with fancier models such as the Mysterieuse, a minimalist creation whose hour and minute “hands” were fixed on smaller discs that rotated within the wristwatch’s round face.

In 1966, the Gyromatic family upgraded to high-frequency movements, which were reliable performers, and by 1969, production of quartz wristwatches began. The following year, Girard-Perregaux's new line of quartz wristwatches was released. One of the most interesting models was the 1971 Elcron, whose hi-tech face resembled a computer circuit board. By 1972, the frequency of a Girard-Perregaux watch’s oscillator (32,768 hz) became the industry standard.

Other Girard-Perregaux wristwatches prized by collectors include the Laureato from 1975, which had a quartz movement and an octagonal bezel. And in 1980, the company produced a wristwatch version of its 1889 three-gold-bridge Tourbillon pocket watch, which was so ahead of its time that it was banned from competitive exhibition in 1900.

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